Most Star Wars fan theories end up being as wrong as Anakin Skywalker killing younglings. Rey isn’t Obi-Wan Kenobi’s granddaughter or the reincarnation of the Chosen One. Star Wars: The Last Jedi reveals that she’s no one before Star Wars: The Rise of Skywalker walks that back and explains that she’s the daughter of a Palpatine clone. It’s not worth spending too much time thinking about that can of worms, though, as Rey’s lineage is far from the only aspect of Star Wars that opens the door to speculation. In fact, a detail as minute as an empty chair in a meeting can cause serious debates.

It’s a gamble whenever Star Wars attempts to recontextualize a moment from the original trilogy. After all, those movies are sacred ground. That doesn’t stop Lucasfilm from pushing the envelope though, even going as far as to have Darth Vader and Obi-Wan Kenobi meet up one more time after their battle on Mustafar. How the powers that be connect Star Wars: Andor and Rogue One: A Star Wars Story to Star Wars: A New Hope using a supporting character isn’t as brazen, but it’s noteworthy nonetheless.

The Latest Projects About the Empire’s Reign Introduce an Important Imperial Figure

Star Wars loves the era between Star Wars: Revenge of the Sith and A New Hope. Star Wars Rebels and the Star Wars Jedi: Survivor games are just a couple of the projects that fall in that 19-year window. However, they’re chopped liver compared to Rogue One: A Star Wars Story and Star Wars: Andor, which follow the events leading up to the destruction of the Death Star. It comes to light that the one pushing the super weapon hardest is Director Orson Krennic, who recruits Galen Erso for the project and forces the scientist out of retirement when work stalls. All of Krennic’s hard work, including the destabilization of Ghorman, is an effort to get a real seat at the Imperial table alongside the likes of Grand Moff Tarkin.

What Krennic doesn’t account for is the Rebellion growing right under the Empire’s nose. His subordinates, including Dedra Meero, fail to keep the details of the Death Star in-house, providing Cassian Andor and everyone else on Yavin 4 an opening. Andor and Co. are able to infiltrate the Imperial stronghold on Scarif and transmit the Death Star plans to the Rebel fleet. Krennic is present on the planet, and in a poetic form of justice, the very weapon he worked so hard to get operational kills him. With Krennic being an important part of Imperial history, many fans thought it was strange that A New Hope makes no mention of him. They had to create their own theory to find a place for him in the story. Unlike Director Krennic, though, Star Wars fans can enjoy the fruits of their labor.

Read Next

George Lucas’ Advice to Solo Director Is Sure to Anger Star Wars Fans (but He’s Right)

Director Krennic’s Star Wars Legacy Is a Tragic One

A New Hope is, of course, the first Star Wars project to have ever been released, so fans have had nearly fifty years to comb through all its details. One thing that has always stood out is the empty chair in the meeting room on the Death Star. As the Imperials discuss the threat the Rebellion poses with the Death Star plans, Darth Vader and Tarkin walk into the room and assure everyone that there’s nothing to worry about. However, Vader doesn’t sit down, seemingly confirming that the empty chair in the room doesn’t belong to him. A New Hope doesn’t mention a missing Imperial, so fans have taken that to mean Krennic’s death is the reason for the meeting feeling incomplete.

The idea remained nothing but a fan theory until the release of the canon-ish 2017 anthology novel From a Certain Point of View. In the short story “Fully Operational” by Beth Revis, General Cassio Tagge discusses his arrival on the Death Star shortly after the Battle of Scairf and his feelings about Krennic. He remembers the last meeting in the room, when Krennic had discussed using the weapon on something bigger than Jedha City. Of course, that line of thinking got Krennic killed, and while Tagge remembers his colleague’s childish attitude, he also can’t help but think about how passionate he was about acquiring power.

Did you believe the theory that Director Krennic was the Imperial missing from the meeting in Star Wars: A New Hope? How do you feel that it turned out to be true? Let us know in the comments below!

The post A Confirmed Andor Fan Theory Will Change How Star Wars Fans Watch the Original Movie appeared first on ComicBook.com.

Star Wars has always had its ear to the ground. Following the release of Star Wars: Return of the Jedi, the cuddly creatures that helped take down the Empire were so popular that George Lucas and Co. cooked up the animated series Star Wars: Ewoks, which ran for two seasons. It didn’t get the best reception, but that didn’t deter Lucasfilm from trying its hand at another spin-off during the prequel era. Star Wars: Clone Wars and its successor, Star Wars: The Clone Wars, told the story of the major galactic conflict and the soldiers who fought in it. After that, it was fair game for any character with a worthwhile story to get their own spin-off.

Star Wars: Ahsoka and the Tales series are some of the biggest successes on Disney+ right now, but there’s no reason to stop there. Here are the seven Star Wars TV spin-offs that Disney needs to put next on its massive to-do list.

1) Bo-Katan Kryze

Bo-Katan Kryze’s story starts all the way back in The Clone Wars, with her fighting to remind her home world, Mandalore, of its original purpose. Many people disagree with her plan, including Maul, who seizes control of the planet before the Empire decimates it. After that, Bo-Katan travels the galaxy in shame, hoping to one day unite her people again.

The best part about Bo-Katan is that she’s around for countless major events, including the Clone Wars and the Galactic Civil War. Her spin-off can follow her during any period and still have an interesting story to tell.

2) Baylan Skoll

Ahoksa Tano’s solo series features her searching for Grand Admiral Thrawn, who she knows is amassing power in the galaxy. A former Jedi, Baylan Skoll, works for one of Thrawn’s lackeys, Morgan Elsbeth, and he gives Ahsoka a run for her money when they fight.

Skoll isn’t interesting because of his lightsaber skills, though, which are impressive. No, his fascination with the Force and the beings behind it is what makes him a great candidate for a spin-off. All Lucasfilm needs to do is follow the character in his early days, when he begins to learn more about the power that binds the galaxy.

3) Kleya Marki

Star Wars: Andor is easily the most popular spin-off set in a galaxy far, far away. It’s all about the early days of the Rebellion and how Cassian Andor finds himself searching for the Death Star plans. However, the titular spy is far from the most interesting character in the show.

Kleya Marki, Luthen Rael’s assistant, is as dedicated as anyone, willing to do anything to destroy the Empire. Sadly, her boss doesn’t live to see the Death Star’s destruction, but Kleya makes it to Yavin 4, which means she has some role to play in the franchise’s future.

Read Next

14 Years Ago, Star Wars Went Darker Than It Ever Had Before

4) Dedra Meero

While Andor focuses on its heroes, it has its fair share of villains as well, and some of them must have more to say. Dedra Meero is an Imperial officer who bites off more than she can chew when she goes after Luthen and his rebel cell.

Despite only wanting to impress the higher-ups, Dedra ends up in prison at the end of Andor, building parts for the Death Star. While the New Republic isn’t going to let her walk when the war is over, she won’t want to rot in a cell forever, opening the door for a story about her escape.

5) Darth Plagueis

Star Wars: The Acolyte takes some huge swings by pitting a misguided group of Jedi against a mysterious dark-side user. Well, it turns out the enemy they’re facing has a master, and he’s one of the most mysterious Sith Lords in history.

Darth Plagueis makes a brief appearance in the only season of The Acolyte that’s supposed to set up a future storyline. Even though the show isn’t going to return, Disney would still be smart to capitalize on the Plagueis hype and reveal why he’s considered so wise.

6) Captain Rex

The 501st Legion and its captain, Rex, get plenty of time to shine in The Clone Wars, as Anakin Skywalker is the one in charge of them. However, Rex always has to play second fiddle to someone, even during his appearances on Star Wars Rebels and Star Wars: The Bad Batch.

Rex has so much to offer, though, especially because he fights with the Rebellion all the way up to the Battle of Endor. Making him the focus of a series would make up for all the time he had to spend in the background, propping other characters up.

7) Hondo Ohnaka

Star Wars: The Skeleton Crew finally gives love to a profession in a galaxy far, far away that has long gone overlooked: piracy. At Attin finds itself under siege by pirates who want to take everything of value, but the show is missing an important scallywag.

Hondo Ohnaka plays a major role in several Star Wars animated series, often playing both sides of a conflict in order to land a big score. There have long been calls to bring him to live-action, and there’s no better place to do it than his own show.

Which of these characters would you like to see get a Star Wars spin-off? Who else is deserving of the honor? Let us know in the comments below!

The post 7 Star Wars Spin-Offs Disney Needs To Make Next appeared first on ComicBook.com.

While he is globally renowned as the creator of the epic fantasy series Game of Thrones, George R.R. Martin has been a significant voice in the science fiction community for decades. Long before the Starks and Lannisters, Martin was penning award-winning sci-fi stories like the novella “A Song for Lya” and his debut novel Dying of the Light. He also created and edited the long-running Wild Cards shared universe of superhero anthologies, which also draws heavily from sci-fi themes. As a veteran of the genre, Martin’s opinion carries substantial weight, and he recently took to his blog to share high praise for two of 2025’s most talked-about sci-fi television shows, singling out Apple TV+’s Murderbot and Disney+’s Star Wars: Andor as standout examples of excellent science fiction storytelling on television.

“There’s been some great SF on television,” Martin wrote. “The Murderbot stories are always a lot of fun, and the TV show did them justice. I look forward to another series.” Murderbot is based on the Hugo and Nebula award-winning book series The Murderbot Diaries by Martha Wells. The series stars Alexander Skarsgård as a security android that has hacked its own governor module, gaining free will. Now, it must hide its autonomy while protecting its human clients, a task it finds far less interesting than its true passion: watching soap operas. Martin’s hope for more of the series was fulfilled even before its first season concluded, as Apple TV+ announced it had renewed Murderbot for a second season just ahead of its Season 1 finale.

Read Next

7 Must-See Shows If You Love Murderbot

“ANDOR was this year’s highlight, though,” Martin continued in his blog post. “Far and away the best of the Star Wars spinoffs. Looked gorgeous, Diego Luna was first rate, and there was a realism and tension to the story that was sadly lacking in most of the other spinoffs.” His praise aligns with the universal acclaim the Star Wars series has received. The show, which concluded its two-season run earlier this year, explores the nascent days of the Rebel Alliance through the eyes of thief-turned-spy Cassian Andor (Luna). The second and final season was a critical juggernaut, earning an impressive 14 Emmy nominations, including nods for guest actor Forest Whitaker and voice actor Alan Tudyk.

How Murderbot and Star Wars: Andor Left Their Mark on 2025 Television

Martin is not alone in his praise for Murderbot and Star Wars: Andor. Murderbot quickly established itself as a breakout hit for Apple TV+, earning a “Certified Fresh” rating of 96% on Rotten Tomatoes from critics. The show’s success is built on a faithful adaptation of Martha Wells’ beloved source material, capturing the unique and wry voice of its titular character. Skarsgård’s performance as the media-obsessed android has been singled out for praise, perfectly balancing the character’s disdain for humanity with his begrudging sense of duty. As such, the series provides another victory for Apple TV+’s growing lineup of acclaimed sci-fi TV shows, which includes hits like Silo and Severance.

Andor, in its turn, carved its mark on television history by delivering a level of narrative maturity and grit that many fans felt had been missing from the Star Wars franchise. The show’s second season became the highest-rated Star Wars project ever on Rotten Tomatoes, also with a 96% score. This critical adoration was matched by strong viewership, particularly for its finale week. According to Nielsen data, Andor climbed to the number one spot on the overall streaming chart for the week of May 12-18, accumulating an incredible 931 million minutes watched. This viewership peak was the culmination of a successful season that defied early concerns about franchise fatigue. By focusing on a tense, grounded story of espionage and political radicalization, free of Jedi and overt fantasy elements, Andor expanded the boundaries of what a Star Wars story could be.

Both Murderbot and Andor are currently available for streaming on Apple TV+ and Disney+, respectively.

What did you think of Murderbot and Star Wars: Andor? Let us know in the comments!

The post 2 Of 2025’s Biggest Sci-Fi TV Shows Earn Huge Praise From George R.R. Martin appeared first on ComicBook.com.

To date, Star Wars has released seven live-action TV shows on Disney+, and some are a lot better than others. The launch of Disney+ in 2019 kick-started Star Wars’ endeavors on the streaming platform, beginning with Star Wars: The Mandalorian and continuing with a variety of series — both limited and recurring. Some of Star Wars’ live-action shows function as contained stories whereas others pull material from other projects. In either case, the franchise has delivered memorable highlights and disappointing failures over the last six years.

Star Wars fans are constantly debating where each project ranks, and following the conclusion of Star Wars: Andor, a definitive hierarchy of live-action shows is clear. The following live-action Star Wars shows are ranked from worst to best according to their overall quality.

7) The Book of Boba Fett

Star Wars: The Book of Boba Fett swings and misses at the opportunity to make up for the titular bounty hunter’s long-standing underdevelopment. Temuera Morrison seamlessly sells an aged Boba Fett as the elite and unflappable bounty hunter he was always meant to be, but a painfully unfocused narrative proves The Book of Boba Fett‘s downfall. Instead of maintaining a close focus on Boba’s business with the Tusken Raiders, Fennec Shand (Ming-Na Wen), and others on Tatooine, the show dramatically shifts its story to incorporate Din Djarin (Pedro Pascal), Grogu, Luke Skywalker (Mark Hamill), Cad Bane (Corey Burton), and more characters that probably should have been saved for another project. As a result, Boba becomes a side character in his own show, and The Book of Boba Fett devolves into an incoherent mess.

6) Skeleton Crew

Star Wars: Skeleton Crew deserves credit for attempting a totally different story away from legacy characters and reused plot lines, though in the end, it’s only mediocre. The idea of a group of kids embarking on an outer space adventure away from their clandestine home planet sounds like fun, yet, somehow Skeleton Crew is really boring. The episodes drag on as the show’s mystery doesn’t turn out as engaging as it initially appears. Meanwhile, Skeleton Crew‘s lack of a real connection to the Star Wars universe at large renders it far from compulsory to watch. The series still has a charming band of characters going for it — namely the Myykian youngling Neel, (Robert Timothy Smith). Even so, most viewers likely won’t find too much to be thrilled about in Skeleton Crew.

5) Obi-Wan Kenobi

Star Wars fans were rightfully ecstatic to see Ewan McGregor portray Obi-Wan Kenobi for the first time in almost two decades. Even so, Star Wars: Obi-Wan Kenobi struggles to justify its existence. Filling in the gap between the events of Star Wars: Revenge of the Sith and Star Wars: A New Hope, the show sends its main character and a young Princess Leia (Vivien Lyra Blair) on the run from the Empire. Obi-Wan Kenobi technically doesn’t retcon future Star Wars events, however many of its character interactions and plot threads seem forced. Despite a few standout moments like Obi-Wan and Darth Vader’s (Hayden Christensen) duels, the show still feels unnecessary and hasn’t aged as a memorable piece of Star Wars media.

Read Next

Star Wars: The Acolyte Deserved Better

4) The Acolyte

Star Wars: The Acolyte introduces a fascinating and previously unexplored realm of the franchise. What begins as a mystery involving a former Jedi Padawan, her estranged identical twin, and a murder paves the way for remarkable revelations about the Force and reflections about the Jedi. The Acolyte‘s intriguing concept and brand new cast of characters inject a breath of fresh air into Star Wars, though the show needed more episodes to develop its story. Sadly, Lucasfilm and Disney opted not to greenlight a second season, which leaves The Acolyte in a state of unfulfilled potential. Still, the series’ eight episodes provide a good deal of entertainment and a unique look into the supernatural side of Star Wars.

3) Ahsoka

The long-awaited live-action solo venture of Ahsoka Tano (Rosario Dawson) finally arrived with Star Wars: Ahsoka, and it does not disappoint. In its first season, the series details the titular Jedi Knight’s adventures following the Empire’s defeat in Star Wars: Return of the Jedi. In addition to Ahsoka, viewers get to see live-action versions of other animated Star Wars characters, such as Sabine Wren (Natasha Liu Bordizzo) and Ezra Bridger (Eman Esfandi). Surprisingly, Ahsoka doesn’t let fan service get in the way of telling a great story, as the brief appearances of Anakin Skywalker (Christensen) only serve to further develop Ahsoka’s journey in the present. Ahsoka‘s solid foundation of compelling characters and their various storylines come together to create one of the best live-action Star Wars shows, which promises an exciting Season 2.

2) The Mandalorian

The first live-action Star Wars series to debut on Disney+ is still exceptional. Each of The Mandalorian‘s three seasons fixates on a unique story against the backdrop of Din Djarin’s bounty hunting and babysitting duties with Grogu. From facing off against the villainous Moff Gideon (Giancarlo Esposito) to helping Bo-Katan Kryze (Katee Sackhoff) lead the restoration of Mandalore, Djarin’s journey is riveting to watch. Brimming with interesting supporting characters, exhilarating action, and plenty of heartwarming moments, The Mandalorian represents Star Wars television near its peak. The Season 2 finale’s Luke Skywalker cameo remains the show’s only blemish, but generally, The Mandalorian‘s commitment to spotlighting new and unconventional Star Wars characters stands out as its biggest strength.

1) Andor

A prequel to the film Rogue One: A Star Wars Story, Andor is a masterful work of science fiction that transcends the greatness of Star Wars. The spark of rebellion begins to ignite over the course of the series’ two seasons as Cassian Andor (Diego Luna) finds himself increasingly embroiled in a large-scale effort to overthrow the Empire. Andor‘s array of layered characters, gripping drama, and meaningful stories cement it as the best live-action Star Wars show. A detailed portrait of resistance to a fascist regime, Andor deftly weaves deeply personal stories into its overarching narrative. Rogue One was already an outstanding Star Wars project, but Andor completely blows it out of the water.

All of these entries are available to stream on Disney+.

The post Every Live-Action Star Wars Show Ranked, Worst To Best appeared first on ComicBook.com.

Star Wars: Andor aired its critically acclaimed second season earlier this year, and now it’s earned some notable accolades. Today, the Emmy nominations were announced. Andor secured 14 nods across a plethora of categories, including two acting races. Forest Whitaker was nominated for Outstanding Guest Actor in a Drama Series for his performance as Saw Gerrera in the episode “I Have Friends Everywhere.” Alan Tudyk received a nomination in Outstanding Character Voice-Over Performance for his portrayal of K-2SO in the episode “Who Else Knows?” Both actors first appeared as their respective characters in the movie Rogue One: A Star Wars Story before returning for Andor.

Andor also received nominations in other above-the-line categories, such as writing and directing, as well as a plethora of technical and crafts categories. You can see a full list of Andor‘s nominations in the space below:

• Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)
• Outstanding Cinematography for a Series (One Hour)
• Outstanding Fantasy/Sci-Fi Costumes
• Outstanding Directing for a Drama Series
• Outstanding Picture Editing for a Drama Series
• Outstanding Music Composition for a Series (Original Dramatic Score)
• Outstanding Original Music and Lyrics
• Outstanding Guest Actor in a Drama Series
• Outstanding Character Voice-Over Performance
• Outstanding Drama Series
• Outstanding Sound Editing for a Comedy or Drama Series (One Hour)
• Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
• Outstanding Special Visual Effects in a Season or a Movie
• Outstanding Writing for a Drama Series

Andor Season 2 surpassed Season 1 in terms of Emmy nominations. The first season received a total of eight, none of which came in the acting categories. In addition to the technical nods, Season 1 earned nominations for Outstanding Drama Series, Outstanding Directing for a Drama Series (the episode “Rix Road”) and Outstanding Writing for a Drama Series (the episode “One Way Out”).

Read Next

Rogue One Director Reveals The Andor Character He Wishes He Could Have Included

Debuting in late April, Andor Season 2 received universally positive reviews, with many praising it as a poignant and compelling conclusion to its story. The series added depth to Rogue One by recontextualizing key characters and elements, forever changing the way fans watch the movie. Despite the enthusiastic response to Andor, showrunner Tony Gilroy has stepped away from the franchise to pursue other projects.

Those who love Rogue One won’t be shocked to see Whitaker and Tudyk earn nominations. Both actors are quite memorable in the film. The former brilliantly conveyed the toll war has on a man, portraying Saw as a paranoid freedom fighter constantly on edge. The latter is a terrific source of comedic relief, playing K-2SO with a blunt and sarcastic personality. Whitaker and Tudyk are equally as great in their brief Andor appearances. “I Have Friends Everywhere” is the episode where Saw makes an impassioned speech about revolution to Wilmon, one of Season 2’s standout moments. And Tudyk further fleshes out K-2SO’s dynamic and friendship with Cassian in “Who Else Knows?”

As deserved as Whitaker and Tudyk’s nominations are, Andor fans are probably disappointed other cast members did not receive nods. Everyone in the ensemble is stellar. The likes of Diego Luna, Stellan Skarsgård, Genevieve O’Reilly, Elizabeth Dulau, Denise Gough, and Kyle Stoller were all captivating. Ben Mendelsohn could have earned recognition for his unsettling turn as Director Krennic; his interrogation of Dedra Meero is another Season 2 highlight. It’s upsetting only two Andor actors got love from the Emmys, but it doesn’t change the fact that the whole cast and crew made something special.

The post Two Fan-Favorite Star Wars Actors Earn Emmy Noms for Andor (Rogue One Fans Won’t Be Surprised) appeared first on ComicBook.com.

Tony Gilroy, the celebrated creator of the critically lauded Star Wars: Andor Disney+ series, has offered his perspective on several other corners of the galaxy, including high praise for one of the franchise’s most recent and least-viewed entries. In the latest issue of Empire Magazine, Gilroy shared his thoughts on Star Wars: Skeleton Crew, the Amblin-esque adventure series that debuted to record-low viewership for a live-action Star Wars show. The showrunner’s comments extend beyond the new series, touching upon his own surprising distance from his work on Rogue One: A Star Wars Story and offering a brief but intriguing reaction to the creative direction of Dawn of the Jedi, an upcoming film set in the franchise’s distant past.

“I watched some of Skeleton Crew, which I thought was really, really cool,” Gilroy said. “I like how committed it is to its tone, and it seems really well done.” This compliment stands in sharp contrast to the show’s performance numbers. According to Nielsen streaming data, the two-episode premiere of Skeleton Crew garnered less than 382 million minutes watched, making it the lowest debut for any live-action Star Wars series and the first to not break into the Disney+ Top 10 originals list upon its release. While critics and some fans praised the show’s unique feel, Skeleton Crew failed to capture the broad audience of other franchise entries.

Read Next

I Think Andor Is Perfect (Here’s How to Make More Star Wars Like It)

“I’ll probably watch Rogue One this weekend, tiptoe through it and just see how it feels,” Gilroy also said, confessing he was yet to revisit the movie that began his Star Wars journey. “I’ve been very leery of doing that. I don’t know why, everybody else has done it.” His hesitance is ironic given the massive surge in popularity the 2016 film experienced thanks to Andor‘s success. In the week of Andor‘s season two finale, viewership for the show peaked at 931 million minutes, making it the number one streaming show across all platforms. This wave of interest directly translated to the film Gilroy co-wrote, with Rogue One vaulting to the top of the Disney+ movie charts as viewers rushed to continue Cassian’s story.

Tony Gilroy Comments on Dawn of the Jedi

Shifting his focus to the future of the franchise, Gilroy commented on the ambitious premise of James Mangold’s upcoming film, which will see Andor writer Beau Willimon serving as co-writer. “They’re going way back,” he said. “That’s kind of interesting, because it’s free.” The project in question is Star Wars: Dawn of the Jedi, a film set to explore the very origins of the Jedi Order, taking place approximately 25,000 years before any other film in the saga. Gilroy’s observation that the setting is “free” cuts to the very heart of the project’s creative appeal. It exists in a narrative space completely disconnected from the dense lore of the Skywalker Saga and its surrounding conflicts, offering a level of storytelling liberty that has become increasingly rare in the franchise.

Willimon was responsible for some of Andor‘s most celebrated storylines, including the Narkina 5 prison arc, suggesting that Dawn of the Jedi aims to be a character-driven epic. The project represents a potential shift for Lucasfilm, a chance to build a new mythology from the ground up, echoing the kind of bold, original world-building that turned Andor into a success.

Star Wars: Andor, Star Wars: Skeleton Crew, and Rogue One: A Star Wars Story are currently available on Disney+. There’s still no release window for Dawn of the Jedi.

What do you think about Tony Gilroy’s take on the Star Wars universe? Let us know in the comments!

The post Star Wars’ Least Watched TV Show Gets High Praise From Creator of Its Best appeared first on ComicBook.com.

3 years after it debuted, Star Wars‘ best show, Andor, is done, and while creator Tony Gilroy has been firm that there won’t be another season, it’s still interesting to think of the future beyond its end. Gilroy, of course, came on board of the excellent Rogue One to offer a steadying hand late in production. Given how accomplished his stewardship of its prequel went on to be, it’s easy to forget that he inherited someone else’s story and characters. But what if Gilroy had a blank slate? Would he have done anything differently? We’ve just got an answer to that, thanks to Empire magazine‘s latest issue.

Gilroy spoke to the veteran British magazine about the aftermath of Andor and its incredible reception. And asked whether there were any of his original characters that he would like to bring into the fray if he had carte blanche on Rogue One: “I’d want [Faye Marsay’s] Vel there for sure. My God, think of Vel’s take on [Rogue One protagonist] Jyn Erso! I’m sure she’d have some very choice things to say about her. Jyn would light up all of Vel’s irritation.”

Definitely an intriguing prospect, though Gilroy actively avoided testing out his theory by refusing to bring Jyn in for an Andor cameo (which he said would have been disrespectful). Still, the question of what Vel would have done after Andor‘s events, and her role in the Rebellion leaves open an equally intriguing question that we’ll sadly never get an answer to.

Read Next

Star Wars: Andor Hid a Darth Maul Easter Egg So Well Almost No One Noticed It

Could There Be More Andor?

Gilroy previously explained to Variety why he scrapped the original extended peasons plan: “You just couldn’t possibly physically make five years of the show. I mean, Diego would be, like, 65. I’d be in a nursing home. We were panicked. We can’t sign on to this forever.” That self-preservation obviously makes sense, even if it’s a shame for Star Wars fans, but ignoring the eternal urge to expand familiar IPs would obviously be foolish. So how does Gilroy feel now about the chances of another series between Andor and Rogue One?

Again, he’s definitive: “We have no more potential. It’s all out there. There’s nothing that we know that you don’t know.” So that’s that: the age of Andor is over. And unless Gilroy changes his mind about any future association with the Star Wars brand, we’re unlikely to see his name above the door of any project in the galaxy far, far away.

All episodes of Andor are available to stream on Disney+ now.

The post Rogue One Director Reveals The Andor Character He Wishes He Could Have Included appeared first on ComicBook.com.

Over a month after its finale, Star Wars: Andor fans are discovering the TV show featured a hidden Darth Maul Easter egg. On Instagram, Andor production designer Luke Hull shared an image of what appears to be a ceremonial plate featuring the design of a scorpion-like creature front and center. At first glance, it doesn’t seem to be anything out of the ordinary, but a closer look at the item reveals the Easter egg. You can make out the face of Darth Maul on the body of the creature, the depiction of the former Sith Lord glaring menacingly into the camera.

Hull’s post was provided without a caption, but commenters were quick to praise the beauty of the piece and the sneaky inclusion of the Maul Easter egg. Check it out in the space below:

The Star Wars franchise has been guilty of leaning on nostalgic callbacks in the past, but part of what made Andor such a success is that it wasn’t reliant on Easter eggs to appeal to fans. Being part of such a large property, the series obviously contains connections to other Star Wars works, but — save for the ones that tied directly into Rogue One — these tended to be more obscure. For example, the Andor Season 2 premiere had a deep-cut reference to the 1990s video game Star Wars: TIE Fighter.

Read Next

Diego Luna Reveals the One Thing He Didn’t Like About Working on Andor

Andor showrunner Tony Gilroy has gone on record to explain why the series didn’t feature more overt connections and references, such as cameos for characters like Rogue One protagonist Jyn Erso. For him, anything included in Andor had to make sense for the story he was trying to tell. The series was notable for eschewing fan service.

Considering Andor‘s relationship with Star Wars Easter eggs, this reference to Darth Maul perfectly aligns with the show’s approach. This remained hidden for a while; the plate is most likely a background prop appearing in a scene set in Luthen’s shop, which featured several galactic antiquities. Never once did the cameras call attention to it. Even now, with the still easily viewable for all, you have to look closely to see Maul’s face cleverly placed on the plate. It’s nice to see the production design team was able to have a bit of fun putting together the props, leaning on their personal Star Wars fandoms to flesh out the environments.

Unfortunately, Tony Gilroy is moving on from Star Wars now that Andor is over, which means future projects will miss his unique touch. Hopefully, Andor serves as a guiding light for the next wave of Star Wars creatives with regard to how they handle Easter eggs. Star Wars has a rich history, so it’s impossible for upcoming movies and shows to operate entirely in a bubble without any references to anything else, but hidden Easter eggs like this are arguably preferred to ones that are more in your face.

Did you notice this Maul Easter egg on Andor? Let us know in the comments!

The post Star Wars: Andor Hid a Darth Maul Easter Egg So Well Almost No One Noticed It appeared first on ComicBook.com.

While the Skywalker Saga captured our imaginations on the big screen, the Star Wars universe has expanded and deepened through its television series. From animated epics that fill in critical gaps and explore beloved characters further to live-action dramas that push the boundaries of what Star Wars can be, TV has become an indispensable part of the galaxy far, far away. These shows have not only delivered thrilling action and emotional character arcs, but have also enriched the lore, connecting crucial elements and providing new perspectives on the struggle between good and evil. Choosing the best of the best is a daunting task, as so many episodes stand out. But certain episodes have left an indelible mark and fully embody what Star Wars television has to offer. 

Prepare to journey through some of the most impactful and memorable moments in recent Star Wars history.

10) Star Wars Rebels ‒ “Twin Suns” (Season 3, Episode 20)

“Twin Suns” delivers a climactic and long-awaited confrontation that brings a pivotal character arc to an end. After years of speculation and anticipation, this episode finally brings Obi-Wan Kenobi face-to-face with Darth Maul on Tatooine. The desolate desert setting is a metaphor for both of their lives and the loneliness and tragedy they have faced, culminating in a swift but impactful duel. It’s a testament to the power of character development that such a brief fight could carry so much emotional weight, marking the definitive end of one of Star Wars’ most enduring rivalries.

The episode isn’t just about the clash of lightsabers; it’s about two characters whose destinies have been intertwined for decades, leaving a trail of death and pain in their wake. Maul’s desperate search for Kenobi, fueled by a lifetime of hatred and obsession, meets Kenobi’s serene, almost resigned acceptance of his role as Luke’s guardian. The ending, with Kenobi cradling a dying Maul and promising that Luke is the answer, offers a moment of heartbreaking mercy and understanding. The end to Maul and Obi-Wan’s rivalry is a commentary on the cyclic nature of vengeance and the possibility of finding peace, even in death.

9) Star Wars Rebels ‒ “A World Between Worlds” (Season 4, Episode 13)

“A World Between Worlds” is a groundbreaking and mind-bending episode that pushes the boundaries of what’s possible within the Star Wars universe. Ezra Bridger discovers a mystical plane that exists outside of conventional time and space, allowing him to observe and potentially alter past and future events. This episode features one of the most unexpected and impactful returns in the series, as Ezra is given the opportunity to save Ahsoka Tano from her apparent death at the hands of Darth Vader on Malachor in “Twilight of the Apprentice.”

The episode is a dense exploration of destiny, choice, and the consequences of altering established timelines. It introduces a concept that redefines the scope of the Force, offering glimpses into moments both familiar and new. The visual storytelling is superb, creating a sense of ethereal mystery and immense power. “A World Between Worlds” is not only a thrilling adventure but a significant lore-expanding entry that continues to spark discussion and speculation among fans about its implications for the broader Star Wars lore.

8) Star Wars: Ahsoka ‒ “Shadow Warrior” (Season 1, Episode 5)

“Shadow Warrior” is a groundbreaking episode that creates the emotional core to the Ahsoka series, largely due to the unexpected and highly anticipated return of Hayden Christensen as Anakin Skywalker. This episode plunges Ahsoka Tano into the mysterious World Between Worlds, a mystical plane of the Force that transcends time and space. Here, she confronts her past, specifically her complex and often painful relationship with her former master, Anakin, who happens to look the same as he did during the Clone Wars.

The brilliance of this episode lies in its masterful use of flashbacks and the emotional weight carried by the interactions between Anakin and a younger Ahsoka. It’s a powerful exploration of Ahsoka’s guilt, her choices, and the lasting impact of the Clone Wars on both her and Anakin. For fans who have followed Ahsoka and Anakin’s journey since Star Wars: The Clone Wars, seeing crucial moments from animation brought to life in live-action was an unexpected and emotional treat. Christensen’s return is not just fan service; it’s a vital piece of the puzzle that allows Ahsoka to process her trauma and ultimately choose her path forward, reaffirming her identity and legacy as a true Jedi.

7) Star Wars Rebels ‒ “Jedi Night” (Season 4, Episode 10)

“Jedi Night” is a heart-wrenching episode that irrevocably alters the course of Star Wars Rebels and the greater Star Wars galaxy as a whole. It marks the tragic end of Kanan Jarrus’ journey, delivering an emotional gut punch that is difficult to watch, even during rewatches. The episode puts the Ghost crew on a desperate mission to rescue Hera Syndulla, who is held captive by the Empire on Lothal. The tension is palpable as Kanan, having recently lost his sight and embraced his destiny, prepares for what feels like (and turns out to be) a final, heroic act.

Read Next

Star Wars Rebels Actors Confirm Heartbreaking Death Was Planned for “Years”

The climax of the episode, Kanan’s self-sacrifice to save his friends from an exploding fuel depot, is one of the most powerful and beautifully animated sequences in Star Wars history. His final moments, bathed in the blinding light of the explosion as his clouded eyes clear, allowing him to see his family once more, are a testament to his unwavering love, devotion, and dedication. It’s a moment of heroism and deeply felt loss that cements Kanan’s legacy as a true Jedi Knight and one of the most important figures in the Rebellion.

6) Andor ‒ “Who Are You?” (Season 2, Episode 8)

“Who Are You?” is an episode that Andor, and Star Wars media as a whole, has been building up to for years. In 2017, Season 3, Episode 18 of Star Wars Rebels — “Secret Cargo” — depicted Mon Mothma’s escape from Coursuant after denouncing the Empire and Palpatine following the unseen events of the Ghorman Massacre. “Who Are You?” finally shows the massacre in question, a moment for which the entire season set the stage. Over the course of a year, the rebels on Ghorman had been building their network in an attempt to escape Imperial occupation. Meanwhile, the Empire was slowly manipulating the situation on the ground to force the innocent and peacefully protesting citizens into an all out war zone. 

Cassian Andor finds himself in the middle of the chaos, only having arrived on Ghorman hours earlier on a mission to assassinate ISB official Dedra Meero. As blameless victims are mowed down by stormtroopers and KX-series security droids, Syril Karn spots Cassian and ferociously attacks him, leading to an all out brawl between the two. At the moment Syril gets the upper hand, Cassian deals a crushing blow by asking Syril — a man who obsessed over capturing Cassian for years — “who are you?” The episode is truly harrowing, both emotionally and visually, marking one of the most brutal Imperial campaigns in all of Star Wars.

5) Andor ‒ “Welcome to the Rebellion” (Season 2, Episode 9)

Following directly on the heels of the Ghorman Massacre, “Welcome to the Rebellion” is yet another episode that keeps viewers on the edge of their seats, as Mon Mothma takes center stage to openly denounce the Empire for genocide. Mon’s scathing, impassioned speech within the Imperial Senate is a public act of defiance that risks everything she holds dear. But it is a moment she had prepared for, knowing she could no longer operate from the shadows and had to become the face of the Rebellion. Every word she utters tightens the noose around her neck and leaves Imperial agents scrambling to find any means to stop her. 

Following her speech, in which she directly called Emperor Palpatine “evil,” the episode amps the stakes up even more than imaginable, as Mon’s new goal is simply to survive and escape Coruscant with Cassian Andor’s help. The urgency of their plight paints a vivid picture of just how high the stakes are, solidifying Mon Mothma as a central, irreplaceable figure in the Rebel Alliance. “Welcome to the Rebellion” expertly brings to life the sacrifices and bravery that genuine rebellion demands.

4) Star Wars: Andor ‒ “One Way Out” (Season 1, Episode 10)

When it comes to Andor, differentiating between “best” episodes is a matter of splitting hairs. “One Way Out” stands out as a masterclass in tension, despair, and the awakening of collective resistance. The episode is primarily set within the brutal Imperial prison on Narkina 5, where Cassian Andor and his fellow inmates are forced into relentless, soul-crushing labor. The growing realization among the prisoners that the Empire always intended to kill them in the end, coupled with the horrific fate of those who failed their labor quotas, creates an unbearable pressure cooker environment that slowly but surely builds towards an explosive climax.

The brilliance of this episode lies in its meticulous pacing and the raw and unforgettable performances, particularly Andy Serkis as Kino Loy. His iconic rallying cry — “one way out!” — galvanizes the prisoners, transforming desperate individuals into a unified, defiant force. The prison break itself is not just an action sequence; it’s a visceral, desperate fight for freedom, a powerful metaphor for the galaxy’s burgeoning rebellion against Imperial cruelty. It’s an emotionally charged, thrilling experience that perfectly encapsulates the spirit of Andor, keeping viewers on bated breath until the very end.

3) Star Wars Rebels ‒ “Twilight of the Apprentice” (Season 2, Episode 22)

“Twilight of the Apprentice” is widely regarded as one of the most intense episodes in all of Star Wars Rebels. This two-part feature-length finale brings Kanan, Ezra, and Ahsoka to Malachor, a Sith world steeped in dark side energy, in search of ancient knowledge. What they find instead is a devastating confrontation with Maul, who attempts to manipulate Ezra and blinds Kanan after double crossing everyone. However, it is the long-awaited reunion and clash between Ahsoka Tano and her former master, Anakin Skywalker, who has become Darth Vader, that sets “Twilight of the Apprentice” apart. The gloomy and foreboding atmosphere of Malachor perfectly sets the stage for the dark events that unfold.

The duel between Vader and Ahsoka is emotionally charged and truly heartbreaking, revealing the depth of their tragic bond. While Vader taunts that he “destroyed” Anakin Skywalker, Ahsoka vows to avenge the master she loved. When Ahsoka manages to break half of Vader’s helmet apart, revealing Anakin’s scarred face beneath the armor, it is a truly iconic moment — one that was even replicated in live-action in Star Wars: Obi-Wan Kenobi. The fierce battle culminates in Ahsoka’s apparent sacrifice to allow Ezra and Kanan to escape. This episode not only delivers thrilling action but also explores themes of loss, redemption, and the enduring scars of the Clone Wars.

2) Star Wars: The Clone Wars ‒ “The Phantom Apprentice” (Season 7, Episode 10)

“The Phantom Apprentice” is a deeply unsettling chapter in Star Wars: The Clone Wars‘ final arc, leading directly into the events of Star Wars: Revenge of the Sith. This episode ratchets up the tension of the relentless Siege of Mandalore, focusing on Ahsoka Tano’s relentless pursuit of the man behind the chaos: Maul. This episode builds up the sense of dread to near critical levels and puts the true destructive power of the dark side on display, as Maul reveals his chilling foresight regarding Darth Sidious’ plans and Anakin Skywalker’s inevitable fall.

The centerpiece of the episode, however, is the breathtaking lightsaber duel between Ahsoka and Maul, a beautifully choreographed and emotionally charged fight for the very soul of Mandalore. The animation is stunning, capturing every nuanced movement and the power wielded by Jedi and Sith. In fact, Dave Filoni and the production team used trained stunt actors (one of whom was Ray Park, the original Darth Maul from Star Wars: The Phantom Menace) to physically perform the battle for motion capture, ensuring that the animated final product would be as high stakes as it needed to be in that moment. “The Phantom Apprentice” serves as a sad reminder of the impending doom for the Jedi and the Republic, setting a somber tone for the series’ conclusion.

1. Star Wars: The Mandalorian ‒ “Chapter 16: The Rescue” (Season 2)

“Chapter 16: The Rescue” stands above the other magnificent episodes as a special achievement in Star Wars television, delivering an unparalleled blend of thrilling action, emotional stakes, and a jaw-dropping surprise that sent ripples through the fandom. The episode follows Din Djarin and his assembled team, including the (other) Mandalorian Bo-Katan Kryze, on a desperate mission to rescue Grogu from Moff Gideon’s Imperial cruiser. Bo has another goal — retrieve the Darksaber from Gideon in order to unite the scattered Mandalorians to rebuild their culture and society. The tension is palpable from the outset, as the unlikely alliance faces overwhelming odds to protect the innocent and loveable foundling.

The episode’s climax is an all-time jawdropper: just as all hope seems lost, a single X-wing arrives, carrying none other than Luke Skywalker in all his young New Republic glory. From the moment his green lightsaber ignited, the shrouded and robed Jedi cut his way through Dark Troopers with ease, leaving viewers on the edge of their seat, waiting for the confirmation of the Jedi behind the mist. The moment Luke steps through the cockpit door and lowers his hood is truly a stunning reveal that went way beyond fan service. The emotional weight of Luke taking Grogu to begin his Jedi training, and Din Djarin removing his helmet to allow Grogu to see his face for the first time during a heartfelt farewell, provides a poignant and unforgettable conclusion, cementing this episode as a defining moment not just for The Mandalorian, but for the entire Star Wars saga.

The post 10 Best Episodes Of Star Wars TV Ranked appeared first on ComicBook.com.

Star Wars: Andor was one of the franchise’s biggest successes in its Disney era, but there was one aspect about it that star Diego Luna did not enjoy. During an appearance on the podcast Conan O’Brien Needs a Friend, the actor discussed what it’s like working in the TV medium and pointed out one key difference when compared to movies. He noted that unlike films, which are conceived with a beginning, middle, and end in mind, the creative team behind a TV series doesn’t always know where things are going to go when they start. That can create an anxious feeling on set during production.

“There’s one thing I don’t like [about TV], which is things start without knowing where they’re going to end,” Luna said. “Everyone’s talking about the next season and probably there’s another one and there’s an anxiety of, like, how much more can we achieve? And it’s nice to start something knowing where it ends.”

Andor recently wrapped up its two-season run on Disney+ with a critically acclaimed batch of episodes that built up to the events of Rogue One: A Star Wars Story. The prequel earned a considerable amount of praise for adding a great deal of depth and complexity to the Star Wars franchise, recontextualizing key elements from previous released projects. In particular, it forever changes the way fans look at Rogue One and the original trilogy as it highlights the origins and moral ambiguity of the Rebellion.

Read Next

Rogue One’s Most Tragic Death Is Even Sadder Than You Realized

Outside of Andor, Luna has accumulated several other TV credits throughout his career. One of his more notable small screen turns was in Narcos: Mexico. He’s also scored voice over roles in animated series such as Maya and the Three, Trollhunters: Rise of the Titans, and Trollhunters: Tales of Arcadia.

Though Andor was in a unique position as a prequel to a feature film, it’s easy to see where Luna is coming from. While audiences knew Cassian Andor’s fate before the first episode of Andor premiered, the show introduces a multitude of new characters and storylines that needed to be properly resolved. As seen with Star Wars: The Acolyte, Disney will pull the plug on a TV show if they feel it isn’t working (even if there are cliffhangers left dangling). Andor turned out to be one of the best Star Wars projects to date, but if the first season didn’t turn out as well, creator Tony Gilroy and his team might not have gotten the opportunity to wrap things up.

Fortunately, despite Disney’s stance that “streaming is dead,” Gilroy got complete freedom to tell the story he was most interested in, ending Andor on a poignant and hopeful note. If the show had been cancelled after a single season, it would have risked ruining the legacy of Rogue One, but instead, it enhanced it. In a post-Andor world, it’ll be interesting to see how Lucasfilm handles Star Wars TV shows moving forward. Ahsoka Season 2 is on the way, but after that, no live-action series are on the schedule. The Mandalorian & Grogu movie seems to be taking the place of The Mandalorian Season 4, but perhaps there will be more Star Wars TV shows in the future. For all its risks, the medium gives Lucasfilm an expansive sandbox to flesh out the galaxy far, far away.

The post Diego Luna Reveals the One Thing He Didn’t Like About Working on Andor appeared first on ComicBook.com.

Tony Gilroy must be on top of the world right now. His latest project, Star Wars: Andor, just wrapped up its two-season run on Disney+, and it’s safe to say that it’s one of the biggest wins in Lucasfilm’s history. The show is receiving universal praise for its storytelling, and not just in an “It’s good for Star Wars” kind of way. No, Andor is a revelation, and while it would be easy to connect Gilroy to another project set in a galaxy far, far away, there’s no reason to put him in a box. In fact, he’s had his eye on another franchise for a number of years, and it could be the perfect time for him to take the reins.

Prior to helping flesh out Rebellion spy Cassian Andor on the small screen, Gilroy worked with another secret agent, Jason Bourne. He wrote the first three Bourne movies before jumping into the director’s chair for the fourth, The Bourne Legacy. In the middle of making Matt Damon’s character a thorn in the government’s side, though, Gilroy found time to work with Steven Soderbergh’s Section Eight Productions on Michael Clayton.

The collaboration clearly worked because Gilroy and Soderbergh came up with an idea for a James Bond movie that the Ocean’s Eleven director pitched to Barbara Broccoli and her colleagues. During an appearance on The Playlist’s The Rogue Ones podcast, Gilroy pulled back the curtain on what his version of 007 would have been like.

“We wanted to go back to the ’60s and do it in black and white and do Carnaby St. and do the whole thing,” he said. “I thought it was a really swinging idea, like $30 million [budget], but he couldn’t get them to… they just wouldn’t give anybody control.”

Gilroy also mentioned that he had come up with a great villain but didn’t want to divulge any details. And it’s hard to blame him because it feels like the Bond franchise is up for grabs right now.

Read Next

James Bond Sean Connery 4K Blu-ray Steelbook Box Set Details Unveiled

Tony Gilroy Could Throw His Hat Back Into the James Bond Ring

Filmmakers having to beg for creative control of Bond appears to be a problem of the past, as Amazon MGM Studios now holds all the cards. It purchased the creative rights to the franchise from Broccoli and Michael G. Wilson and appears ready to take the character in a new and exciting direction. Edward Berger, Denis Villeneuve, Edgar Wright, Jonathan Nolan, and Paul King are all in the mix to helm the next movie, and Alfonso Cuarón removed himself from consideration earlier this year.

Gilroy’s name isn’t on the shortlist, but that doesn’t mean his hopes are dashed. Amazon pitched TV shows to Broccoli and Co. before the acquisition was finalized, and while they got rejected at the time, they could get another shot under new leadership. Maybe Gilroy’s villain has enough potential to lead their own series, one that sets the stage for a future appearance on the big screen.

A connected franchise in the same vein as the Marvel Cinematic Universe doesn’t sound like Bond’s style, and there are already concerns about Amazon stretching the character too thin. However, bringing in talented artists and letting them cook should never be frowned upon. The Bond franchise has so much potential that’s gone untapped for decades, and it’s about time for it to step into the modern age.

Star Wars: Andor is streaming on Disney+.

Would you like to see Tony Gilroy helm a project in the James Bond franchise? What kind of villain do you think he came up with? Let us know in the comments below!

The post Andor Creator Details Scrapped James Bond Pitch (Could It Happen Now?) appeared first on ComicBook.com.

There’s no doubt that Star Wars: Andor is the franchise at its best, telling an underdog story about a group of rebels trying to fight back against their oppressors. However, it doesn’t follow the blueprint of the original trilogy. No Jedi comes to save the day, and the heroes don’t get to go to a medal ceremony at the end of the day. There are constant sacrifices in Andor, and most of them don’t involve death. Characters have to live with their tough choices and don’t get much time to recover because there’s always another battle to fight.

Luthen Rael’s story is all about giving up a peaceful life for a cause bigger than himself. He gets the benefit of operating in the shadows, though, which can’t be said for his agents. Bix Caleen, in particular, finds herself at the mercy of the Empire on multiple occasions, and she loses herself for a time because of it. However, her story is still an important one, especially because it allows Star Wars to tackle a sensitive subject.

While speaking to The Hollywood Reporter, Adria Arjona, who played Bix, explained why her character’s story is so important to Andor. “What happened to Bix in season one is huge, and I think what Tony [Gilroy] brilliantly does, by not letting Bix sort of get away with it, is showcase that trauma is incredibly complex and it takes time. It’s not healed in one year,” she said. “I’ve heard the word ‘victim’ used when describing her – hell no, hell no. Bix is so brave… I think someone who is trying so hard is the hero in their own journey, and I applaud that of Bix.”

Arjona also touched on Bix’s big moment in Season 2, where she has to stop an Imperial officer from taking advantage of her. It was the first time the franchise used the word “rape,” which wasn’t lost on the actress. “If you’re going to tell all sides of one story, then you cannot leave out the abuse of power, because it’s part of our history,” she explained. “The fact that I got to say those words [‘He tried to rape me’] in the world of Star Wars meant a lot. I felt a great honor and I reached out to a lot of women, and I really felt like I had all these women holding my hand through that scene. It was the way that they wish they would’ve reacted if they were in that situation again. Saying those words, that’s not easy.”

Read Next

Star Wars: Andor Finally Redeems Itself in Streaming Ratings With Finale

Bix Earns Her Peace At the End of Andor

After suffering for so long at the hands of the Empire, Bix makes the selfless choice to leave Cassian behind on Yavin 4 to finish the fight. He can’t make heads or tails of it at first, but he doesn’t have time to dwell on it. He takes on the mission of collecting the Death Star plans alongside Jyn Erso and dies on Scarif alongside his team. Meanwhile, Bix returns to Mina-Rau to raise her child, whom Cassian doesn’t know exists. She has to make one final sacrifice to ensure her partner plays his part in the mission to save the galaxy, and it pays off.

While Cassian will never meet his child, Bix can now raise them in a free galaxy. They’ll never have to watch their backs or call a crummy hideout home for a year. It doesn’t make up for all of the trauma she has to deal with, but everyone has some darkness they’re living with, and at least she gets a peaceful ending out of all of it.

Star Wars: Andor is streaming on Disney+.

What did you think of Bix’s story in Star Wars: Andor? Do you think she got the ending she deserved? Let us know in the comments below!

The post Saying 1 Controversial Word in Star Wars for the First Time Was “Great Honor” for Andor Star appeared first on ComicBook.com.

Star Wars: Andor reached the number one spot on Nielsen’s streaming chart the week of its series finale, May 12th through May 18th. The show has made a lot of headlines and it’s beloved by fans, but there has been some doubt about its actual success as different trends and viewership metrics surface online. Now, the organization that has measured TV ratings since long before the streaming age has released the full details on that week, and they seem to vindicate Andor. The series was watched for 931 million minutes in total that week, beating out all the other shows Nielsen measured.

Andor was far from a failure over the last three years, but it hasn’t reached the this top spot before, either. Other analytics firms estimated Andor to be the most-watched series of the week when the Season 1 finale ended, but not Nielsen. At the time, there was some talk of “franchise fatigue,” as Season 1 of Andor didn’t quite live up to previous Star Wars series like The Mandalorian.

Season 2 returned with a vengeance. The series saw steadier viewership throughout its season run, which some analysts have attributed to its unique release schedule. Even then, the show did not reach the number one spot for a variety of reasons. There was some competition from other highly-anticipated shows — The Last of Us, for example — but as always, the streaming charts are dominated by shows that people re-watch, and those that children watch frequently.

[RELATED: Andor Creator Apologizes to Star Wars Fans After Season 2 Dashed One Theory]

That’s reflected in the week of May 12th through 18th as well. Andor narrowly surpassed Bluey, which was followed by the Netflix original series Nonnas in the number three spot. After that came Grey’s Anatomy, Criminal Minds, You, The Last of Us, The Rookie, The Secret Lives of Mormon Wives, and finally, the new Netflix series Forever.

Hopefully, producers and streaming executives can glean some useful lessons from the success of Andor Season 2. This take on a streaming release schedule seems to have proven successful, and many commenters online were grateful that the series got 12 episodes rather than ten, eight, or even six as many other shows get these days.

Meanwhile, the story and focus of Andor clearly stands out from other Star Wars productions, and perhaps indicates what fans are looking for most from the franchise. Andor is streaming now on Disney+. Season 1 is also available on Blu-ray, but there’s no word yet on a physical media release for Season 2.

The post Star Wars: Andor Finally Redeems Itself in Streaming Ratings With Finale appeared first on ComicBook.com.

One of the earliest Star Wars movies released by Disney recently saw a resurgence in popularity. When Disney+ launched back in 2019, it became a one-stop shop for fans to stream their favorite titles from the galaxy far, far away. Not only did the service have all of the previously released Star Wars movies and shows, it became a platform for Lucasfilm to expand the franchise and tell more stories that captivated audiences. One of the streamer’s biggest hits to date has been Andor, the critically acclaimed drama that wrapped up its two-season run back in May. With that in mind, it shouldn’t surprise people that a specific Star Wars movie was added to many watchlists.

Rogue One: A Star Wars Story, released back in 2016, ranked ninth on Nielsen’s list of the top 10 streaming movies for the week of May 12th-18th. According to the data, the film was watched for 179 million minutes on Disney+. Not so coincidentally, May 13th was when the Andor finale debuted, and the show topped the overall Nielsen charts with 931 million minutes watched.

Andor, of course, functions as a prequel to Rogue One, chronicling Cassian Andor’s journey as he becomes a key member of the burgeoning Rebel Alliance. The final few episodes of Andor Season 2 lead directly into the events of Rogue One, as the Rebels learn of the existence of the Death Star. The series adds a considerable amount of depth and context to the spin-off film, forever altering the way fans watch Rogue One.

Read Next

Andor Creator Apologizes to Star Wars Fans After Season 2 Dashed One Theory

Since its debut nearly a decade ago, Rogue One has always been held in high regard. Many believe it is the best Star Wars film of the Disney era due to its emotional narrative of sacrifice and heroism that harkens back to classic war movies. Despite a rocky production process that saw extensive reshoots, Rogue One earned positive reviews and grossed over $1 billion worldwide. Globally, it was the second highest-grossing film of 2016, behind only Captain America: Civil War.

Given Andor‘s strong ties to Rogue One, it’s no shock many Star Wars fans were quick to cue up the spin-off movie after finishing the show. There was a lot of interest in seeing how the series recontextualized the film, which in retrospect operates essentially as Andor Season 3. Rogue One picks up many of the threads from the last Andor Season 2 arc, depicting Cassian’s investigation into the Death Star intel and Director Krennic’s attempts to contain the leaks. Especially considering how Andor makes Cassian’s Rogue One fate even more tragic, the film is required viewing once you’ve seen all of Andor.

Andor creator Tony Gilroy is done with Star Wars now that the show is complete, but Lucasfilm could find itself back at the top of the streaming charts in the near future. Next summer sees the release of the film The Mandalorian & Grogu, and it seems likely fans will want to rewatch the Disney+ series The Mandalorian to refresh their memories ahead of seeing the movie. There’s also Ahsoka Season 2 in the works, which could lead to a bump in popularity for that show’s first season.

The post A 9-Year-Old Star Wars Movie Is Back on the Top Streaming Charts (and We Know Why) appeared first on ComicBook.com.

Amazon announced three new cast members for The Lord of the Rings: The Rings of Power Season 3 on Thursday, but not the roles they will be playing. One is Andor star Zubin Varla, while the others are Ponies star Andrew Richardson and The Witcher: Blood Origin star Adam Young. The new season just began filming recently in the U.K., and few details we’ve gotten so far on the plot and characters are tantalizing. The show reimagines the history of J.R.R. Tolkien’s novels, drawing on the references within the main books themselves rather than companion books like The Silmarillion. That keeps the suspense alive, and makes it even harder to guess who these three actors might be playing.

Varla appeared in four episodes of Andor Season 1 as Xanwan, and with the recent lauded conclusion of that show, he is a major asset for this fantasy production. However, Young’s role as a sailor in The Witcher franchise may seem more relevant to some fans. Richardson is relatively new to the genre, but according to Amazon, he will be a series regular in this season. Varla and Young will both have recurring roles.

Season 3 will be an exciting time for The Rings of Power as Middle-earth pivots to prepare for war. This series depicts all the major events of the Second Age in Tolkien’s history, which played out over thousands of years according to The Silmarillion. Here, they are condensed for dramatic effect, but the showrunners have announced that there will be a time-skip at the beginning of Season 3. That could help things feel more grounded, though it may be an ominous calm before the storm.

[RELATED: 5 Must-See Shows if You Love House of the Dragon]

With Sauron now out in the open and elves, dwarves, men, and orcs all mustering their forces for war, the timing is great to introduce some new characters. There are also the Harfoots to consider, though we shouldn’t expect them to form ranks any time soon. At this time in Middle-earth, humanity’s greatest stronghold is the island nation of Númenor, and some new perspectives on that part of the world would be welcome.

It will be interesting to see if The Rings of Power is buoyed at all by simultaneous, unrelated production in The Lord of the Rings franchise. Last year saw the release of War of the Rohirrim, and excitement is now building for a new live-action feature, The Hunt for Gollum. These are in the works by the same studios that made Peter Jackson’s film series, and many of the same creative minds as well. They’re not connected to The Rings of Power, but perhaps growing interest in Tolkien’s lore will make them complimentary for some fans.

The Lord of the Rings: The Rings of Power Season 3 is filming now, with no release date just yet. The first two seasons are streaming now on Prime Video.

The post The Lord of the Rings: The Rings of Power Casts Andor Actor, 2 More in Mystery Roles appeared first on ComicBook.com.

Andy Serkis believes it was the right call to not bring his character Kino Loy back in Star Wars: Andor Season 2. In an interview with Collider to promote his new movie Animal Farm, Serkis explained his reasoning, recalling that Kino was at the center of an emotionally powerful arc during Andor‘s first season. In his mind, giving Kino a role in the second season would have been a difficult thing to pull off, particularly since Season 1 gave the character an ending that felt like a “definite and heroic conclusion.” Considering the reception to his performance as Kino Loy, Serkis felt it was best that he didn’t return.

“I ultimately think it’s best for the character,” Serkis said. “It was such a great arc, and it had a very, very definite and heroic conclusion. I think, in many ways, to go back would be difficult because it has left a mark. I was so surprised at how emotionally effective that character was, actually, and so I think it’s way, way better that we leave him in Narkina 5, on his own.”

On Andor Season 1, Kino Loy was the day shift manager at the Narkina 5 Imperial prison complex. He oversees a group of inmates that includes the likes of Cassian and Melshi. Initially, Kino is only interested in serving out the rest of his sentence and going home, but after learning the horrifying truths of the facility, he helps his fellow prisoners organize a breakout. This is capped off by Kino’s rousing monologue in the episode “One Way Out.” Tragically, he is unable to join Cassian and the rest in freedom because Narkina 5 is surrounded by water and he can’t swim.

[RELATED – Disney Told Andor Creator “Streaming Is Dead” (Is Star Wars In Trouble?)]

Previously, Andor showrunner Tony Gilroy shared his take on why Kino Loy wasn’t brought back. He was wary of undercutting the impact of the character’s final moments in Season 1 and didn’t want to do something that was too coincidental — such as having Kino Loy be at the Rebel base on Yavin IV. Gilroy felt there was no topping the Narkina 5 arc, so he thought it wise to just leave the character alone.

As great as it would have been to see Serkis back on Andor, it definitely was for the best that Kino didn’t return for Season 2. The character is so specific to the Narkina 5 arc that it would have been tricky to find an organic spot for him in the second season, which featured several large time jumps as it built to the events of Rogue One. Even if Kino found a way to leave Narkina 5 and wasn’t just severely punished by the Empire for his role in the outbreak, there’s no guarantee he would have become part of the Rebellion. Kino obviously has no love for Imperials, but that doesn’t mean he was game to be a freedom fighter. Melshi fought alongside Cassian, but many of the Narkina 5 prisoners were likely more concerned about their own self interests.

“One Way Out” is also widely considered to be one of the best episodes of Andor across its two-season run. If Kino had come back, it would have built up an expectation that his next arc would match or exceed Narkina 5 in terms of overall impact. Even for someone as talented as Gilroy, that would have been hard to do, and Andor Season 2 had so much on its plate already, it was smart to not try to force in a role for Kino. After the character made such an impression in Season 1, viewers would have been disappointed if he didn’t have much to do in Season 2. Andor was never a show for fan service, which is part of why it’s so widely acclaimed. Perhaps Kino will be featured somewhere else in canon down the line, but Andor Season 2 wasn’t the right spot.

The post Andy Serkis Thinks His Star Wars Character Not Returning Was the Correct Call (& He’s Right) appeared first on ComicBook.com.

Star Wars: Andor creator Tony Gilroy has directly addressed a segment of the Star Wars fanbase, offering an apology to those whose theories about a romance between Cassian Andor (Diego Luna) and Jyn Erso (Felicity Jones) were effectively sidelined by the Disney+ series’ narrative choices. Speaking with Collider, Gilroy acknowledged that the show’s focus on Cassian’s formative relationship with Bix Caleen (Adria Arjona) might have disappointed viewers who were heavily invested in the potential pairing suggested by Cassian and Jyn’s final moments in Rogue One: A Star Wars Story. He explained that while he was aware of the fan interpretations, the story developed for Andor necessitated exploring Cassian’s pre-Rogue One history and relationships, with Bix playing a central emotional role, a direction he felt was essential for the series.

“I knew very well what had happened with Jyn and Cassian in Rogue One and what had happened in the elevator,” Gilroy noted. “I knew that scene very, very well. I probably went back and looked at that. I was pleased to see that my memory of it was of all the other takes and other things, and I was really pleased to see how we’d edited that, that it was really ambiguous about what it was, and then I didn’t care anymore. I was like, ‘Okay. It makes sense.’” This perspective allowed him the creative freedom to explore Cassian’s earlier relationships in Andor without feeling overly constrained by interpretations of the Rogue One ending. As Gilroy succinctly puts it, “I mean, why wouldn’t you hold somebody’s hand at the end of the world?”

[RELATED: Andor Creator Shares the One Change Disney Requested (And It’s Perfect)]

“I mean, they’re both pretty sexually liberated in their way,” Gilroy then elaborated on the established history between Cassian and Bix within the world of Andor. “I think that first kiss they had, I think the first person they ever slept with is each other. Who knows how old they were on Ferrix? Probably very, very young. And over time, they were together and not together. Timm (James McArdle) starts off the show, and who’s in charge of that relationship, right? Cassian certainly has a rich history in just the little bit we see, and has alluded to, and his mother calls him out on all his girlfriends, and there’s Windi (Katrina Nare) on Niamos. I think they have a very healthy idea of what the different calibrations of love are.”

“I felt bad for the people who had invested so much time in the fan fiction and stuff like that,” Gilroy recognized about Andor upsetting fans who favored a Cassian-Jyn romance. “The people who really had gone deep on it. It’s not considered canon, and it’s not something I have to pay attention to, legally, within the order, but people worked hard on that stuff, and it meant a lot to them. You don’t want to trample on somebody’s flower garden, you know? But I have to do what I have to do. I’m sure there’s somebody who will never get over that. I apologize. I really do.”

Navigating Canon, Fan Theories, and Creative Vision in Andor

The second season of Andor cements the lasting nature of Cassian Andor’s relationship with Bix Caleen through a major revelation in its series finale. In the closing moments of Episode 12, it is revealed that Bix Caleen was pregnant with Cassian Andor’s child when she left Yavin, forcing him to fully dedicate his energy to the Rebellion. The scene shows Bix holding their infant child in the fields of Mina-Rau, following Cassian’s departure for the mission that leads directly into the events of Rogue One: A Star Wars Story. The introduction of Cassian and Bix’s child provides a significant emotional anchor for Cassian’s character arc. It means that when Cassian embarks on his dangerous mission to Scarif, he is not only fighting for the burgeoning Rebel Alliance but is also leaving behind a personal legacy. This fact adds a new layer of tragedy and sacrifice to his eventual death in Rogue One, as he dies unaware that he has a child.

The existence of their child solidifies the Cassian-Bix relationship as the central romantic and personal pillar of Cassian’s life before he meets Jyn Erso. This narrative choice effectively prioritizes their bond within Cassian’s backstory, making it the most significant personal tie he has before he fully dedicates himself to the Rebellion. Because of that, some people who like the idea of Cassian and Jyn falling in love in Rogue One were disappointed. However, as Gilroy explains, Bix remains Cassian’s primary romantic interest, even if he can still connect to other people.

Both seasons of Star Wars: Andor are available on Disney+.

What are your thoughts on how Andor handled Cassian’s relationships? Let us know in the comments!

The post Andor Creator Apologizes to Star Wars Fans After Season 2 Dashed One Theory appeared first on ComicBook.com.

Going into Rogue One: A Star Wars Story, it’s pretty clear that more than a few characters are going to bite it. After all, the movie takes place only a short time before Star Wars: A New Hope, and the majority of its cast is nowhere to be found. Despite Rogue One following a group of heroes on borrowed time, it still does a great job making them likeable, showing why they’re fighting against the Empire and willing to put everything on the line. Some of its standout characters, including Cassian Andor and K-2SO, even get more time to shine in Star Wars: Andor.

The Disney+ series reveals how Cassian and his robot pal meet on Ghorman during the Empire’s attack on the planet. K-2SO kills some rebels before finding himself on the wrong side of a truck, but Cassian believes the bucket of bolts is still worth something. It’s the start of a beautiful friendship that remains important until the very last minute.

Cassian Andor & K-2SO Become Fast Friends

After witnessing the Ghorman Massacre, Cassian returns to Yavin 4 with a KX-series security droid and leaves it in the right hands. The Rebellion turns K-2SO to its side and lets Cassian do with him what he pleases. The next time they appear in Andor, they’re playing cards, and the droid believes his friends are cheating. They don’t get to resolve the matter before Wilmon arrives and informs them of a distress signal from Coruscant. Cassian believes it’s coming from Luthen Rael, so he recruits K-2SO and Melshi to help him.

The crew arrives on the city planet and immediately runs into trouble. The Empire is hot on the tail of Kleya, Luthen’s assistant, who knows too much about the plans for the Death Star. With Luthen already dead, she tells Cassian everything she knows, but it doesn’t seem like it will matter because the Imperials locate their hideout and close in. K-2SO catches wind of the Empire’s plan and makes quick work of them, ensuring his friends get away. Everyone makes it back to Yavin 4 in one piece, and shortly after, Cassian and K-2SO head out again to meet up with Tivik, who has additional information about the Empire’s super weapon.

The meeting takes place right at the start of Rogue One, and while K-2SO stays on the ship, he becomes instrumental in the rest of the movie’s events. He ensures that Jyn Erso doesn’t escape when the Rebellion goes looking for her and saves her and Cassian when they end up in the middle of a firefight on Jedha. However, the droid’s biggest moment comes at the end of the movie on Scarif.

[RELATED – 5 Great Concepts for More Star Wars TV Shows on Andor’s Level]

K-2SO Only Has One Goal at the End of Rogue One

When the Death Stars destroy Jedha City, the Rebellion believes it has no options and wants to surrender. Jyn tries to convince the higher-ups to do something, but they refuse, forcing her and her allies to act on their own. They head to Scarif, where the plans for the Death Star are, and get to work. K-2SO, Jyn, and Cassian make it to the security complex while their friends stay on the ground and fight. It doesn’t take long for them to run into roadblocks, but eventually, they end up in the vault and just need to know where to look.

K-2SO stays behind while his friends search, and some stormtroopers eventually make their way to his position. He tries to use his appearance to trick them, but a message from Cassian messes up that plan, forcing K-2SO to fight back. He holds his own for a while and even destroys the controls to the door to stop the stormtroopers from pursuing Cassian and Jyn. However, the damage is done, and K-2SO succumbs to his wounds before seeing how everything plays out.

K-2SO’s death is hard to watch, especially because he’s more concerned with helping his friend than destroying the Empire. Cassian’s goals are his goals, and the Rogue One novelization makes that abundantly clear by revealing that the last thing the droid does is create a simulation in his head that shows the person he holds dearest making it off of Scarif alive.

Rogue One: A Star Wars Story is streaming on Disney+.

Did you know what happened in K-2SO’s final moments? Does it change how you view his death scene? Let us know in the comments below!

The post Rogue One’s Most Tragic Death Is Even Sadder Than You Realized appeared first on ComicBook.com.

Andor showrunner Tony Gilroy has revealed a shocking admission by Disney while he was developing the second season of the hit Star Wars show, noting that the company admitted to him that “Streaming is dead.”A definitive statement from a titan of the entertainment industry, delivered directly to the acclaimed creator of Star Wars: Andor, has now cast a long shadow over the future of Star Wars content on Disney+. The streaming platform has become critical in the expansion of the franchise, delivering major successes such as Star Wars: Ahsoka and The Mandalorian.

While Andor has garnered widespread critical acclaim for its mature storytelling, complex characters, and unflinching exploration of rebellion against tyranny, this surprising sentiment from Disney suggests a significant pivot in their content strategy. This stark contradiction — the artistic triumph of Star Wars series such as Andor standing in direct opposition to Disney’s disillusionment with the streaming model — raises critical questions about the kind of Star Wars series we can expect moving forward and whether the galaxy far, far away is heading into troubled waters on the small screen.

Disney’s Shifting Streaming Strategy Conflicts With Andor’s Success

Gilroy’s recent revelation at the ATX Television Festival, as reported by IndieWire, that Disney expressed a negative outlook on streaming during negotiations for Andor Season 2, is a bombshell that brings into question Disney+’s long-term commitment to high-budget television. Speaking about the use of the word “genocide” by Mon Mothma in Andor Season 2, Episode 9 — “Welcome to the Rebellion” — Gilroy said:

“I’ve been allowed to start using the word ‘fascism’ the last couple weeks. That’s liberating. But I don’t think it should be any surprise or even be too slippery or complicated for people to understand the road I have to walk to do all this; to maximize the audience and protect the investment of a really brave [company.]”

Elaborating on the matter, Gilroy continued: “I mean, for Disney, this is $650 million. For 24 episodes, I never took a note. We said ‘F-ck the Empire’ in the first season, and they said, ‘Can you please not do that?’ In Season 2, they said, ‘Streaming is dead, we don’t have the money we had before,’ so we fought hard about money, but they never cleaned anything up. That [freedom] comes with responsibilities.”

RELATED: 5 Great Concepts for More Star Wars TV Shows on Andor’s Level

This statement comes despite Andor‘s undeniable critical triumph. The series has been lauded for its gritty realism and depth — both for the characters and the themes tackled — rarely seen in the Star Wars universe. Critics and fans alike have praised Andor for its departure from the often-criticized fan service seen in other Star Wars productions, instead becoming engrossed with the compelling, character-driven story about the birth of the Rebellion. Andor‘s success lies in its willingness to push boundaries, to explore themes of fascism, occupation, and resistance with a seriousness that resonates deeply with contemporary audiences. It showcased the potential for Star Wars to evolve beyond its traditional fantastical elements into a more grounded, politically charged drama.

A $650 million investment, coupled with the creative freedom Gilroy claims to have largely enjoyed, allowed Andor to achieve a high quality that set the series apart. Yet, Disney expressing that the streaming model itself is unsustainable suggests that the high cost of producing such ambitious series, even those that achieve critical success, may no longer align with their evolving budgets. The unfavorable outlook on streaming highlights a broader industry trend of re-evaluating the economics of direct-to-consumer services, which have often prioritized subscriber growth over immediate profitability. 

For Star Wars, a franchise deeply intertwined with Disney+’s initial launch and continued subscriber appeal, this re-evaluation could mean a significant recalibration of future content, potentially favoring lower-budget productions or a shift back towards theatrical releases for big titles.

Furthermore, Disney’s reported struggles with the profitability of its streaming division only reinforces the likelihood of a strategic shift. If upcoming new series and continuing seasons of established shows do not deliver substantial viewership, they could face a similar fate of budgetary restraints that impact their quality. The era of seemingly endless Star Wars content on Disney+, therefore, might be drawing to a close, replaced by an approach that prioritizes financial returns over expansive storytelling. For a franchise as beloved and vast as Star Wars, this shift could mean a less diverse and less adventurous future, potentially limiting the creative exploration that made Andor such a resounding triumph.

Read Next

Andor Creator Tony Gilroy Confirms Fans’ Worst Fear About His Star Wars Future

The post Disney Told Andor Creator “Streaming Is Dead” (Is Star Wars In Trouble?) appeared first on ComicBook.com.

Filmmaking is an inherently collaborative process, but the end result is far better when it’s primarily the result of one individual’s vision. It’s the major reason why Star Wars: Andor is universally deemed the best thing Disney has done with Star Wars thus far, big screen or small. The sequel trilogy may have been bungled, but from beginning to end, the two-season Andor was a sublime political thriller set in a galaxy far, far away. And, as it turns out, Disney is to thank for Tony Gilroy’s show being a product of his distinctive vision all the way through.

It’s not uncommon for big studios to step in and micromanage projects (especially when they fall under the umbrella of an A-list IP). All of them have done it. But according to Gilroy himself, he was given full creative control over Andor, with the exception of a single note.

What Was the Single Note Disney Gave on Andor?

Getting just one recommendation or request from a production house is practically unheard of. But that was precisely the case for Andor, as Gilroy revealed to the listening audience at the ATX TV Festival (hat tip ComingSoon). Specifically, he was told to excise a single line of dialogue delivered by Fiona Shaw’s Maarva Andor, one of the most beloved characters not just of the show, but perhaps of Star Wars history as a whole.

Maarva Andor dies of natural causes towards the tail end of Season 1, but not before she had time to record a speech for a hologram to be shown to the people of Ferrix, so they would rise up against the Imperial forces occupying her home. It’s a powerful speech, one that rouses the crowd and angers the Empire.

[RELATED – After Andor, What’s Next for Star Wars Fans?]

She concludes that speech with, “There is a wound that won’t heal at the center of the galaxy. There is a darkness reaching like rust into everything around us. We let it grow, and now it’s here. It’s here and it’s not visiting anymore. It wants to stay. The Empire is a disease that thrives in darkness. It is never more alive than when we sleep. It’s easy for the dead to tell you to fight, and maybe it’s true, maybe fighting is useless. Perhaps it’s too late. But I’ll tell you this … If I could do it again, I’d wake up early and be fighting these bastards … from the start. Fight the Empire!”

The note Disney gave involved that closing bit of the speech. Initially, she finished off with “F*** the Empire!” not “Fight the Empire!” According to Gilroy, Disney said, “‘Can you please not do that?'” It’s a tiny note and, admittedly, the replacement line comes across just as naturally, if not more so.

Among its many other accomplishments is the fact that Andor has made Rogue One: A Star Wars Story even better. The Disney+ series leads perfectly into that 2016 blockbuster. What could have been a cash grab is instead a necessary, must-see piece of Star Wars history.

The post Andor Creator Shares the One Change Disney Requested (And It’s Perfect) appeared first on ComicBook.com.

In the grim and grinding early days of the Rebellion, where every act of defiance was a desperate gamble against the Empire’s tightening grip, the first act of rebellion by Luthen Rael happened on a world steeped in both Imperial evil and democratic hope. Star Wars: Andor Season 2, in its tenth episode, “Make it Stop,” delivered a quiet, almost understated bombshell that, for many, likely slipped by unnoticed. Way before the labyrinthine machinations of Luthen Rael’s thriving rebel cell, a scene unfolds that marks the beginning of Luthen’s direct, violent insurgency. But it’s not just the act itself that’s significant; it’s the location. Luthen, alongside a young and determined Kleya, orchestrates their first act of calculated terrorism on Naboo, a planet forever etched into the consciousness of Star Wars fans for its breathtaking beauty and its profound, often tragic, connections to the Skywalker saga.

This choice of setting is no mere coincidence; it is a meticulously crafted thematic statement, striking at the heart of Palpatine’s origins while simultaneously invoking the democratic spirit of Padmé Amidala; a spirit the Empire sought desperately to extinguish.

The Empire’s Vulnerability Was Exposed on Its Architect’s Home World as a Calculated Attack

Naboo, with its serene lakes, elegant architecture, and vibrant artistry, has always been the visual opposite of the drab, utilitarian Imperial aesthetic. Yet, beneath its tranquil surface lies the chilling reality that Naboo was the birthplace of Sheev Palpatine, the very architect of the galactic tyranny Luthen and Kleya sought to dismantle. For Luthen, a man who understands the power of symbolism as keenly as he does military tactics, striking on Naboo is an act of psychological warfare. It’s not merely about disrupting Imperial operations or inflicting casualties; it’s about sending a message directly to the Emperor, a declaration that no world, not even his cherished homeworld, is safe from the growing rebellion. 

RELATED: Star Wars Finally Revealed the True Architect of the Rebellion

In an Q&A with Backstory Magazine, Andor screenwriter Tom Bissell discussed the choice to use Naboo as ground zero for Luthen’s rebellion.

“We knew we were gonna show their first act of terrorism. Kleya and Luthen together. And I argued it should be on Naboo, because that’s the Emperor’s home planet, and if Luthen is gonna make his first public statement, I think he’s gonna stick his thumb into the eye of the guy he hates more than anyone,” Bissell shared. “So Tony [Gilroy] heard my reasoning, he was like, ‘I like that, let’s do that.’ …So, it’s on Naboo. It’s their first act of terrorism, and it ends with Luthen blowing up this bridge and then walking away. Basically, the first thing he taught her – how to be an insurgent, right?”

Even where Luthen and Kleya position themselves to watch their attack unfold — an everyday cafe filled with ordinary citizens — amplifies the terror, illustrating that the Rebellion, in its early, unorganized form, is willing to sacrifice innocence to sow chaos and fear within the Empire’s seemingly impenetrable control. This act of terrorism, as the Empire would undoubtedly label it, is a direct challenge to the Imperial facade of absolute control and unwavering dominance; a deliberate defiling of the Emperor’s personal sanctuary. The very air of Naboo, once filled with the echoes of Gungan shouts and peaceful negotiations, now carries the metallic tang of rebellion’s first bitter taste. It’s a calculated attack, designed to rattle the very foundations of the Imperial psyche, demonstrating that the fight will be fought on any ground, even the sacred soil of the Emperor’s birth.

The Flame of Hope for Democracy Was Rekindled on the Planet of Its Greatest Champion

Beyond Palpatine’s legacy, Naboo is also synonymous with Padmé Amidala — a figure who, though sadly deceased by this point, remains a beacon of hope and an unwavering champion of democracy. Her entire life, from her spirited defense of Naboo against the Trade Federation to her tireless efforts in the Galactic Senate, was dedicated to preserving the Republic and its ideals. To launch an act of rebellion on Naboo, therefore, is to implicitly invoke her memory and the principles she embodied. It’s a stark reminder that even in the darkest of times, the spirit of resistance, the yearning for freedom and self-determination, can never be fully extinguished. 

Luthen’s choice to have a young Kleya present, witnessing this pivotal moment, further emphasizes the passing of the torch, connecting the brutal realities of their two-person insurgency to the idealism that once flowed through Naboo’s veins. This isn’t only about destroying Imperial assets. It’s about reclamation; about reminding the galaxy that Naboo, despite its Imperial occupancy, still holds the spark of democratic fervor. The very act of rebellion, even a violent one, on this specific planet, speaks to the underlying yearning for the ideals that Padmé fought and died for. It’s a defiant whisper that echoes through the halls of galactic history: democracy, though wounded, is not dead, and its flame will be rekindled by any means necessary.

RELATED: Andor’s Surprise Ending for Its Big Villain Was Even More Twisted Than You Realized

The scene on Naboo, particularly given the planet’s history and idyllic image, serves to highlight the moral complexities and ambiguities of the early Rebellion. While the Empire is unequivocally evil, Luthen’s methods are often brutal and morally questionable. This choice of Naboo as Luthen’s first target forces viewers to confront the difficult questions woven into the very fabric of any revolutionary movement: What sacrifices are acceptable? What lines must be crossed to achieve freedom? Luthen and Kleya’s unwavering conviction shows the personal toll and ethical tightrope walked by those who dare to fight against an overwhelming tyranny. The beauty of Naboo, contrasted with the violence of Luthen’s attack on the bridge, creates a powerful visual metaphor for the dirty war being waged against the Empire, where even the most noble intentions can lead to unsettling consequences. 

It’s a chilling reminder that the path to liberation is rarely clean, and often demands a descent into the very darkness one seeks to vanquish. The terrified screams and flurry of people running to seek safety on Naboo serve as a testament to the hard choices and the harsh realities faced by those who dared to ignite the fires of rebellion, even on a planet that symbolizes purity and peace.

The post Star Wars Just Went Back to Fan-Favorite Prequel Trilogy Planet (And You Missed It) appeared first on ComicBook.com.

When Disney bought Star Wars in 2012, it left a lot of projects in limbo. Among them, Star Wars: Underworld, a live-action TV series that would bridge the gap between Star Wars: Revenge of the Sith and Star Wars: A New Hope while focusing on the seedier side of the galaxy. Fans who were looking forward to Underworld and its companion video game Star Wars: 1313 were understandably disappointed when the projects were abandoned, but to paraphrase Luke Skywalker, nothing is ever really gone.

Star Wars has a long history of recycling ideas from canceled projects, and in true franchise fashion, several elements from Underworld eventually found their way into various animated series, books, and even a film or two. Here is a list of 10 concepts from Star Wars: Underworld that were reused for other projects.

1) Saw Gerrera’s Live-Action Debut

Before his standout role in Star Wars: Rogue One and Andor, Saw Gerrera (Forest Whitaker) showed up in the fifth season of Star Wars: The Clone Wars (voiced by Andrew Kishino). Saw is far from the only Star Wars character to get his start in animation before making the leap to live-action, but unlike Ahsoka Tano and Bo Katan Kryze, Saw was supposed to be flesh and blood in the first place.

George Lucas initially created the Rebel extremist for Star Wars: Underworld, but when the series was abandoned, he asked Dave Filoni to incorporate the character into The Clone Wars.

2) Director Krennic Was Originally Working With Jyn Erso and the Rebels

Like Saw Gerrera, Rogue One‘s Director Krennic (Ben Mendelsohn) was also supposed to make his debut in the abandoned Underworld. Apparently, the outline for what would eventually become Rogue One was developed during pre-production on the show, with one big difference: Krennic was supposed to be a Rebel spy.

In the earliest drafts of Rogue One, Orson Krennic was also a double agent, working for the Imperial Security Bureau and secretly leaking intel to Jyn Erson. While this might have been a cool concept in theory, after watching Ben Medelson gleefully chew the scenery as Rogue One‘s resident villain, we prefer the version of Krennic we have now.

3) Han and Chewie’s Bromance Was Supposed to Start Earlier

Say what you will about Solo: A Star Wars Story, but the movie did a good job telling the origin of Han Solo’s (Alden Ehrenreich) friendship with Chewbacca (Joonas Suotamo). If George Lucas had his way, however, the pair would have met a lot earlier than 2018. While the two best friends would have still hooked up around the same time chronologically, the story would have been told through the live-action Star Wars: Underworld series rather than a one-off anthology movie.

Considering how many iterations Solo went through before it hit theaters, there’s a good chance Han and Chewie’s first meeting would have played out differently on the small screen. Unfortunately, fans will probably never know for sure unless Lucasfilm decides to publish the 50 or so Underworld scripts that were written before the project was cancelled.

4) Lando’s Most Humiliating Defeat Would Have Been Must-See TV

Another bit of long-time Star Wars lore that Solo made canon was Lando Calrissian (Donald Glover) losing the Millennium Falcon to Han Solo during a card game. Much like Han’s introduction to Chewie, the infamous Sabaac game, where Lando gives up his favorite ship, was planned to happen in an episode of Underworld.

It is unknown whether the two events would have occurred in one Han Solo-themed episode of Underworld or separate episodes. Given how George Lucas and Dave Filoni structured The Clone Wars, though, it’s highly likely that Underworld would have had a Han Solo origin arc at some point, spread out over several chapters.

5) Palpatine Finally Gets a First Name

It’s hard to imagine millions of Star Wars fans losing sleep over not knowing the Emperor’s first name, but we’re sure someone was curious. Those handful of fans were no doubt ecstatic when author James Luceno included that bit of trivia in his 2014 novel Tarkin. Luceno, however, will be the first to tell you that he didn’t create the moniker “Sheev” —George Lucas did, and he originally planned to unveil it to the world via Underworld.

It’s anybody’s guess how long Lucas had been sitting on Sheev before 2014, but Luceno suspects the creator had the name in his back pocket for a long time, probably before Underworld was even a thought in his mind.

6) John Williams Returns to A Galaxy Far, Far Away

Fans were divided over most aspects of the Star Wars sequel trilogy, but one thing everyone agreed on was that John Williams’ score slapped. While Disney’s decision to bring the maestro back for Star Wars: The Force Awakens was a good one, if producer Rick McCallum had his way, Williams would have returned to the franchise even sooner. McCallum, who worked closely with George Lucas on the prequels, had initially played with the idea of asking Williams to return as composer for Star Wars: Underworld before the project was abandoned.

Underworld would have marked the first time Williams composed anything Star Wars-related for the small screen. With the show never making it past the planning stage, fans would have to wait until Star Wars: Obi-Wan Kenobi (2022) to hear the composer’s first contribution to the Star Wars on television.

7) The Church of the Force Gives Non-Force Sensitives a Taste of Jedi Life

Star Wars: The Force Awakens: The Visual Dictionary by Pablo Hidalgo officially introduced the Star Wars fandom to the Church of the Force, an organization made up of non-Force users who worship the Force and study the ways of the Jedi. While technically, the Church was represented in The Force Awakens through member Lor San Tekka (Max Von Sydow), the group’s name is never mentioned onscreen. Hidalgo would reveal during an episode of the Star Wars Book Worms podcast that the Church of the Force was supposed to be a part of Star Wars: Underworld, though he suspects George Lucas came up with the general concept even earlier than that.

8) The Pyke Syndicate Was Central to Underworld

With a name like Underworld, it only makes sense that the series would focus on Star Wars’ various outlaws. Chief among these would have been a brand new gang of cutthroat miscreants, the Pyke Syndicate. George Lucas envisioned Underworld‘s Pykes as one of the galaxy’s biggest criminal empires, a role they eventually fulfilled when they showed up in the fifth season of The Clone Wars. Lucasfilm would finally fulfill Lucas’s initial vision of a live-action Pyke Syndicate with 2018’s Solo before giving them an even bigger role in 2021’s Star Wars: The Book of Boba Fett Disney+ series.

9) Even Kratos Is Powerless to Resist the Influence of Star Wars

Perhaps the weirdest project to rise from the ashes of Star Wars: Underworld is 2018’s God of War reboot. According to the game’s director, Cory Barlog, the seeds of what would eventually become God of War were planted during his tenure at Lucasfilm when he was allowed to read some of the scripts that had been written for Underworld.  “It was the most mind-blowing thing I’d ever experienced.” Barlog told VentureBeat in 2016.

The director went on to describe a script depicting a young Palpatine’s fall from grace that particularly tugged at his heartstrings. “They made the Emperor a sympathetic figure who was wronged by this [expletive] heartless woman. She’s this hardcore gangster, and she just totally destroyed him as a person. I almost cried while reading this.”

We don’t know how that story specifically inspired Barlog to resurrect the then-dormant God of War series, but gamers everywhere should be glad it did.

10) The Return of Boba Fett

Fan favorite character Boba Fett (Temuera Morrison) was always destined for greater things. When George Lucas unceremoniously fed him to the Sarlaac in Star Wars: Return of the Jedi, fans refused to believe that was the end of the character. The fans would be proven right when Lucas resurrected the character for Star Wars: Attack of the Clones, although not in the way they expected. Instead of the armored warrior with the stones to stand up to Darth Vader, Fett returned as a little kid (Daniel Logan) who basically got all of his cool stuff from his dad. It wouldn’t be until Star Wars: The Mandalorian that fans would finally get to see the Boba Fett they remembered in action, and boy was it worth the wait.

Had Star Wars: Underworld not gone the way of the dodo, however, fans would have been treated to the return of Boba Fett much sooner. While Underworld’s Boba Fett would have been closer to the little kid version — Daniel Logan even started training with Darth Maul actor Ray Park to prepare for the role — we can assume Fett would have gotten to do a lot more than he did in Clones. Luckily for fans, most of Fett’s Underworld arc was later incorporated into The Clone Wars with Daniel Logan reprising the role, albeit not in the way he expected.

The post 10 Pieces of Star Wars Lore Created for George Lucas’ Final Project appeared first on ComicBook.com.

For decades, stories of the Star Wars Rebellion have largely focused on iconic figures: Princess Leia, Mon Mothma, Bail Organa, and Han Solo. Even within the more recent Andor series, Luthen Rael has been presented as the shadowy and untrustworthy mastermind, pulling strings from his Coruscant antique shop. Luthen is the one making the impossible choices, orchestrating the dangerous missions, and delivering powerful monologues about the costs of freedom. Yet, with the conclusion of Andor, a new, vital truth has emerged, subtly woven into the very fabric of the story: the true architect, the foundational force behind Luthen’s entire operation and, by extension, a significant portion of the early Rebellion, is none other than Kleya Marki.

Far from being merely an assistant, Kleya is the unyielding, strategic core that kept Luthen’s desperate gamble alive, a revelation confirmed by Andor showrunner Tony Gilroy himself. This recontextualizes much of what we thought we knew about the Rebellion’s origins, showcasing the quiet, unseen labor that truly built the galaxy’s hope.

Kleya’s Calculated Resolve and Strategic Prowess Made the Rebellion a Success

Andor masterfully peeled back the layers of Kleya’s character, culminating in a striking realization: she was not Luthen’s apprentice, but rather his guiding star from their very first encounter. Tony Gilroy, in recent interviews, has been remarkably clear about this dynamic. Speaking with Nerdist, Gilroy stated, “Kleya, not Luthen, was in charge the whole time… She’s actually been in charge of the thing from day one, from the moment they met. Kleya’s been in charge of everything. She really has been the boss. He’s afraid of her all the way through.” This isn’t merely a character beat; it’s a fundamental reorientation of the series’ central partnership.

RELATED: 5 Great Concepts for More Star Wars TV Shows on Andor’s Level

From their initial, horrific meeting where a young, traumatized Kleya is discovered by a guilt-ridden Luthen during an Imperial massacre, it becomes evident that her unwavering conviction and thirst for retribution are her driving forces. Luthen’s early actions, while seemingly of his own volition, are framed by Gilroy as a response to Kleya’s innate defiance. As he further elaborated to Collider regarding the flashback episode, “The girl who plays her young […] just transfused that steel all the way through, and you realize Kleya is the organizing principle in that shop, Kleya is the muscle there, Kleya is the stalwart. [Luthen’s] only there because he’s so guilty and he’s conforming to her reality all the way through.”

Kleya’s contributions weren’t limited to mere emotional motivation. She consistently demonstrated a strategic mind, often serving as Luthen’s tether to reality and the pragmatism required for their clandestine operations. While Luthen engaged in the public-facing, high-stakes negotiations and acquisitions, it was Kleya who managed the intricate network of communications, vetted intelligence, and maintained the operational security of their antiquities business – a front that was itself her domain. Her meticulous nature and stern demeanor, often misinterpreted as mere coldness, were in fact reflections of the immense pressure she carried, knowing that every detail, every misstep, could lead to catastrophe. She was the one who ensured the Tinian Codex was cleaned of listening devices, the one who deciphered critical messages, and ultimately, the one who made the gut-wrenching decision to end Luthen’s life to protect their network and the vital Death Star intelligence. This grim act, born of pure, unadulterated dedication to the cause, underscores her paramount importance.

Kleya’s Unsung Sacrifice for the Greater Good Illustrates the True Cost of Commitment

The very nature of Kleya’s role demanded a level of self-effacement that kept her largely in the shadows. Unlike Luthen, who occasionally indulged in theatricality or faced direct threats in the field, Kleya remained largely unseen, her sacrifices often unacknowledged. Her existence was the rebellion, her justification the downfall of the Empire. Actress Elizabeth Dulau, who portrays Kleya, echoed this sentiment in an interview with Vogue Singapore, noting that Gilroy had told her, “the rebellion is her entire life. It is her raison d’etre. She wakes up in the morning, and she’s thinking about that. She goes to work and she waits her entire day. Everything she does goes into trying to achieve that end goal of building this rebellion with Luthen.”

This deep-seated commitment manifested in the quiet endurance of immense personal cost. Kleya lived a life of constant vigilance, stripped of personal attachments or comforts. Her journey is a stark reminder that the Rebellion was built not just on grand gestures, but on the relentless, thankless toil of individuals like her. The final scene, with Kleya taking in Yavin in all its glory, offers a rare moment of introspection. Gilroy described this moment to Star Wars News Net, highlighting how Elizabeth Dulau conveyed “just the little slightest Mona Lisa, kind of bit of pleasure that she realizes what her contribution has been. She sees what they’ve built.” He emphasized that “none of this stuff exists if she hadn’t been the person and lived the life that she had, and made the sacrifices that she had, and no one will ever know that.”

This speaks volumes to the core theme of Andor: the quiet, often unacknowledged labor that fuels major movements. Kleya’s story is a powerful testament to the idea that true leadership isn’t always about being the public face, but about possessing the foresight, the resolve, and the unwavering dedication to build the foundation, piece by painstaking piece. The Rebellion may have found its voice in Mon Mothma and its hero in Cassian Andor, but it found its foundational backbone in Kleya Marki, the unsung architect who was truly in charge all along. Her sacrifice, often in the shadows, ensured that the sunrise of freedom would eventually break.

Andor and other Star Wars content is streaming on Disney+.

The post Star Wars Finally Revealed the True Architect of the Rebellion appeared first on ComicBook.com.

Star Wars: Andor has concluded, leaving fans eager for what’s to come in a galaxy far, far away. Andor’s two seasons chronicled the events leading up to 2016’s Rogue One: A Star Wars Story, fixating on Cassian Andor’s (Diego Luna) rise to a revolutionary leader. Although failing to achieve a cultural impact comparable to Star Wars: The Mandalorian, Andor‘s resounding critical success places it among the best-received Star Wars projects of all time. In the wake of Andor‘s riveting and complex story, one has to wonder what Star Wars’ upcoming slate has in store for the future. Some projects have been confirmed while others remain up in the air, and there is a lot to anticipate when it comes to forthcoming tales in the Star Wars universe.

Since Dave Filoni was named Lucasfilm’s Chief Creative Officer in 2023, Star Wars has put out a variety of live-action TV series on Disney+, such as Star Wars: Ahsoka and Star Wars: The Acolyte, in addition to Andor Season 2. Meanwhile, the franchise has been noticeably absent in theaters, as Star Wars appears to be taking its time before returning to the big screen. Even so, fans of the franchise shouldn’t be too concerned, as Lucasfilm has concrete plans in both the TV and movie sectors of Star Wars. The following contains everything Star Wars lovers need to know about what’s next after Andor.

[RELATED: Andor’s Twist Ending Shakes Up the Future of Star Wars]

Everything We Know About Upcoming Star Wars TV Shows

With Andor‘s second and final season having aired, the next live-action Star Wars property to premiere on Disney+ will be Ahsoka Season 2. The next chapter of Ahsoka Tano’s (Rosario Dawson) story is currently filming. No release date has been made public, though Disney+ subscribers shouldn’t expect Ahsoka Season 2 to premiere any earlier than 2026.

Surprisingly, nothing else in the world of live-action Star Wars TV has been confirmed. It still isn’t certain whether The Mandalorian Season 4 is happening, as it’s likely the show’s future will depend on how Star Wars: The Mandalorian and Grogu performs in theaters. Recently, it was reported that an upcoming Star Wars series helmed by Lost co-showrunner Carlton Cuse and his son Nick Cuse is in development. Plot details and release date information have been kept under wraps thus far.

Relating to animated projects, Star Wars: Visions Season 3 is set to premiere on Disney+ on October 29th. Further down the road, Star Wars: Maul – Shadow Lord, focusing on the famous Sith Lord Darth Maul, was announced in April and is expected to debut on Disney+ in 2026. Star Wars: Maul – Shadow Lord takes place between the events of Star Wars: The Clone Wars and Star Wars: Rebels.

Right now, it’s clear that Ahsoka Season 2 remains Lucasfilm’s primary focus in its TV endeavors. Fans might be pleased to learn that the franchise is slowing down its TV slate, given that many of its Disney+ releases, like 2022’s Star Wars: Obi-Wan Kenobi, 2024’s Star Wars: Skeleton Crew, and The Acolyte, didn’t even remotely compare to the triumphs of The Mandalorian and Andor. As a result of moving away from a packed TV schedule, it looks like Star Wars will ramp up its movie production again.

Everything We Know About Upcoming Star Wars Movies

Six years have passed since Star Wars: The Rise of Skywalker opened in theaters, marking the last time the franchise graced the silver screen. Fortunately, the drought comes to an end in the next year with the release of The Mandalorian spinoff film, The Mandalorian and Grogu — which hits theaters on May 22, 2026. The story returns Din Djarin (Pedro Pascal) and his baby apprentice Grogu to the forefront of Star Wars, chronicling their next big adventure together following The Mandalorian Season 3.

The following year, director Shawn Levy and star Ryan Gosling will team up in Star Wars: Starfighter, scheduled to release on May 28, 2027. Set roughly five years after The Rise of Skywalker, the movie exists as a standalone tale in the Star Wars universe with a unique set of characters. Production on Star Wars: Starfighter is slated to begin this fall.

Elsewhere, numerous Star Wars movies are in the works. Earlier this year, Simon Kinberg was confirmed to be developing a new Star Wars trilogy, while James Mangold’s film about the origin of the Jedi Order 25,000 years before Phantom Menace is also in development. Furthermore, the next installment centering on Rey (Daisy Ridley) and the New Jedi Order post-The Rise of Skywalker will be helmed by Sharmeen Obaid-Chinoy after years of waiting to get off the ground with writers. Taika Waititi’s untitled Star Wars movie has been known publicly for years now, but it will eventually come to fruition. As of February 2025, Mangold and Waititi have not finished their scripts, per Lucasfilm president Kathleen Kennedy. Production timelines and release dates for all of the aforementioned projects have not been revealed.

Evidently, Star Wars has put together a substantial lineup of upcoming movies, yet some other titles have seemingly fallen into limbo. Filoni’s New Republic-era Star Wars film is still in early stages of development, thus there’s no telling when or if it will be released. In 2023, a sequel to Solo: A Star Wars Story revolving around Lando Calrissian (Donald Glover) was reportedly switched from a TV series to a movie; however, updates on the project have been scarce. Finally, Patty Jenkins’ movie Star Wars: Rogue Squadron has faced extensive delays since its initial announcement in late 2020. Many fans believe Lucasfilm and Disney have shelved the film, but neither a cancellation nor a production update has been made public.

Despite a multitude of setbacks and unknowns regarding upcoming projects, Star Wars fans have reason to look forward to the franchise’s future. The Mandalorian and Grogu mark Star Wars’ long-awaited theatrical comeback, and the fan-favorite pair of characters have the chance to inject new life into Lucasfilm’s realm of movies following the poorly-received Rise of Skywalker. A hopeful return to form on the big screen and a steadier flow of high-quality shows on Disney+ could spell a bright new era for Star Wars. Although fans still await more concrete updates on most of the upcoming Star Wars films, the filmmakers’ attached and known story details indicate an encouraging sense of ambition on the part of Lucasfilm.

Current List of Confirmed Star Wars Projects

• TV – Star Wars Visions 3 (Oct. 2025)
• TV – Star Wars: Maul – Shadow Lord (2026)
• TV – Ahsoka Season 2 (TBA)
• TV – Untitled Star Wars Series from Carlton & Nick Cuse (In Development)
• Movies – The Mandalorian & Grogu (May 2026)
• Movies – Star Wars: Starfighter (May 2027)
• Movies – New Star Wars Trilogy from Simon Kinberg (In Development)
• Movies – Taika Waititi’s Star Wars Film (In Development)
• Movies – James Mangold’s Jedi Order Origin Film (In Development)
• Movies – Rey’s New Jedi Order Film (In Development)

All episodes of Star Wars: Andor are available to stream on Disney+.

The post After Andor, What’s Next for Star Wars Fans? appeared first on ComicBook.com.

Star Wars: Andor‘s mission is to build toward the events of Rogue One: A Star Wars Story and Star Wars: A New Hope. The Empire’s power is at an all-time high, and the people of the galaxy are really only starting to believe that a rebellion is a cause worth pursuing. With that being the case, there’s little time for the show to tease stories that don’t directly tie into its own. Even Star Wars Rebels, which features an episode that picks up right after the events of Andor Season 2, Episode 9, “Welcome to the Rebellion,” barely gets any love.

Looking closely at the events of Andor will reveal a few breadcrumbs that set the stage for the Star Wars sequel trilogy, however. In fact, in a couple of instances, the Disney+ show reveals something that makes the controversial set of films much more tolerable.

1) Force Healing Is Pretty Common

Star Wars: The Rise of Skywalker‘s plot is messy, to say the least. It brings Emperor Palpatine back into the mix, sends Rey on a journey to discover her strange heritage, and shoehorns in a relationship for Poe Dameron. The wildest part of The Rise of Skywalker‘s story, though, is the addition of Force healing, which allows Ben Solo to save Rey after she dies fighting Palpatine.

Andor goes out of its way to show that Force healers are a pretty common thing in a galaxy far, far away. The titular rebel doesn’t believe in the practice, but it’s hard to believe the woman on Yavin IV isn’t in tune with the Force when she calls Cassian a “messenger,” teasing his mission to get the Death Star plans into the right hands.

2) The Resistance Base Already Helped the Rebellion

Like the original trilogy, the sequels don’t spend much time diving into the history of their freedom-fighting force. The Resistance’s leaders are familiar faces, such as Admiral Ackbar and Leia Organa, so there’s really no need to explore anything but the fact that they’re fighting back against the First Order.

With Andor showing all the different sides of the Rebellion across the galaxy, it has the unique opportunity to reveal aspects of the Resistance in their earlier years. The most prominent example is the base on D’Qar, which Saw Gerrera uses in Andor while trying to teach his men how to extract rhydonium.

3) General Hux’s Betrayal of the First Order Makes More Sense

In Star Wars: The Force Awakens, General Hux is every bit as evil as Grand Moff Tarkin and the other Imperials in the original trilogy. That’s why it’s hard to understand when he turns out to be the Resistance spy in The Rise of Skywalker, feeding information to Poe and Co. to help them defeat the First Order.

Andor helps Hux’s character by showing how some Imperials, like Deedra Meero, don’t necessarily believe in every part of the cause but follow orders because they think it will get them a better job. However, they’re ready to give it all up and throw others under the bus when things don’t go their way.

[RELATED – 6 Star Wars Heroes Who Have Only Gotten Better With Time]

4) The New Republic’s Shortcomings Start to Form During the Rebellion

Despite helping rebuild the Republic after the original trilogy, Leia isn’t in good standing with the government when the sequels kick off. Their inability to act when the First Order starts to gain power leads Leia to build the Resistance, which is the only thing standing in the way of Kylo Ren and Co. gaining total control of the galaxy after they destroy the New Republic systems.

Throughout its two seasons, Andor proves how hard it is to get anything done when politics are part of the game. Even major Rebellion figures like Mon Mothma and Bail Organa struggle to seize opportunities, making it easy to see how another version of the Empire is able to grow right under their noses.

5) It Takes More Than Jedi to Win a War

Finn has as much potential as anyone in The Force Awakens. He shows initiative by defecting from the First Order and holds his own with a lightsaber. However, the next two movies fail to make Finn much more than an agent for the Resistance, touching on Force sensitivity but never exploring it fully.

Andor retools the classic Star Wars stories by making them less about the Force and more about the everyday people who make sacrifices to benefit the cause. Characters like Luthen Rael and Cassian never wield a lightsaber or move things with their mind, but their contributions are every bit as important as Luke Skywalker’s.

Star Wars: Andor and the Star Wars sequel trilogy are streaming on Disney+.

Do you think Star Wars: Andor helped make the sequels better? What other moments do you think belong on this list? Let us know in the comments below!

The post 5 Ways Andor Makes the Star Wars Sequel Trilogy Better appeared first on ComicBook.com.

The quiet brilliance of Andor has always been its commitment to the grim realities of Imperial occupation, illustrating the terrible and heartless nature of fascism through the eyes of both the oppressed and the oppressors. For two seasons, viewers witnessed Cassian Andor’s gradual radicalization against a backdrop of increasing Imperial tyranny, but perhaps no character’s journey has been as chillingly complete, or as ironically tragic, as that of Imperial Security Bureau (ISB) Supervisor Dedra Meero. Her relentless ambition, her unwavering belief in the Empire’s order, and her almost clinical dedication to hunting down perceived threats made her a nigh unbeatable antagonist.

Yet, in a final, stunning twist of fate in the series finale, the very system Dedra upheld with such steadfast devotion delivered a punishment more fittingly cruel than any Rebel could have devised, cementing her as one of Star Wars‘ most profoundly tragic and complex villains.

The Empire’s Cannibalistic Nature Makes Dedra Meero the Architect of Her Own Demise

Dedra Meero’s trajectory throughout Andor Season 2 was a slow, agonizing descent into the very chaos she sought to control. Her obsession with dismantling Luthen Rael’s network and her singular focus on “Axis” led her down increasingly perilous paths, blurring the lines of procedure and pushing the boundaries of what was permissible, even for the ISB. The Ghorman Massacre, a horrific act of Imperial brutality that she not only suggested but helped facilitate, left Dedra visibly shaken but ultimately undeterred. If anything, it seemed to steel her resolve, perhaps out of a twisted sense of responsibility or a desperate need to justify the atrocities committed in the name of order. Her final, ill-fated confrontation with Luthen, an unsanctioned attempt to capture him fueled by personal vendetta and a hunger for glory, proved to be her ultimate undoing.

Dedra Meero was, in every sense, a product of the Empire she so fiercely served. Raised in an Imperial “Kinder-block,” her life was meticulously shaped by its doctrines of order, control, and absolute obedience. Her exceptional intelligence and unwavering dedication saw her rise through the ranks of the Imperial Security Bureau, becoming a shining example of the system’s ability to forge utterly loyal, utterly ruthless instruments of its will. She believed in the Empire with a fervent, almost religious zeal, seeing it as the ultimate defense against galactic anarchy. Yet, the series finale brutally demonstrated that the Empire, in its insatiable hunger for control and its paranoid fear of any perceived weakness, is inherently cannibalistic.

RELATED: 5 Great Concepts for More Star Wars TV Shows on Andor’s Level

During her time on Ghorman, Dedra was inadvertently forwarded highly classified information about “Project Stardust,” the very existence of the Death Star. In her arrogance and conviction, she believed she could manage this sensitive intelligence, using it to her advantage in her personal crusade. However, the Empire cares nothing for individual ambition or loyalty once a liability arises. Her unauthorized access, coupled with the revelation that her peer, Lonni Jung (a double agent for the Rebellion), had exploited her clearance codes for months, painted her as a catastrophic security risk. Director Orson Krennic, a man whose own ambition mirrors Dedra’s, but whose position grants him untouchable authority, delivered the crushing verdict. The scene where he forces her to utter the words “Death Star” is chilling, not just for the ominous power of the name, but for the utter humiliation and existential dread in Dedra’s eyes. She had dedicated her life to building this Empire, to perfecting its systems of control, only to have those very systems turn on her without a shred of hesitation or remorse. It was a stark reminder that in the Empire, there are no allies, only tools, and once a tool is perceived as broken or compromised, it is discarded.

Her meticulously constructed world of order crumbled, replaced by the arbitrary, self-serving brutality that she had championed. Her intelligence and drive, once her greatest assets, became the very instruments of her downfall, proving the twisted reality that in the Empire, even the most loyal can be devoured.

Dedra Faces a Poetic, Industrial Irony as She is Forced to Feed the Beast That Will Consume Them All

The ultimate, deeply twisted irony of Dedra Meero’s fate is revealed in the series’ closing montage. Stripped of her rank, her authority, and her meticulously crafted identity, she is seen in an Imperial labor prison, visually and functionally similar to Narkina 5, where Cassian Andor himself suffered in Season 1. The visual parallel is intentional and devastating. Where Cassian found camaraderie and a spark of rebellion in the dehumanizing conditions of the prison, Dedra is utterly isolated, a solitary figure weeping in the dimly lit confines of her cell. The final gut punch, however, comes with the revelation that she is now contributing to the very project that sealed her doom: she is making parts for the Death Star.

This is a fate far more insidious than mere execution. To be imprisoned by the system she championed and adored, to be forced to labor on the very weapon that symbolizes its ultimate, ruthless power and her downfall, and to do so in a facility reminiscent of the one that held the very Rebel she once obsessively hunted, is the epitome of poetic justice. Dedra, who reveled in control and hierarchy, is reduced to a number, her intellect and drive channeled into the most mundane and dehumanizing of tasks. She is literally building the physical representation of the Empire’s terror, the very expression of the power she coveted, now as a cog in its machinery rather than a guiding hand. The fact that she accidentally stumbled upon the Death Star’s existence, a discovery that directly contributed to her imprisonment, only amplifies the bitter taste of this irony. She was intelligent enough to deduce the truth behind Project Stardust, ambitious enough to try and leverage that knowledge, and ultimately, a victim of the very paranoia inherent in the Empire’s secrets.

Her fate also serves as a chilling foreshadowing for the audience. We know the Death Star’s ultimate intended purpose – its destruction by the very Rebellion Dedra fought so hard to suppress. The image of Dedra, broken and alone, building components for a weapon destined to fail at the hands of the forces she despised, underscores the futility of her entire life’s work. She is trapped in a loop of self-defeat, unknowingly contributing to the eventual victory of her enemies. It’s a tragic, yet deeply satisfying, ending for an antagonist whose greatest strength was her unwavering belief in a system that ultimately consumed her. Dedra Meero’s final moments in Andor are not of heroic defiance or dramatic death, but of quiet, soul-crushing despair, forever making parts for a weapon whose terrible purpose and ultimate demise she will likely never witness; a prisoner of the very order she so desperately craved. It is a finale that twists the knife, leaving a lasting impression of the dark, self-destructive heart of the Empire.

Star Wars: Andor is streaming on Disney+.

The post Andor’s Surprise Ending for Its Big Villain Was Even More Twisted Than You Realized appeared first on ComicBook.com.

In the geek culture world, it may seem like Andor is the biggest hit of the year so far, but in the overall streaming ecosystem, it’s actually pretty far behind the number one show right now: You. Andor Season 2 premiered on April 22nd on Disney+, while You Season 5 — the show’s final season — dropped on April 24th on Netflix. Nielsen just released its ratings and viewership metrics for that week, revealing that You was the most-watched series by far, while Andor just barely made the chart at number 10. Andor still had a lot going for it, and was the number five most-watched original series on the streaming chart that week. Still, it couldn’t come close to the grand finale of Netflix’s psychological thriller-drama.

In the week of April 21st to April 27th, fans collectively watched Andor for 721 million minutes, according to Nielsen. That’s nothing to scoff at, but in the same time frame, You was watched for a total of 1.67 billion minutes — nearly two and a half times the total viewership. This in spite of the fact that Andor Season 2 was out for two days longer than You Season 5. However, there are a lot of factors that make it hard to draw conclusions from this comparison.

For one thing, You dropped its season all at once in the typical Netflix binge-watch model, meaning fans could chew through all 10 new episodes all at once. Andor, on the other hand, dropped three episodes per week, meaning there was over three times as much new content to watch for You fans. You also has the advantage of being an older show which has had more time to gather a loyal audience, though perhaps we can call that even since Andor has the full momentum of the Star Wars franchise behind it.

[RELATED: 6 Star Wars Heroes Who Have Only Gotten Better With Time]

As for similarities, both shows were dropping their final seasons here, and both were saw a boost in the viewership of older episodes as well as new ones. In fact, they were relatively even in that regard — according to Nielsen, Andor Season 2 accounted for 65% of Andor views that week, while the rest came from Season 1. You Season 5 accounted for 67% of views that week, while Season 1 was the second-most-viewed season. That’s because the finale of You drew heavily from the storyline of its first season, tying up loose ends and bringing the original story full circle.

Many of the other shows in Nielsen’s top 10 list are older shows that consistently pull in high streaming numbers as people binge-watch or re-watch them. These range from children’s shows like Bluey to procedurals like NCIS and dramas like Grey’s Anatomy. The other originals on the chart are The Last of Us, Black Mirror, and the Netflix original film Havoc.

These kinds of metrics offer us some interesting perspective on what we’re all watching, what we may be missing out on, and the relative popularity of our personal favorites. Still, they don’t convey the real cultural impact of each show on the list, or the legacy they will leave behind. For Star Wars fans, Andor is undoubtedly going to stand out as one of the most exciting streaming series of 2025.

The post Andor’s Series High Streaming Ratings Don’t Come Close to This Returning Netflix Favorite appeared first on ComicBook.com.

The Star Wars universe is filled with beloved characters, many of whom captured our imaginations from their very first appearance. Yet, some heroes resonate even deeper as their journeys unfold, their complexities deepen, and their impact on the saga becomes more profound with each passing story. These are the characters who aren’t static figures of heroism, but dynamic individuals who learn, grow, and evolve. Because of this, their initial portrayals often feel like just the tip of the iceberg. Their subsequent appearances in films, television series, comics, and novels enrich their stories in ways that are unexpected in the best way, adding layers of nuance, resilience, and wisdom that make them even more compelling and cherished by fans.

With each new chapter of their stories, these heroes become richer, more multifaceted figures whose contributions to the fight against the Empire are even greater than previously known, and whose legacies continue to inspire generations of fans.

1) Obi-Wan Kenobi

Initially introduced as the wise and mysterious Jedi Master in Episode IV: A New Hope, Obi-Wan Kenobi was the archetypal mentor figure, guiding Luke Skywalker on his first steps into a larger world. While Alec Guinness’ portrayal was undoubtedly iconic and solidified Obi-Wan as an iconic staple of Star Wars, Ewan McGregor’s version, as seen in later stories, have peeled back the layers of this legendary Jedi. The prequel trilogy and the animated series Star Wars: The Clone Wars (where he’s voiced by James Arnold Taylor) showcased his younger, more impetuous days as a Padawan and later General, as well as his heartbreaking relationship with Anakin Skywalker, adding tragic depth to his later solitude on Tatooine.

REALTED: We Finally Know Why Obi-Wan Didn’t Raise Luke Skywalker on His Own

However, it’s arguably the Obi-Wan Kenobi series on Disney+ that has truly enriched his character. In this series, audiences witness his internal struggles with the trauma of Order 66 and his guilt over Anakin’s fall, showcasing a vulnerability and emotional complexity that goes beyond the serene exterior seen in the original trilogy. His fierce protectiveness of Leia and his eventual acceptance of his role in the fight against the Empire solidify his status not just as a mentor, but as a deeply compassionate and resilient hero whose sacrifices and unwavering commitment to the light shine even brighter with time.

2) Ahsoka Tano

Ahsoka Tano’s journey is a testament to the power of character development outside the main film saga. Introduced as Anakin Skywalker’s Padawan in The Clone Wars in 2008, the character initially was met with skepticism from some fans. However, Ahsoka’s spirited personality, deep connection to the Force, and evolving relationship with Anakin quickly won audiences over. The series chronicled her growth from a headstrong youngling to a skilled and independent Jedi, grappling with the moral implications of war and the flaws within the Jedi Order itself.

Her departure from the Jedi Order after being wrongly accused of treason marked a pivotal moment, setting her on a unique path that had not been seen in Star War before. Later appearances in Star Wars Rebels and her own self-titled live-action series, Ahsoka, have showcased her continued growth as a powerful Force user and a compassionate leader. She navigates the galaxy with a wisdom born from experience, no longer bound by the rigid code of the Jedi, and her interactions with both old and new characters reveal the enduring impact of her journey and her unwavering commitment to justice.

3) Captain Rex

Initially presented as a competent but somewhat generic clone trooper in The Clone Wars, Captain Rex evolved into one of the most beloved and deeply human characters in the entire Star Wars canon. His unwavering loyalty to his Jedi Generals, Anakin Skywalker and Ahsoka Tano, and his fellow clones was evident from the start, but the series delved deeper into his individuality, his camaraderie with his brothers, and his growing awareness of the Republic’s flaws.

His defiance of Order 66, thanks to his removed inhibitor chip, and his appearances in Star Wars Rebels alongside Ahsoka Tano, cemented Rex as a hero who transcended his programming to fight for the greater good. He fought for what was right, not just what he was ordered to do, demonstrating remarkable courage that others did not. Rex’s continued fight against the Empire and his eventual peaceful retirement with his fellow clones highlight the enduring spirit of resistance and the humanity that can flourish even within the most artificial of origins.

4) Hera Syndulla

Introduced as the skilled Twi-lek pilot and beating heart of the Ghost crew in Star Wars Rebels (voiced by Vanessa Marshall), Hera Syndulla immediately established herself as a capable leader and a fiercely dedicated rebel. Her piloting skills were unmatched, rivaling even Anakin Skywalker, and her commitment to her crew and the early rebellion became greater in every episode. However, as the series progressed, her character deepened significantly, revealing the weight of her responsibilities and the sacrifices she made for the greater good.

Star Wars Rebels tells her family history, and The Bad Batch shows her youth and early involvement in the fight against the Empire, adding layers to her motivations. Even as a child, Hera’s thirst for freedom, both for her beloved homework of Ryloth and the galaxy as a whole, gave her strength that not many others possessed. Her staunch optimism in the face of overwhelming odds and her ability to inspire those around her made her a crucial figure in the rebellion’s success. Her appearances in Ahsoka (played by Mary Elizabeth Winstead) further solidify her role as a seasoned leader and a mentor figure who managed to continue on and rise to the rank of General after the devastating loss of the love of her life (Jedi Knight Kanan Jarrus), fighting in the Rebellion, and raising her Force-sensitive son in the galaxy she fought so hard to defend, demonstrating the lasting impact of her courage and her unwavering belief in the fight for freedom.

5) Cassian Andor

In Rogue One: A Star Wars Story, Cassian Andor (played by Deigo Luna) was introduced as a hardened Rebel Alliance intelligence officer and a pragmatic, often ruthless operative willing to do whatever it took for the cause. While his dedication to the rebellion was clear, his backstory and the events that shaped him into this cynical, yet ultimately heroic, figure remained largely unexplored. His final act of self-sacrifice alongside Jyn Erso, ensuring the Rebel Alliance received the schematics for the Death Star, was impactful, but it left room for a deeper understanding of his journey.

REALTED: Andor Provides a Heartbreaking Answer to One of the Biggest Debates About Rogue One

The Andor series on Disney+ has masterfully filled in those gaps, digging deep into Cassian’s origins and the events that radicalized him into the selfless rebel hero in Rogue One. Cassian’s early life on Kenari, the traumatic loss of his sister, and his gradual descent into a life of survival and petty crime marked the beginning of his origin story, but so much more followed. The series meticulously depicts his initially reluctant, but inevitable, involvement with the rebel cell led by Luthen Rael, following him through the loss, sacrifice, and suffering that crafted one of the bravest heroes in Star Wars. Andor transforms Cassian from a somewhat enigmatic rebel agent into a fully realized and deeply human character, whose sacrifices in Rogue One carry even greater weight knowing the path he traveled to get there.

6) Mon Mothma

First appearing in Return of the Jedi as a composed and quiet leader of the Rebel Alliance, Mon Mothma initially served as a symbol of the organized resistance against the Empire. While her brief appearances conveyed her dedication and conviction, they offered limited insight into the personal sacrifices and political maneuvering required to build and sustain such a movement. She represented the calm and collected face of a rebellion forged in secrecy and fueled by desperation.

However, the Andor series has dramatically expanded Mon Mothma’s character, revealing the immense personal and political risks she undertook to undermine the Empire from within the Imperial Senate. She navigates the treacherous landscape of Coruscant politics, maintaining a facade of loyalty while secretly funding and orchestrating rebel cells. The series delves into the moral compromises she is forced to make, the constant threat of exposure, and the isolation from her daughter and husband she experiences as she balances her public persona with her covert activities. Andor elevates Mon Mothma from a figurehead to a deeply compelling and courageous hero who left behind everything and risked her life to speak up against the evils of the oppressive Empire; whose quiet determination and unwavering commitment to freedom, even in the face of immense danger, make her an even more significant and admirable figure in the Star Wars saga.

The post 6 Star Wars Heroes Who Have Only Gotten Better With Time appeared first on ComicBook.com.

In the wake of Star Wars: Andor‘s conclusion, it’s a great time to reflect on what the Disney+ series teaches about cameos. Created by Tony Gilroy, Andor prefaces the events of Rogue One: A Star Wars Story, chronicling Cassian Andor’s (Diego Luna) journey to becoming a revolutionary leader. Differing from other Disney+ series such as Star Wars: The Mandalorian, Star Wars: The Book of Boba Fett, and Star Wars: Ahsoka, Andor doesn’t feature major character cameos or supporting appearances at any point during its two seasons. Instead, Andor opts to focus on telling Cassian’s story, while developing the arcs of Bix Caleen (Adria Arjona), Luthen Rael (Stellan Skarsgård), Mon Mothma (Genevieve O’Reilly), Dedra Meero (Denise Gough), Syril Karn (Kyle Soller), and more.

By keeping prominent Star Wars figures out of its story, Andor successfully delivers a contained narrative with all of the spectacular action and compelling characterization fans of the franchise love. The likes of Darth Vader, Princess Leia, or Jyn Erso could have appeared in Andor in some form, however, the series never exhibited a need for this type of presence. Looking ahead, Star Wars must learn that the key to its long-term triumph as an IP revolves around in-depth stories with relevant themes and interesting characters rather than repeated cameos of the same legendary personas.

[RELATED: Andor Proves That Star Wars Can Leave the Jedi Behind Entirely]

Andor Never Needed Cameos to Take Over Its Spotlight

Even while functioning as a prequel, Andor prevails as an excellent story in the Star Wars Universe. Over 24 episodes, the show dives deep into the beginnings of rebellion against the Empire, fixating on the perspectives of resistance operatives, ordinary citizens, and Imperial authority figures. Andor‘s broad scope enables it to engage with its subject material with a remarkable level of complexity. Audiences learn and see the Empire’s atrocities and behind-the-scenes meetings in a way Star Wars has never brought to the screen, and it’s incredibly eye-opening to draw comparisons between the series and real-world events. Andor‘s own score of compelling characters leaves no room for the larger-than-life presence of icons like Darth Vader or Princess Leia, while the involvement of Jyn Erso likely wouldn’t have fit during the series’ place in the timeline.

Gilroy explained his reasoning for excluding Felicity Jones’ Jyn Erso from Andor, telling EW that there just wasn’t space for her involvement.

“In the end, I realized if people didn’t absolutely have to be there, they shouldn’t,” he said. “And it would’ve been lame to bring Jyn back as a cameo. That would’ve been really disrespectful in a way. I’d rather honor Rogue and keep it straight.”

Furthermore, Gilroy revealed that a Princess Leia cameo was also on the table before Andor‘s writing team decided it was unnecessary.

“There was some basic cool things for a scene, but it never got past that, and it never went to the casting stage, or it never got more real than that,” he told Screen Rant. “I remember talking to [Lucasfilm president Kathleen Kennedy about it and talking to [Star Wars lore advisor Pablo Hidalgo] about it, but it never got traction, and then it became a distraction.“

All in all, big character cameos would have taken away from Andor‘s fascinating exploration of what it means to build resistance under a fascist government, as the concept of well-known faces popping in and out is entirely antithetical to Gilroy’s approach. Darth Vader’s menacing Rogue One appearance was a sight to behold, but something akin to that scene never would have worked in a smaller-scale, more fleshed-out story like Andor. Andor’s success proves that it’s better to focus on a show’s main characters and let them shine in big moments rather than forcing beloved franchise icons into an unnecessary spotlight. Thankfully, Andor doesn’t make the mistake of ruining its finale with a big cameo like The Mandalorian Season 2 finale did with a random Luke Skywalker reveal.

Star Wars Needs to Learn Andor‘s Lesson About Major Character Cameos

The Mandalorian and The Book of Boba Fett nearly ruined their contained narratives by needlessly bringing in a CGI-rendered version of Mark Hamill’s Luke Skywalker. Ahsoka‘s inclusion of Anakin Skywalker (Hayden Christensen) makes more sense, yet the character’s return always felt more like nostalgia bait than a necessary element. Forcing characters where they don’t belong isn’t good storytelling, and Andor hints that Star Wars could be heading in the right direction when it comes to cameos. Future Star Wars showrunners and writers need to consider whether a cameo is truly necessary for the story they’re telling before moving forward with one. By following Andor‘s model of an outstanding character-driven narrative with deep political themes and not a legendary character in sight, Star Wars seamlessly moves toward a new era of top-notch movies and TV shows.

All episodes of Star Wars: Andor are available to stream on Disney+.

The post Andor Was Right to Leave Out Big Character Cameos (And Star Wars Needs to Learn From It) appeared first on ComicBook.com.

Star Wars: Andor never tries to hide the fact that it takes place not long after the prequel trilogy. It’s all about the Empire’s efforts to try to hold its power in the galaxy, which includes building the Death Star, a superweapon that appears briefly at the end of Star Wars: Revenge of the Sith. But Andor likes to make its Easter eggs as subtle as possible to avoid distracting from the story it’s telling. That’s why it’s easy to miss the Loth cat in the final arc and all of the goodies in Luthen Rael’s shop. However, one callback that’s nearly impossible to miss comes in Season 2, Episode 10, “Make It Stop.”

The first episode of the final arc of Andor focuses on Kleya’s mission to kill her boss, Luthen, so the Empire can’t torture him for information. While killing stormtroopers and infiltrating restricted areas, she remembers her childhood when she and Luthen traveled around the world gathering information and causing problems for the Empire. They even traveled to a location important to Emperor Palpatine at one point to raise hell.

Luthen Rael Takes the Fight to Palpatine in Andor Season 2

Luthen struggles with his role as an Imperial following the fall of the Republic. The cause he’s dedicating his life to is going down a path he can’t follow, so he has a crisis of faith. During a particularly nasty battle, he sits on a ship and wishes for it all to end. Luthen only doesn’t go off the deep end completely because he finds a stowaway in need of help. He abandons his post and gives the young girl the name “Kleya.” The two of them spend the next couple of years amassing resources by selling antiquities, waiting for the right moment to strike against the Empire.

They find an opportunity while visiting Naboo, the homeworld of both Padmé Amidala and, more importantly, Sheev Palpatine. Kleya and Luthen have lunch in a cafe while a group of Imperials work on a bridge in the distance. Kleya thinks she’s ready to blow the structure to smithereens, but Luthen tells his young friend to exercise patience because firing the first shot isn’t something to take lightly. Luthen pulls the trigger himself and gives Kleya another lesson about blending in before they depart. The attack on Naboo marks Luthen’s initial strike in a long war that sees him give everything to defeat the Empire.

[RELATED – Andor’s Most Intense Scene Happened Outside the Battlefield]

Luthen Rael’s Hatred of the Empire Never Wavers

Years after attacking the Imperials on Naboo, Luthen still fights against the Empire; the only difference in his tactics is that other people do the dirty work for him. He lives a relatively quiet life on Coruscant, posing as an antique shop owner who supplies high rollers with nice-looking relics. However, he continues to hold back despite interacting with some of the most important Imperials. He even comes face-to-face with Director Orson Krennic, who’s always up to no good, and shows restraint. Sadly, Luthen doesn’t get to live out his days in peace because the Empire comes calling after a while.

Following the Ghorman Massacre, ISB agent Deedra Meero turns her attention to the Axis rebel network, which Luthen leads. It takes her a few years, but she’s able to track down the mastermind and confronts him at his store. Before attempting to take his own life, Luthen lets Deedra know just how much he hates the Empire and that everything she stands for will come crashing down soon enough. And what he warns her about comes to pass because her failure to capture Luthen and keep the details of the Death Star under wraps lands her in jail, unable to witness the “chaos” that the Rebel Alliance spreads across the galaxy.

Luthen knows he’ll never get the credit that Mon Mothma and Bail Organa do, but he makes peace with that early on. He chooses to operate in the shadows until the sun shines a light on his actions, and with that being the case, he never misses an opportunity to go big, such as hitting Palpatine right where it hurts.

Andor Season 2 is streaming on Disney+.

Did you notice Naboo in Andor Season 2? Are you happy with the conclusion of Luthen Rael’s story in the Disney+ series? Let us know in the comments below!

The post Andor Visits an Iconic Prequel Location to Stick It to Emperor Palpatine appeared first on ComicBook.com.

Rogue One: A Star Wars Story‘s whole purpose is to provide additional context to the events of Star Wars: A New Hope. In the franchise’s first movie, the Rebellion faces the threat of the Death Star, a superweapon that Emperor Palpatine is looking to turn on planets that aren’t getting in line. Rogue One shows how Leia gets her hands on the plans for the Empire’s big secret, focusing on the group that infiltrates the Imperial stronghold on Scarif and loses their lives in the process. However, the movie’s story is so strong that several other Star Wars projects, including Star Wars: Andor, flesh it out.

Watching Rogue One now provides a very different experience than when the movie first hit theaters. Characters are stronger, motivations are clearer, and every piece of the Rebellion feels much more significant.

1) Beezer Fortuna Is Everything His Cousin Is Not

One aspect of Rogue One that gets a boost after watching Star Wars: The Mandalorian is Saw Gerrera’s crew. The madman employs all kinds of beings, including Beezer Fortuna, who is related to the Twi’lek that takes over Jabba the Hutt’s empire in the Disney+ series, Bib Fortuna. However, unlike his cousin, Beezer fights for others instead of himself and dies a noble death.

2) Mon Mothma’s Place in the Rebellion Feels More Important

Mon Mothma appears in various Star Wars projects as one of the faces of the Rebellion. She plays that role in Rogue One, but Andor gives her hesitation to attack the Empire a whole new meaning. Mothma has to live a lie for years until the Ghorman Massacre forces her to cut her ties to the Empire, meaning she understands when the right time to strike is.

3) Cassian Andor’s Sacrifice Is Much More Tragic

Andor focuses on the early days of the Rebellion as much as its titular character, but he still gets plenty to do. He goes from a criminal who doesn’t believe he has a higher calling to a rebel ready to give it all for the cause. With all that extra emotion in the mix, Cassian’s death in Rogue One hits ten times harder.

4) Director Krennic’s Aspirations Are More Clear

Orson Krennic can feel like any other Imperial during his appearance in Rogue One. After all, Darth Vader puts him in his place like he would any other lackey. However, Andor shows Krennic at the top of the food chain as he begins to put the pieces in place to get the Death Star operational.

[RELATED – 7 Spy and Revolution Shows to Watch After Star Wars: Andor]

5) Bail Organa Knows the Best Course of Action

With the threat of the Death Star looming over them, the Rebellion’s council tries to formulate a plan to bring it down. Bail Organa helps get things moving, and he believes Cassian is the best choice to lead the mission. Andor shows how Bail comes to trust Cassian and how far the former Republic senator is willing to go to defeat the Empire.

6) There’s No Wiggle Room in Jyn Erso and Cassian Andor’s Relationship

The ending of Rogue One is tragic because the members of the titular team lose their lives. However, some always believed there was an extra knife twist due to Jyn Erso and Cassian embracing on the beach on Scarif. Andor puts any love theories to bed, though, by showing that Cassian always holds a special place in his heart for Bix Caleen, whom he falls in love with while living on Ferrix.

7) Melshi Always Has Cassian Andor’s Back

Another character who loses their life on Scarif is Melshi, a rebel soldier who comes to Cassian during his hour of need. Andor reveals how the two characters meet each other during their time in the Narkina 5 prison and the missions they go on that allow them to grow close before the events of Rogue One kick off.

Rogue One: A Star Wars Story is streaming on Disney+.

Are you planning to rewatch Rogue One: A Star Wars Story after finishing all of the Disney+ Star Wars series? What other aspects of the movie do you think will feel different? Let us know in the comments below!

The post 7 Things About Rogue One That Are Way Cooler After Star Wars Disney+ Series appeared first on ComicBook.com.

Star Wars Battlefront 3 is getting a big co-sign from one of the cast members of Andor. Star Wars is one of the most sprawling fictional universes out there. There’s books, TV shows, movies, and of course, video games. The Star Wars games are absolutely fantastic as they help cover so many different genres. Although they are sci-fi games, there have been first-person shooters, action/adventure games, flight sims, and much more all set in the Star Wars universe. When something that rich and expansive is created, it allows other creators to come in and play in that sandbox in a very unique way.

Of course, that’s also part of the reason Andor was such a huge success. We rarely actually get to see the “war” part of in mainstream Star Wars productions, it’s covered in passing or we see the really grand pieces of it. But the grunts doing all of the dirty work and sacrificing their lives are rarely seen, however, Rogue One and Andor shine a big spotlight on that. It allowed us to see the political side of Star Wars in a really interesting way while also highlighting what goes on in the trenches. Although they’re extremely different, Star Wars Battlefront is also one of the other projects that highlights the ongoing galactic struggle.

Andor Actor Wants to See Star Wars Battlefront 3 Get Made

In recent days, Star Wars Battlefront 2 has seen a massive resurgence in players. Of course, there’s a lot of different reasons for this such as the finale of Andor and May the 4th having just been a couple of weeks ago. However, one of the biggest points is that fans are trying to gather together to show demand for Star Wars Battlefront 3. The last game came out all the way back in 2017 and since then, DICE has been busy making new Battlefield games. There’s a lot of demand for a new Star Wars Battlefront game and it would be a great shame if a decade went by without a new one entering development.

Those trying to campaign for Star Wars Battlefront 3 to finally get made have gotten some support from Andor actor Muhannad Ben Amor who plays Wilmon in the Disney+ series. The actor took to his Instagram story and said “Star Wars gotta give us Battlefront 3 ASAP,” before following it up with another post that revealed he has 469 hours in Star Wars Battlefront 2 on his PS5.

“Grew up with Battlefront 2 – been a veteran since day one. Let’s HOPE Battlefront 3 happens,” he said.

Of course, there’s a lot that goes into making a game like this. Not only does EA and DICE have to get onboard, but Disney has to sign off on it. It’s possible Disney has been reluctant to do another Battlefront game after Star Wars Battlefront 2 launched with so much controversy, even getting the attention of various governments. The game launched with loot boxes that hindered how people could play the game and made it so that it took way too long to unlock certain things without paying for them. While Battlefront 2 ultimately recovered in the eyes of fans, the negative PR was quite damaging for Star Wars, particularly around the time of the release of the very divisive Star Wars: The Last Jedi.

Do you want to see Star Wars Battlefront 3? Let me know in the comments.

The post Star Wars Battlefront 3 Campaign Gets Support from Andor Actor appeared first on ComicBook.com.

Andor has changed the nature of the Star Wars franchise in a big way. While George Lucas introduced viewers to a galaxy (far, far, away) that is full of wondrous alien creatures, worlds, and mysticism (the Force), Tony Gilroy instead chose to focus on how Star Wars reflects the sociopolitical concerns of our times, and how complicated characters earn their “heroic” titles through often-tragic circumstances of duty and thankless sacrifice. It’s a powerful rumination on all the people and situations that had to come together to set up Luke Skywalker for his pivotal destiny as the hero who destroys the Death Star.

Now that Andor has shown us the thought-provoking maturity that Star Wars is capable of, there is another series idea that would serve as a perfect spiritual sequel to Gilroy’s masterful show. That series doesn’t have an exact title, but the subject matter would be clear: an examination of the team building the second Death Star.

Battle of Endor: The Return of the Death Star

“The Battle of Endor” was fought in the climactic act of Star Wars: Return of the Jedi. The Rebel Alliance learned of the Death Star II being constructed over the moon of Endor and launched an ambitious strike against the space station. However, the “ambush” turned out to be a trap set by Emperor Palpatine, as the Death Star II was protected from attack by a shield generator hidden on the planet below. That trap split the Rebel forces, with Luke Skywalker, Han Solo, Leia, and Lando all having to fight on different fronts of the battle to secure the Rebellion’s victory, smash the Empire’s rule, and end the Sith rule of the galaxy.

The Death Star II has never quite held the same kind of prominence as the original battle station. That’s no doubt because its existence was one of the first instances of Star Wars recycling its story tropes – a process that would continue when The Force Awakens introduced “Starkiller Base,” another twist on the Death Star concept. It is a MacGuffin with a capital “M,” as its mere presence in the film instantly created a familiar set of high stakes for the heroes that viewers could easily resonate with, thanks to nostalgia for the original film. The Death Star II’s destruction is similarly less impactful and far less iconic than the destruction of the first Death Star, but that lack of depth may be a great new opportunity for Star Wars.

[RELATED: 5 Ideas for More Star Wars TV Shows Like Andor]

Who Would Build A Second Death Star?

That’s the question that would be the thematic heart of a series focusing on the building of the Death Star II. Andor revealed in painstaking detail just how long it took the Empire to build the first Death Star, and the insane level of secrecy that was maintained around it. But what about the Death Star II?

In Star Wars canon, the second Death Star was ordered into production immediately following the destruction of the first station. The requirements for the station saw Palpatine and the Empire loot materials from scrap (Karthon Chop Fields), and was met with several key setbacks compared to the first station, including the feat of keeping it in orbit, the automated methods to build it (self-replicating droids), and the piecemeal stages of construction. All of this construction was done under the authority of a single key figure: Moff Tiaan Jerjerrod.

The real intrigue about a show focused on the Death Star II’s construction would be all the factors surrounding the station. In the canon lore, Palpatine purposefully sabotaged Moff Jerjerrod’s efforts, staging pirate and Rebel raids on the supply shipments, while also allowing spies to reach the Rebellion with word of the Death Star II’s construction. That’s a great way for a show to keep to Andor’s ground-level focus, while still integrating fantastical characters like the Emperor. The expanded lore of Star Wars has introduced characters like Bevelyn and Jon Melton, two workers on the Death Star II who were secretly spies for Lady Qi’ra and her Crimson Dawn syndicate, and eventually escaped to deliver the Death Star plans. Their story was told in comics, but there’s room for their live-action appearance, as well.

Taken altogether, a show about the Death Star II would be another sort of sociopolitical espionage drama that Andor was. However, this time around, the focus would be on those characters (new and established) who find themselves in the shadow of one of the galaxy’s darkest and most deadly evil legacies. Watching everyday members of the Empire engaged in something they know, beyond all doubts and lies, is a tool of genocide and terror, is the human drama connection that fans want more of, conveyed by complex morally-compromised characters who are squeezed between the rock of fascist agenda and a hard place of personal morals and a sense of duty… whatever form that takes.

Andor is streaming on Disney+.

The post Andor Convinced Me That Star Wars Needs A Death Star 2 TV Series appeared first on ComicBook.com.

The brilliance of Star Wars: Andor has recalibrated all expectations for Star Wars television. Its grounded realism, intricate character development, and nuanced exploration of rebellion beyond laser blasts have left many yearning for more storytelling of similar depth and maturity. The success of Andor proves that Star Wars can thrive in the shadows, focusing on the ordinary individuals caught in the machinations of galactic powers and the slow burn of resistance against oppression. It has demonstrated that compelling story arcs don’t always require Jedi, Sith, or galaxy-ending stakes. Instead, a focus on political intrigue, espionage, and the human cost of conflict can be just as, if not more, captivating. Building upon this foundation, there’s a fertile ground of unexplored concepts ripe for development into television series that could capture the same level of critical acclaim and audience engagement as Andor. 

Let’s delve into five concepts that could further enrich the Star Wars universe with compelling and sophisticated storytelling on the same level as Andor.

1) The Bureaucracy of the Empire

Imagine a series that delves deep into the inner workings of the Galactic Empire, not from the perspective of its military might, but through the lens of its vast and complex bureaucracy. This show could follow a diverse cast of characters within various Imperial departments – perhaps a dedicated but disillusioned records-keeper uncovering dangerous secrets, a sharp-witted political strategist navigating the treacherous hierarchies of Coruscant, or an ethical architect struggling with the moral implications of designing Imperial infrastructure on subjugated worlds. While Andor explored the consequences of blindly swearing allegiance to the Empire, particularly with Dedra Meero and Syril Karn, the Empire stood for over 20 years, with Dedra and Syril’s part only exploring the tail end of it.  

RELATED: Andor Proves That Star Wars Can Leave the Jedi Behind Entirely

The story arc could explore the everyday banality of evil, showcasing how seemingly innocuous administrative tasks contribute to the Empire’s oppressive regime. We could witness the internal power struggles, the corruption that festers within the system, and the quiet acts of defiance undertaken by those who still hold onto their conscience. Season 2, Episode 8 of Andor –  “Welcome to the Rebellion” – gave tiny glimpses into these sorts of people who exist within the Imperial framework, such as the two workers who helped stall security from reaching Mon Mothma during her pivotal speech denouncing the Empire. This series could offer a fascinating and unsettling look at how totalitarianism functions on a systemic level, drawing parallels to real-world historical examples and providing a fresh perspective on the familiar Star Wars setting.

2) Tales From the Outer Rim Underworld

While we’ve glimpsed the criminal underbelly of the Star Wars galaxy and quite a few planets in the Outer Rim (including Tatooine), a series focused entirely on the Outer Rim could offer a gritty and morally ambiguous exploration of survival in a lawless frontier. This show could weave together the stories of smugglers, bounty hunters, crime lords, and the marginalized communities struggling to exist on the fringes of galactic society, far from the concerns of the Republic or the Empire. Potential planets explored could include the familiar, yet still rich with untold stories, such as Lothal in its post-liberation era, grappling with rebuilding and the lingering presence of criminal elements taking advantage of the power vacuum.

Each season or arc could focus on a different sector or planet, introducing a new cast of characters and their unique struggles for power, resources, and freedom. We could see the brutal realities of life outside the core worlds, the complex alliances and betrayals that define the underworld, and the constant threat of both Imperial encroachment and internal conflict. This concept allows for a diverse range of storytelling possibilities, from heist story arcs to tales of survival and the formation of unexpected bonds in a harsh environment.

3) Clone Wars: The Untold Stories of Anakin and Ahsoka

Drawing inspiration from the potent dynamic hinted at in Star Wars: Ahsoka, a series could delve into the more complex and morally gray missions undertaken by Anakin Skywalker and Ahsoka Tano during the Clone Wars; stories that fall outside the scope of the animated series. This show could explore the ethical dilemmas they faced, the clandestine operations they were involved in, and the growing disillusionment with the Republic and the Jedi Order that began to take root.

RELATED: George Lucas’ Original Plan for Anakin Skywalker’s Descent to the Dark Side Is Way More Evil Than You Could Imagine

The story arc could focus on missions with significant political implications, undercover assignments requiring morally ambiguous choices, or the personal toll the constant warfare took on their relationship and their individual psyches. We could see Anakin grappling with the Jedi Code and his attachments, while Ahsoka navigates the stark reality of being a child soldier in the war. This approach would offer a more mature perspective on the Clone Wars, bridging the gap between the animated series and the darker undertones of Star Wars: Revenge of the Sith.

4) The Jedi of the High Republic Era

Set centuries before the Skywalker saga, a series exploring the Jedi Order during the High Republic era could offer a fresh and optimistic perspective on the guardians of peace and justice in the galaxy. With the High Republic novels and comics, the source material for a show set in this time period is sprawling. A show could delve into the intricacies of the Jedi at their zenith, showcasing their diverse roles as explorers, diplomats, and protectors of a thriving Republic. Audiences could witness the challenges they faced in charting new frontiers, mediating disputes between worlds, and confronting emerging threats to galactic stability, particularly the Nihil.

The story arc could focus on a specific Jedi Order outpost or a team of Jedi Knights and Masters undertaking complex missions across the Outer Rim. One such character from the novels who fits the bill and has untapped potential in live action is Jedi Knight Avar Kriss, who first debuted in Charles Soule’s novel Light of the Jedi. A series could explore Jedi relationships with the Republic Senate, the unique challenges of maintaining peace in a less-charted galaxy, and the philosophical debates within the Order itself as they grapple with new discoveries and evolving threats. This era offers a rich tapestry of unexplored lore that was only briefly touched upon in Star Wars: The Acolyte, allowing for compelling character development and intricate political intrigue against a backdrop of a more hopeful, yet still complex, galactic landscape.

5) Ezra Bridger’s Exile on Peridea

Following his heroic sacrifice in order to trap Grand Admiral Thrawn and liberate his beloved home planet of Lothal, as seen in Star Wars Rebels, a television series could explore Ezra Bridger’s solitary existence on the distant world of Peridea, offering a character-driven exploration of isolation, adaptation, and the lingering effects of trauma. This show could delve into the unique environment of Peridea, its native inhabitants, and the challenges Ezra faced in surviving and potentially finding a new purpose in a galaxy far removed from the rebellion he helped to ignite. 

RELATED: Star Wars: Ahsoka Star Just Gave Us a Big Hint About Season 2

The story arc could focus on Ezra’s internal struggles as he grapples with the weight of his past, the loss of his found family and Master, and the uncertainty of his future. We could see his initial interactions with the indigenous life forms of Peridea – a relationship that was highly developed by the time he appeared in Ahsoka, the development of new skills and perspectives, and perhaps even the discovery of ancient secrets or forgotten Force traditions on this mysterious world. This concept provides an opportunity for deep character study within an alien landscape, exploring themes of resilience, self-discovery, and what it means to find peace in exile.

The post 5 Great Concepts for More Star Wars TV Shows on Andor’s Level appeared first on ComicBook.com.

Star Wars is in a pretty good place right now, and right now that’s because of Andor. A near-perfect piece of entertainment, Andor is deep story about people in every level of society dealing with the effects of fascism that incorporated everything good about Star Wars, including ideas from Star Wars Legends, the pre-Disney canon. Star Wars Legends has a lot of great stories and Andor was able to show that it still has a lot to give to the modern Star Wars canon. Andor is a Star Wars masterpiece, and a big part of it was because its creators weren’t afraid of looking at Legends, finding the parts that worked, and incorporating them.

The Star Wars fandom is a contentious place, and always has been. There are original trilogy purists, prequel partisans, and sequel lovers. There’s people who only care about the new post-Disney canon, and there are people that only love Legends. However, there’s a way to make Star Wars better for everyone by getting the Legends fans’ chocolate into the canon fans’ peanut butter. Fans want better Star Wars and the best way to get it is to reach back into the books of Legends.

Legends Has Even More to Offer Canon

Once upon a time, in the ’90s, being a Star Wars fan was very different. There were no new movies and no TV shows. Star Wars action figures had disappeared the decade beforem and the Marvel comics were no longer being published. 1991 started the change that would lead to the prequels, when the one-two punch of Heir to the Empire, by Timothy Zahn, and Dark Empire, by Tom Veitch and Cam Kennedy, blew the minds of both Star Wars and sci-fi fans. Suddenly, Star Wars was alive again in books and comics, which led to a new Star Wars TTRPG.

West End Gaming’s Star Wars Roleplaying Game began, with writers coming up with histories of the Empire, the Rebellion, and the various races of the galaxy in the sourcebook for players and game masters. For an entire generation of Star Wars fans there was only novels, comics, West End Gaming sourcebooks, and Star Wars Adventure Journal, a quarterly digest of short stories written by Star Wars authors like Zahn, Michael Stackpole, and Aaron Allston with RPG stats for ships and characters.

I grew up with all of this. Legends was my Star Wars and I loved the West End RPG material. I didn’t play the game — Star Wars and TTRPG fandoms weren’t nearly as ubiquitous as they are today — but I loved the lore. Watching Andor, as well as other pieces of new canon like Rogue One, Star Wars: The Clone Wars, Rebels, Bad Batch, The Mandalorian, and others, I was struck by how much these stories owed to Legends. While they all changed a lot of the actual written history, they found a way to take the flavor of these stories and bring them into new canon.

RELATED: Andor’s Recast Star Reveals He’s “Wide Open” for Star Wars Return

There are a lot of problems with Legends that canon doesn’t need, and there are lots of parts of Legends that canon will not be able to incorporate. There will be no Mara Jade or Grand Master Luke Skywalker or Yuuzhan Vong or Darth Caedus, and that’s a good thing. Legends threw a lot at the wall and not all of it stuck. We’ve seen that sometimes, canon takes ideas from Legends and mess them up. Canon has brought ideas from Dark Empire in, and used them in much worse ways. Canon has also brought in Thrawn, and unless Zahn is writing the character, the stories are merely alright. However, that doesn’t mean that the ideas of Legends can’t be brought into canon and make things better. Andor shows that Legends still has a lot to offer to Star Wars.

The Ghorman Massacre first appeared in Legends, and Andor actually used the Legends version — Tarkin landing a ship on a group of protesters — as part of its story building up the events on the series. The way the Rebel Alliance and ISB are portrayed in Rebels and Andor is right out of the West End Roleplaying Game’s Rebel Alliance Sourcebook and Imperial Sourcebook. There’s a reason that Legends got so popular among the most diehard Star Wars fans of the ’90s, and it’s because great creators took the sandbox of Star Wars and used it to populate a universe. Canon can do the same thing with the ideas of Legends, and create Star Wars stories that fans actually want, like Andor.

Legends Could Give the Canon the Kickstart It Needs

Andor has left Star Wars in an interesting place. Star Wars under Disney has finally gotten a work that is beloved by fans and critics alike, a work of brilliance and craft that had something for everyone. Disney has already begun ramping things up for Star Wars again; there’s a Rey movie coming, there’s the Dawn of the Jedi film, the High Republic is ending. There’s room in all of these for the best parts of Legends to be brought back.

It’s shocking that, for example, Lucasfilms hasn’t taken the ideas of the Old Republic and found ways to bring them back. The Jedi/Sith/Mandalorian Wars of 5,000 BBY to 1,000 BBY don’t have to be brought back exactly how they happened in Legends, but bringing something like them into canon, and writing them as well as works like Knights of the Old Republic, Knights of the Old Republic 2: The Sith Lords, and the Darth Bane trilogy, would definitely make things better. Legends actually made Star Wars feel like a universe, and canon needs that. Andor has showed the way Star Wars can tell better stories, and Legends stories might be the key ingredient.

How do you feel about Star Wars incorporating more Legends ideas? Sound off in the comments below.

The post Star Wars Needs More Movies & Shows Like the Legends Books (And Andor Proves It) appeared first on ComicBook.com.

When Star Wars: Andor was announced, the fates of so many of its characters were already known. After all, Rogue One: A Star Wars Story is about Cassian Andor’s mission to get the Death Star plans in the hands of the Rebellion, which ends with him dying on Scarif. To avoid complete doom and gloom, Andor introduces new players who have a lot of involvement in the early days of the Rebellion. Not all of them make it out of the show’s second season, as their actions lead the Empire to their doorsteps, but one important character does see the sunrise.

Luthen Rael’s assistant, Kleya Marki, stands by her father figure’s side throughout Andor, communicating with rebel cells across the galaxy. However, unlike Luthen, who dies to avoid being tortured by the Empire, Kleya makes it off of Coruscant, leaving her status during Rogue One and the original trilogy up in the air. Well, Star Wars fans can’t be kept in the dark forever, so they took it upon themselves to find out where Kleya is hiding during the Galactic Civil War.

Kleya Marki Is the Best Radio Jockey in the Galaxy in Andor

Kleya poses as a worker in Luthen’s store, which sells rare artifacts from all over the galaxy. She watches the showroom floor as customers come in and out, but she’s always waiting for an opportunity to use her communications device in the back of the store. It’s essentially an old-school radio that allows Luthen to stay in contact with his agents out in the field. Kleya uses the device frequently throughout Andor‘s two-season run, including when she talks to Cassian about the events going on at Mina-Rau. However, the last time she uses it turns out to be the most important because she receives a message from Lonni Jung, an ISB double agent who has information about the Empire’s superweapon.

Luthen and Kleya go out in the field to find Lonni, as they can’t risk meeting at the store. After Luthen learns all he can from his agent, he returns to Kleya and gives her the information to pass along. Luthen attempts to take his own life shortly after, when Dedra Meero tries to arrest him as he’s destroying the communications device at the store, leaving Kleya with few options. She heads to the hospital where Luthen is being held, removes his breathing device, and waits for someone to arrive to take the knowledge she has. Cassian shows up on Coruscant and refuses to leave Kleya alone, fighting off Imperials and taking her to Yavin 4, where she can rest after living a lie for so long. However, if an eagle-eyed fan on TikTok is right, she doesn’t stay out of the fight forever.

[RELATED – Andor’s Latest Major Death Led to the Most Devastating Star Wars Line of All Time]

Kleya Marki May Offer Her Skills to the Rebellion in Star Wars: The Empire Strikes Back

After the Battle of Yavin, the Rebel Alliance moves its base to the ice planet Hoth. The higher-ups believe the frigid temperatures will keep the Empire from snooping around, but a probe droid arrives not long after the base’s competition. With the full force of the Empire about to come down on them, the rebels prepare for a massive battle. Unfortunately, it doesn’t take long for the scales to tip in the Empire’s favor, so Princess Leia Organa calls for an evacuation of Echo Base. Ships start to leave, but Leia refuses to go until all but one transport gets off the planet. Other dedicated rebels stay with her, including a woman working hard at her station.

When Han arrives to plead with Leia to leave, she’s standing next to the woman’s workspace, looking at the progress of the evacuation. Now, the rebels aren’t working with the same device Kleya uses in Andor, but she’s good with technology in general, and the woman in Echo Base looks enough like her to make the idea somewhat believable. It’s also very much like her character to stay behind and ensure everyone else is safe before looking out for herself. So, until Star Wars reveals where Kleya is during the original trilogy, she’ll take the place of a rebel on Hoth trying to do the right thing.

Star Wars: Andor is streaming now on Disney+.

Do you believe that Kleya is the female rebel Leia interacts with in Star Wars: The Empire Strikes Back? Where else could she be during the original trilogy? Let us know in the comments below!

The post Star Wars Fans Believe They’ve Spotted an Andor Favorite’s Cameo in the Original Trilogy appeared first on ComicBook.com.

Spoilers for Andor follow. Though Cassian’s story ended with this week’s series finale of Andor on Disney+, the final scene opened up the door for his legacy to live on long past his death in Rogue One: A Star Wars Story. In the closing moments of Episode 12 — “Jedha, Kyber, Erso” — it is revealed that Bix was pregnant after she left Yavin for the sake of the Rebellion, as she is seen holding her and Cassian’s infant child in the fields of Mina-Rau. The revelation ends the series with a glimmer of hope in the middle of war, suffering, and the ultimate sacrifice Cassian unknowingly departs Yavin to face on Scarif. After all, rebellions are built on hope.

The introduction of Cassian’s child in the closing moments of the finale of Andor has major implications for the future of the Star Wars galaxy as a whole, offering a fresh perspective on the legacy of the Rebellion and the personal costs of freedom.

The Existence of Cassian’s Child Opens New Avenues for Star Wars

One of the most immediate implications of the surprising reveal that Bix had given birth to Cassian’s child is the potential for exploration of their upbringing in a galaxy still gripped by the iron fist of the Empire. Growing up in the shadow of a revolutionary father, and likely raised within the Rebel Alliance, or at least among Rebel sympathizers, this child’s life would be inherently intertwined with the fight for liberation. Would they (and Bix, for that matter) be aware of Cassian’s sacrifice? Would they inherit his rebellious spirit, or would the trauma of war shape them in a different way? 

In an interview with EW, showrunner Tony Gilroy addressed the surprise ending, stating, “We wanted to have a final punctuation mark on the whole thing, and we wanted to give you a little bit of hope.” This hope, embodied in the child, directly contrasts with the grim realities of the ongoing conflict and underscores the personal stakes involved.

RELATED: After Andor and Rogue One, This 42-Year-Old Star Wars Question Is Even More Baffling

Furthermore, the child’s existence adds a layer of emotional depth to Cassian’s ultimate sacrifice in Rogue One. Knowing that he left behind a child, a tangible piece of himself and his love for Bix, amplifies the tragedy of his death. It transforms his final act from a purely selfless contribution to the Rebellion into a sacrifice that also deprived a child of their parent. This newfound context enriches the emotional resonance of Rogue One and provides a poignant lens through which to re-examine the film. The focus on this intimate detail highlights Andor’s commitment to grounding the grand narrative in personal stories.  

This New Character Brings a Unique Perspective on the Legacy of the Rebellion

The timeline of the Star Wars saga also presents intriguing possibilities. Given that baby Andor would be quite young during the events of the original trilogy, their direct involvement in those conflicts would no doubt be limited. However, the New Republic era and sequel trilogy, set decades later, offers a significant window for this character to appear. Could they be a figure within the Resistance, carrying on their father’s fight against the First Order? Or might their path lead them down a different, perhaps unexpected, route within the galaxy? Gilroy hinted at the broader implications adding, “It also opens up the idea that the sacrifices that people make have echoes.” This “echo” could very well be the life and choices of Cassian and Bix’s child.

The introduction of the child also opens up avenues for exploring the personal lives and legacies of other Rebel heroes. The focus often remains on the grand scale of the galactic conflict, but the human cost and the personal stories of those involved are equally important. This child represents a tangible link to the sacrifices made by countless individuals during the Rebellion, reminding audiences that heroes are also fathers, mothers, lovers, and friends. Their story could serve as a microcosm of the broader impact of the war on families and future generations.

RELATED: Andor Reveals the Secret Origin of Rogue One’s Most Memorable Line

Moreover, the child’s parentage – the offspring of Cassian Andor, a man from the Outer Rim who rose to become a pivotal figure in the Rebellion, and Bix Caleen, a resourceful and resilient information broker – suggests a unique blend of skills and perspectives. They might inherit Cassian’s strategic mind and unwavering commitment, combined with Bix’s street smarts and ability to navigate the underworld. This combination could make them a formidable individual in their own right, potentially playing a significant role in future galactic events. 

The potential, story-wise, extends beyond simply introducing a new character. The existence of Cassian’s child could also influence the way existing characters view his legacy. Key figures in the early Rebellion knew Cassian and understood the weight of his contributions. Mon Mothma and Kleya, in particular, were intimately aware of Cassian’s bravery and devotion to the Rebellion, as he was the one responsible for extracting both of them from live-or-death scenarios on Coruscant. The knowledge that he left behind a child could further solidify their commitment to the cause he died for, adding another layer of personal motivation to their fight against tyranny.

The child’s discovery of their parentage could be a significant plot point in future stories. Imagine a scenario where they stumble upon old recordings, journals, or even meet individuals who knew their father. This journey of discovery could lead them to embrace their father’s legacy, perhaps even taking up his mantle in some form. It could also lead to internal conflict as they grapple with the weight of his sacrifice and the expectations that come with being the child of a hero; a thread the sequel trilogy never fully explored with Ben Solo/Kylo Ren.

The circumstances surrounding the birth of Cassian and Bix’s child bear a striking resemblance to the revelation of Hera Syndulla and Kanan Jarrus’ son, Jacen Syndulla, in the epilogue of Star Wars Rebels. Both children were conceived amidst the early rebellion and born after the fathers had made the ultimate sacrifice, unaware of the life they had left behind. This parallel in their origins – born into a galaxy at war, carrying the legacy of heroic parents who fought for freedom – suggests a compelling possibility. Should these two children ever cross paths in the vastness of the Star Wars galaxy, their shared history and potential understanding of loss and resilience could forge a powerful connection, perhaps even shaping the future of whatever conflicts may arise.

The Star Wars galaxy is vast and filled with untold stories. The introduction of Cassian’s child provides a new thread to explore, one that is deeply rooted in the events of Andor and Rogue One. It offers a chance to move beyond familiar Skywalker storylines and delve into the lasting impact of the Rebellion on ordinary individuals and their families. This child represents not just a continuation of Cassian’s bloodline, but also a symbol of the enduring hope that fueled the fight against the Empire. Their story has the potential to enrich the Star Wars saga in profound and meaningful ways, reminding us that even in the darkest of times, life finds a way, and legacies are carried forward. The future of the galaxy may very well be shaped, in part, by the child of the rebel who dared to believe in a better tomorrow.

The post Andor’s Twist Ending Shakes Up the Future of Star Wars appeared first on ComicBook.com.

Benjamin Bratt, who portrayed Bail Organa in Andor Season 2, says he would be game to reprise the character in another Star Wars project. Following the Andor series finale, the actor sat down with Entertainment Weekly to discuss his role on the acclaimed drama, his thoughts about replacing Jimmy Smits as the Senator, and his possible future in the galaxy far, far away. Bratt had nothing but high praise for Andor showrunner Tony Gilroy, cracking that he’d work in “craft services” if it meant they could collaborate again.

“Wide open. Listen, as long as there’s interest, I’d show up for Tony to do craft services on his next job,” Bratt said. “I just have such tremendous respect for him. And the shame of it was I didn’t really ever see him on set. He was stateside and then was locked down because of the writer’s strike. He put together a remarkable team of writers and directors and actors, and the whole thing works from top to bottom. This is television as good as it gets, as far as I’m concerned. And I’m just so grateful and immensely proud of the fact that I am in some small part of it.”

When Bratt’s casting in Andor was first announced, his character was kept under wraps. It wasn’t until the actor’s first episode, “What a Festive Evening” that his role was revealed. Smits, who portrayed Bail in three films and the TV series Obi-Wan Kenobi, was unavailable due to scheduling conflicts. Bratt told Entertainment Weekly that he rewatched Smits’ scenes to ensure he honored what Smits did while putting his own stamp on the role.

[RELATED – 7 Spy and Revolution Shows to Watch After Star Wars: Andor]

Andor recently wrapped up its run with a final batch of episodes that lead directly into Rogue One: A Star Wars Story. Bratt appeared on three episodes in Season 2; Bail has a key supporting role as one of Mon Mothma’s closest allies in the early days of the Rebellion.

Seeing Bratt as Senator Organa was likely initially jarring to long-time Star Wars fans, but he comfortably slid into the role and delivered a strong performance. His take on the character captured the same spirit viewers are familiar with without coming across as an imitation of Smits. Seeing how well he turned out in Andor, fans wouldn’t mind seeing Bratt reprise the role if the opportunity presented itself. Smits would probably get first call given his history with the character; however, if he were unavailable again, Bratt’s proven himself as a compelling Bail.

The bigger question, of course, is if this will ever happen. As Star Wars fans know, Bail dies when the Death Star destroys Alderaan, so there aren’t any obvious spots where the character could pop up again. There are plenty of Star Wars projects in development, but none of them are set within an era of the timeline where Bail would be alive. There’s no guarantee one will get off the ground, either. The prequel era and the time period between Revenge of the Sith and A New Hope have already been extensively covered, and it’s hard to see what else is left to explore. Still, a prequel series to Rogue One may not have seemed like an obvious idea, and it became a massive success. Perhaps Lucasfilm will find a way to tell more stories involving Bail.

The post Andor’s Recast Star Reveals He’s “Wide Open” for Star Wars Return appeared first on ComicBook.com.

Star Wars: Andor has reached its end, and fans are undoubtedly looking for other TV shows with similar themes of revolution. Over its two seasons, Andor highlights the Galactic Empire’s tyranny in the most detailed manner the Star Wars franchise has ever scene, laying the groundwork for the events of the 2016 film Rogue One: A Star Wars Story. Moving on from such as spectacular work of television isn’t easy, but fortunately, there exist a great selection of series depicting rebellion against authoritarian regimes. Whether in a futuristic or modern-day setting, stories of resistance all emit the same captivating essence and deliver exhilarating action and drama.

The following seven TV series center on different forms of resistance, from spying to all-out uprisings. Viewers who enjoyed Andor need to add these titles to their watchlist immediately.

1) The Man in the High Castle

Based on the 1972 Philip K. Dick novel, Prime Video’s The Man in the High Castle paints an intricate portrait of resistance similar to that of Andor. The story depicts an alternate history in which the Axis Powers of Nazi Germany and Imperial Japan won World War II and each govern seperate halves of the United States. The Man in the High Castle centers on a variety of perspectives in its authoritarian setting, such as several underground resistance members, a high-ranking SS member, and the relentless head of the Japanese secret police. Covert operations and explosive acts of rebellion occur throughout The Man in the High Castle‘s endlessly intriguing narrative. The series’ four seasons deliver gripping drama and character dynamics, and audiences will find themselves immersed into The Man in the High Castle‘s detailed alternate world. A chilling representation of America under fascist rule, The Man in the High Castle provides all of the suspense and rebellious thrills Andor fans crave.

2) The Handmaid’s Tale

Hulu’s The Handmaid’s Tale adapts Margaret Atwood’s 1962 novel of the same title while expanding on its source material. Set in the dystopian patriarchal society of Gilead, The Handmaid’s Tale chronicles the strife and eventual revolt of a group child-bearing slaves. The show’s depiction of the violent oppression of women is hard to stomach, but its focus on resistance offers a spark of light amid the dark themes. Throughout its six seasons, The Handmaid’s Tale never fails to surprise audiences, and its balance of action and drama makes for exhilarating television. Elizabeth Moss forcefully portrays the series’ main character, June/Offred, while The Handmaid’s Tale also features an impressive supporting cast. Revolt against tyranny is The Handmaid’s Tale‘s bread and butter, and Andor fans need to check out this Hulu masterpiece.

3) Mr. Robot

Mr. Robot takes a unique approach to the theme of resistance, as most of its narrative revolves around covert actions rather than an action-packed uprising. In the series, Rami Malek stars as Elliott Alderson, a mentally unstable cybersecurity employee and skilled computer hacker who joins a hacktivist organization called fsociety. From there, Elliott initiates the erasure of all consumer debt, triggering a series of world-changing events. A mind-bending and riveting character study, Mr. Robot deftly addresses the topic of class disparities under capitalism. Although aesthetically different from Andor, Mr. Robot mirrors the Star Wars show though its unlikely hero of a protagonist who faces one difficult choice after another in pursuit of a necessary revolution. Mr. Robot is thrilling, shocking, and tension-filled from start to finish, and Malek’s lead performance lives among the most memorable character portrayals in TV history.

[RELATED: How Star Wars: Andor Connects to Rogue One in Unexpected Series Finale]

4) Firefly

Andor fans in search of another amazing sci-fi series with a rebellious sentiment need to check out Firefly. Set in a distant solar system 500 years in the future, the show centers on a misfit band of space travelers who smuggle and scavenge as they strive to find their way in the world aboard their ship, the Serenity. At odds with their authoritarian rulers and other factions following a deadly civil war, these outcasts encounter plenty of adventure and danger during their interplanetary travels. Defined by its deep political themes and excellent world-building, Firefly also boasts a fascinating set of characters and fun notes of humor to offset the drama. Although a character-driven story first, the show also explores themes related to imperialism and government control. Firefly aired just 14 episodes before its cancellation, however, anyone who enjoys an exciting space drama with a Western flair will find the series well worthwhile.

5) Humans

An artificial intelligent revolution on Earth takes center stage in Humans. Hyper-intelligent robots known as synths contend with their place in a human-led society that oppresses them. Humans begins as a fascinating examination of society’s adoption of AI into normal life and the implications of blurring the line between humans and their human-like android counterparts, subsequently portraying a synth uprising when hostility between the camps boils over. Gemma Chan headlines Humans‘ superb cast, which also features standouts like Carrie-Anne Moss, Sope Dirisu, and William Hurt. Despite being cancelled after three seasons, Humans offers a layered take on the emergence of AI, approaching each human and synth character with incredible care and nuance. Fans of Andor will find that Humans aligns well with the Star Wars property’s message about resistance in the face of injustice.

6) Snowpiercer

A thrilling post-apocalyptic story, Snowpiercer takes inspiration from the 1982 French graphic novel and 2013 film of the same name. The plot revolves around a dystopian society established on a constantly moving train containing humanity’s lone survivors after the Earth freezes over. Snowpiercer‘s four seasons focus on class inequality aboard the train, as tensions between the passengers and their tyrannical rulers rise to the point of revolt. Led by many complex characters, Snowpiercer powerfully depicts the perpetual struggle to survive and resist when injustice runs rampant — a concept at the heart of Andor‘s story. Solid acting performances and interesting deviations from the source material make Snowpiercer a worthwhile watch for TV lovers.

7) Silo

Apple TV+’s Silo easily ranks among the best sci-fi shows currently airing, and its revolution-centric narrative is a perfect fit for Andor fans. Based on the book trilogy by Hugh Howey, Silo takes place in a future world where nuclear war has rendered the Earth’s air toxic, forcing humans to dwell in underground silos. Totalitarian regimes reign, dividing each of the silo’s levels according to class and enacting injustice at every turn. In Silo, a remarkable series of events involving an ordinary engineer, a mysterious murder, and physical remnants of the past known as relics, trigger a massive rebellion that promises to change everything. There exist so many layers in Silo‘s dystopian story, and the show never reveals too much at once. Rife with mystery, complex characters, and spectacular payoffs, Silo is a riveting piece of storytelling with detailed politics. Those who love Andor will enjoy the shared qualities between Diego Luna’s Cassian Andor and Rebecca Ferguson’s Juliette Nichols, as both protagonists rise from normal citizens to the beating heart of a revolution. Two of Silo‘s four planned seasons of aired, and viewers should take the opportunity to catch up before Season 3 premiers.

All of these titles are available to stream across various platforms.

The post 7 Spy and Revolution Shows to Watch After Star Wars: Andor appeared first on ComicBook.com.

Andor is officially over, and while it used many of its connections to Rogue One and other Star Wars stories effectively, it didn’t include a cameo that fans were “begging” for — an appearance by Felicity Jones as Jyn Erso. Showrunner Tony Gilroy talked about this omission in a new interview with Backstory Magazine this weekend, explaining that he couldn’t see a way to include Jyn without upsetting the carefully balanced plot as we know it. While some fans are disappointed, others applaud Gilroy for avoiding contradictions, especially as these stories are set during such an important part of the overall plot.

“When I was building Season 2 after Season 1, I was looking at everything. Felicity is just a fantastic actor and a really great person, and I know how much love there is for her online and how many people were begging for that to happen,” Gilroy said. “If I could have thought of a way that didn’t tip everything upside down, I don’t think Lucasfilm would have had a problem.”

The issue started and ending in the writing phase, Gilroy said. “I could never… Once you start it, what do you do with it? You got to go all the way. Is she some connection to Saw, and then you get into that, but then you go back, and what does he say in Rogue One? It just never pulled together.”

[RELATED: Every Star Wars Disney+ Series Ranked]

Some fans online have said they would have been happy with a cameo from Jyn that did not connect her to any of the storylines in Andor — just a glimpse of her as a reminder of where this story is headed. Others argued that this would have needlessly eaten into the budget and the screentime, both of which were used to great effect in Andor Season 2.

Andor is a prequel to Rogue One: A Star Wars Story, which stars Jyn Erso as a new, reluctant recruit to the Rebel Alliance. Introducing her early in Andor would upset the whole timeline, and disrupt the consistency of the movie. As Gilroy pointed out, even Jyn’s closest contact in the Rebellion, Saw Gerrera, had not seen her for years before the start of the movie, so it would be hard to explain her presence on the prequel series.

Rogue One is a prequel to the very first movie in the franchise, A New Hope, where the Rebels destroy the Death Star in the Battle of Yavin. This event is so central to Star Wars that it’s even the reference point for the entire timeline — years are numbered as having occurred “before the Battle of Yavin — BBY,” or “after the Battle of Yavin — ABY.” That makes this a heavily scrutinized part of the narrative, and one that fans have a lot of emotional investment in. Any inconsistencies would have cast a Andor and Rogue One in a negative light.

Fortunately, Gilroy and his collaborators threaded the needle expertly, and Andor is already one of the most acclaimed titles in the Star Wars library. The completed series is streaming now on Disney+, along with Rogue One and the rest of the Star Wars franchise.

The post Andor Creator Explains Why This Popular Rogue One Character Didn’t Appear appeared first on ComicBook.com.

Speculation and Star Wars go hand in hand. While the Original Trilogy and prequels have their fair share of major reveals, the Disney era is where theories about the people and places in a galaxy far, far away really start to take off. Star Wars: The Force Awakens still sends fans into a frenzy because of the mystery surrounding Rey’s identity, and that’s just the tip of the iceberg. The sequels have plenty of other pot-stirring moments, including Snoke’s reveal, while the Disney+ shows can’t help themselves when it comes to pulling off jaw-dropping moments that shake Star Wars canon to its core.

The one project that feels like a breath of fresh air after years of uncertainty is Star Wars: Andor, which follows the rebel spy in the years leading up to the events of Rogue One: A Star Wars Story. However, whether it means to or not, the show’s final moments reveal a character who’s already the subject of countless theories.

Andor Reveals the Future of the Star Wars Galaxy

Prior to the final batch of Andor episodes, Cassian Andor’s longtime love interest, Bix Caleen, leaves Yavin 4 behind because she believes the Rebellion’s mission is too important. She knows Cassian will focus on her safety more than the galaxy’s, so she leaves him a goodbye message saying they can reunite once the conflict concludes. Of course, that never comes to pass because Cassian dies on Scarif after getting the Death Star plans to the Rebellion, forcing Bix to live without her found family on Minu-Rau. Well, she’s not totally without family because Andor reveals in its final scene that Bix has a baby.

Andor clearly means to show that, despite Cassian’s death, his legacy lives on in Bix and his child, and that they’ll get to enjoy the fruits of his labor by living in a liberated galaxy. However, that message is going over a lot of people’s heads, with plenty of conspiracy theorists flocking to social media to explain how Andor is clearly revealing that Cassian and Bix’s kid will grow up to be Poe Dameron from the sequel trilogy. The only issue with that line of thinking is that Poe has a pretty famous Star Wars family already.

[RELATED – Star Wars Fans Stunned by Andor Character’s Death (But We All Should Have Seen It Coming)]

Poe Dameron Isn’t Just Any Rebel in Star Wars

The driving force behind the Andor theory is that Poe is the right age in The Force Awakens to have been born during the events of the Disney+ show, and that’s not totally off-base. Poe is born in 2 ABY in canon, and since Star Wars doesn’t have a problem changing birthdays now and again, there’s a chance the pilot is a little older than his records state. But even if he is, there’s another important part of Poe’s past that canon is very clear about: he has awesome parents.

Like so many others, Poe’s parents, Kes Dameron and Shara Bey, grew tired of the Empire’s antics. They joined the Rebellion, with Kes being a member of the Pathfinders and Shara one of the alliance’s best pilots. While living on Yavin 4, the two had a child in 2 ABY and continued to help the Rebellion fight back. They were both present during the Battle of Endor, and after watching the Empire fall, they tried to live a normal life and returned to Yavin 4. Sadly, Shara died a few years after the Battle of Endor, leaving Kes to raise their son alone.

A wedge grew between Poe and his father, which is why he ran off to be a spice runner. But Poe couldn’t ignore the First Order’s growing influence, so he joined the Resistance, following in his mother’s footsteps by becoming a top-tier pilot. The rest is history, with Poe helping destroy the First Order and bringing peace to the galaxy once again. While it would’ve been great for Poe to have a connection to Cassian, both heroes’ achievements can stand on their own, and Star Wars still has room to give the newest Andor an amazing story of their own.

Andor Season 2 is streaming on Disney+.

Are you disappointed that Cassian Andor’s son can’t be Poe Dameron? Do you hope the newest Star Wars character returns in another project? Let us know in the comments below!

The post No, Cassian Andor’s Son Isn’t Poe Dameron Like Some Fans Think appeared first on ComicBook.com.

The Star Wars galaxy on Disney+ has something for everyone, offering a rich variety of stories across live-action and animation. From gritty tales of rebellion to epic sagas of Jedi and Sith, and the return of familiar beloved faces (such as Ewan McGregor as Obi-Wan and Hayden Christensen as Anakin), these series have become essential additions to the Star Wars canon, catering to fans of all ages. Each show brings its unique artistic vision and focus, enriching the understanding of the franchise as a whole. In this ever-expanding streaming landscape, these Disney+ Star Wars series continue to captivate and entertain fans of all ages.

15) Young Jedi Adventures

Young Jedi Adventures is an animated series specifically designed for a younger audience, focusing on a group of Jedi younglings as they learn the ways of the Force and embark on various adventures. Set during the High Republic era, the series introduces young viewers to the core values of the Jedi Order and the excitement of the Star Wars galaxy in an accessible and engaging way.

While not intended for the same audience as the other Disney+ Star Wars series, Young Jedi Adventures serves an important role in introducing a new generation to the franchise. Its emphasis on themes of friendship, teamwork, and compassion aligns with the fundamental principles of the Jedi and provides a positive and engaging entry point into the Star Wars universe for young viewers.

14)Star Wars: Visions

Star Wars: Visions is a unique and artistically adventurous animated anthology series featuring nine distinct short films created by various Japanese animation studios. Each short presents a unique Star Wars story with its own visual style and cultural influences, offering fresh and imaginative perspectives on the galaxy far, far away.

The series represents a bold and experimental departure from traditional Star Wars storytelling, showcasing the franchise’s potential for diverse interpretations. The overall project is a testament to the enduring appeal and adaptability of the Star Wars universe, paying homage to the culture that initially inspired George Lucas. Star Wars: Visions’ different animation styles make it a fascinating and visually stunning entry in the Star Wars canon.

13) The Acolyte

The Acolyte is the first on-screen adaption of Star Wars media set during the High Republic era, long before the events of the Skywalker saga. The series follows Osha – a failed Jedi Padawan who was rescued by Jedi Knights when her community was seemingly killed in an accidental first, including her twin sister Mae. It is a mystery thriller that explores the emergence of dark side powers in the form of “The Stranger” –  a mysterious Sith who disguises himself as a commoner named Qimir (played by Manny Jacinto) – in a time of Jedi prosperity. 

RELATED: Data Reveals Disney Shouldn’t Have Cancelled The Acolyte Season 2 (Could It Return?)

With a focus on Osho reuniting with her former Jedi Master, Sol, to investigate a series of crimes relating to her past, the show offers a unique perspective on a relatively unexplored period in Star Wars history. Lee Jung-jae’s portrayal of Master Sol and Dafne Keen’s Jedi Padawan Jecki Lon are highlights of The Acolyte, leaving fans wanting more of their stories. However, The Acolyte was not renewed for a second season, despite a devoted fan base clamoring for more.

12) Tales of the Underworld

Tales of the Underworld is the third installment in the “Tales of” series, this time focusing on Asajj Ventress for three episodes and Cad Bane for the final three. Significantly, the Ventress portion of Tales of the Underworld proved to be one of the most captivating stories, throwing viewers in the middle of an unseen storyline where Ventress and Jedi Knight Quinlan Vos fell in love. The Ventress portion feels like a backdoor pilot to her own series; one which would be extremely entertaining. 

Stripped of the clear-cut distinctions between the light and dark sides that often define the main saga, Tales of the Underworld forces viewers to question the very definition of good and bad. Cad Bane’s origin story, for instance, illustrates the idea that morality is not always absolute and that even those deemed villains may possess relatable motivations or operate within systems that necessitate questionable actions. This exploration of moral gray areas adds a layer of sophisticated depth to the Star Wars.

11) The Book of Boba Fett

The Book of Boba Fett aimed to explore the story of the legendary bounty hunter following his dramatic return in The Mandalorian. The series follows Boba Fett and Fennec Shand (Ming-Na Wen) as they attempt to establish themselves as the new crime lords of Tatooine. While the premise held significant potential, particularly with a story revolving around a beloved character like Boba Fett, the series’ execution earned mixed reviews from fans and critics.

The show’s structure, which frequently shifted focus to the story of Din Djarin, detracted from Boba Fett’s own arc. While Temuera Morrison’s portrayal of Boba Fett leaves nothing wanting, the series struggles to consistently deliver a focused and engaging storyline for his character. Despite its shortcomings, it further develops Boba Fett and Fennec Shand as characters and expands the criminal underbelly of the Star Wars galaxy.

10) Skeleton Crew

Skeleton Crew offers a unique perspective on the Star Wars galaxy, focusing on a group of children who find themselves lost in space after a mysterious event. The series follows their journey as they navigate the dangers of the galaxy and try to find their way home. With a tone reminiscent of the cult classic film, The Goonies, Skeleton Crew explores themes of friendship, resilience, and the challenges of growing up in a vast and often perilous universe.

REALTED: Star Wars: 5 Major Questions That Need Explaining After Skeleton Crew

While a newer addition to the Star Wars Disney+ lineup, Skeleton Crew has garnered attention for its focus on younger protagonists and its exploration of a less-seen side of the galaxy. Jude Law’s involvement adds a notable gravitas to the cast. The series’ ability to blend adventure with coming-of-age themes offers a fresh and engaging dynamic within the Star Wars universe, hinting at a unique and potentially impactful contribution to the overall lore.

9) Tales of the Empire

Tales of the Empire is another animated anthology series that complements Tales of the Jedi, offering perspectives on characters associated with the Galactic Empire. The series delves into the backstories and key moments in the lives of Barriss Offee and Morgan Elsbeth, providing insights into their motivations and their experiences within the Imperial regime.

Similar to Tales of the Jedi, the series excels in its concise storytelling and its ability to shed light on characters who have played significant roles in the Star Wars saga. Its animation style is consistent with Tales of the Jedi, and it offers a valuable counterpoint by exploring the perspectives of those on the other side of the galactic conflict.

8) Ahsoka

Ahsoka brought the beloved animated character Ahsoka Tano into live-action in her own starring series. Continuing storylines from The Clone Wars and Rebels, the show follows Ahsoka’s investigation into the return of Grand Admiral Thrawn and a new and ominous threat to the galaxy – former Jedi Baylon Skull, all while she grapples with her complex past as a former Jedi. Rosario Dawson’s portrayal of Ahsoka has been widely praised for capturing the character’s strength, wisdom, and inner turmoil.

The series successfully translated the visual style and storytelling sensibilities of the animated shows into live-action, featuring thrilling lightsaber duels and delving into deeper aspects of the Force and the mysteries of the Star Wars galaxy. Significantly, Ahsoka marked Hayden Christensen’s first live-action portrayal of Anakin Skywalker as a General during the Clone Wars, the introduction of Rebels characters – Hera, Jacen Syndulla, Sabine Wren, Ezra Bridger, and Thrawn – into live-action, and the first major live-action exploration two critical pieces of Star Wars mythology introduced in The Clone Wars and Rebels: the World Between Worlds and the Mortis Gods. 

7) The Bad Batch

The Bad Batch is an animated series that serves as a direct sequel to The Clone Wars, following the elite clone force known as Clone Force 99 as they navigate the tumultuous transition from the Republic to the Empire and protect the only known female clone – a child named Omega. The series explores their struggles to find their place in a changing galaxy and the definition of family. The characters are well-developed, and the series delves into the early days of the Empire’s rise and the beginnings of resistance.

REALTED: The Bad Batch Ending & Star Wars Saga Connections Explained

The animation style is a continuation of The Clone Wars, and the series manages to balance action-packed sequences with character-driven narratives, as well as cameos by beloved characters (such as a young Hera Syndulla and the return of Asajj Ventress) that are more than just superficial fan service, as each play a significant role in the story of Clone Force 99 and Omega. The Bad Batch’s journey and their interactions with familiar faces make it a significant animated pillar in Star Wars.

6) The Mandalorian

The Mandalorian marked a triumphant return to live-action Star Wars television, captivating audiences with its Western-inspired tone centered on the enigmatic bounty hunter Din Djarin and the endearingly mysterious Grogu (Baby Yoda). The show’s episodic structure allows for exciting adventures across the Outer Rim and the introduction of an expansive cast of supporting characters, including the nefarious Moff Gideon (Giancarlo Esposito) and the first live-action adaptation of Bo-Katan Krzye (played by Katee Sackhoff, who voiced Bo-Katan in The Clone Wars). The finale of the first season even brought Luke Skywalker in all his post-Return of the Jedi glory back to the Star Wars universe.

The poignant relationship between the titular Mandalorian and Grogu provided a strong emotional core that makes their journey all the more touching. While later seasons have faced some criticism for shifting focus and incorporating more established characters, the series’ initial impact on revitalizing Star Wars for a new streaming era is undeniable. Its high production values, thrilling action sequences, and the undeniable charm of its central duo have cemented its place as a significant and beloved entry in the Star Wars saga.

5) Tales of the Jedi

Tales of the Jedi is an animated anthology series that gives concise and impactful glimpses into the lives of various Jedi during the prequel era. Each episode presents a self-contained story, focusing on Ahsoka Tano, Count Dooku, and Qui-Gon Jinn. This detailed “behind-the-scenes” look at integral characters in Star Wars canon provides a deeper understanding of their backgrounds, motivations, and pivotal moments in their journeys. We see how Ahsoka was recruited to the Jedi Order as a child by Jedi Master Plo Koon and how Count Dooku became disillusioned by the strict and oftentimes contradictory Jedi Council, leading to his defection to the dark side.

The series excels in its succinct storytelling and its ability to explore significant moments in the lives of these beloved characters. Its animation style is visually captivating and stays true to the tone and atmosphere of the prequel trilogy. While not a traditional ongoing series, Tales of the Jedi offers valuable background and enriches the Star Wars lore in meaningful ways.

4) Obi-Wan Kenobi

Obi-Wan Kenobi provides fans with the highly anticipated return of Ewan McGregor as the legendary Jedi Master for the first time since Episode III: Revenge of the Sith. Set only a few years after Revenge of the Sith, the series explores Obi-Wan’s secluded life on Tatooine and his unexpected mission to rescue a young Leia Organa –  daughter of his fallen apprentice, Anakin Skywalker and the late Padme Amidala. The series offered valuable insights into Obi-Wan’s emotional state following the devastating fall of the Jedi Order and his enduring sense of responsibility.

RELATED: We Finally Know Why Obi-Wan Didn’t Raise Luke Skywalker on His Own

The reunion between Obi-Wan and Darth Vader, once again powerfully portrayed by Hayden Christensen, was a significant highlight, delivering emotionally charged and impactful confrontations. While the series experienced some uneven pacing and certain narrative choices were debated by fans, McGregor expertly portrayed a hardened and lonely Obi-Wan, resigned to the barren desert of Tatooine in his lone mission to protect the galaxy’s greatest hope – Luke Skywalker. The in-depth exploration of Obi-Wan’s character during these early years of his isolation made it a meaningful addition to his story.

3) Star Wars: The Clone Wars

Star Wars: The Clone Wars stands as a cornerstone of Star Wars animation, significantly expanding lore and character development of the prequel era. Spanning seven seasons, the series provides crucial context for the Clone Wars, delving into the complexities of the conflict and the precarious position in which it put the Jedi – peacekeepers turned military leaders . It offers an in-depth exploration of iconic characters like Anakin Skywalker and Obi-Wan Kenobi, and introduces the unforgettable Ahsoka Tano, whose journey became a central and deeply compelling arc.

The series is lauded for its evolving animation style, intense fight scenes (particularly Ahsoka vs. Maul in The Siege of Mandalore arc), its mature storytelling that often tackled complex themes, and its profound enrichment and addition to the Star Wars lore. It provided crucial backstory for characters and events seen in the films and introduced new and memorable figures –  Saw Gerrera, Bo-Katan and Satine Kryze, and Savage Opress to name a few–  who have become integral to the Star Wars universe. The final season, in particular, was celebrated for its emotional depth and its powerful connection to the events of Revenge of the Sith.

2) Star Wars Rebels

Star Wars Rebels is an animated series that takes place in the four years leading up to A New Hope, focusing on the formative years of the Rebel Alliance through the perspective of a small rebel cell in the Outer Rim. The series follows the crew of the Ghost – Kanan Jarrus, Hera Syndulla, Ezra Bridger, Sabine Wren, Garazeb “Zeb” Orrelios, and Chopper – as they stand against the growing tyranny of the Galactic Empire. Rebels is highly regarded for its strong character development, its nuanced exploration of the Force, and its seamless integration of elements from The Clone Wars.

The series skillfully carved out its own identity while also enriching the wider Star Wars universe, featuring meaningful appearances from iconic characters like Ahsoka Tano, Darth Vader, and Grand Admiral Thrawn. Its themes of hope, family, and resistance make Rebels a quintessential addition to Star Wars, leading to the characters adaptation into live-action in Ahsoka.

1) Andor

Andor has firmly established itself as a pinnacle of Star Wars television, and quite frankly, television as a whole. Its grounded and mature storytelling meticulously explores the early stages of the Rebel Alliance, delving into political intrigue and the complex and gray areas in the world of espionage. Though Diego Luna’s complex portrayal of Cassian Andor anchors the series and showcasing his transformation from a cynical survivor to a dedicated revolutionary, the series excels in crafting believable and intricate storylines for every character, each of which are of equal importance in the grand scheme of things and not just for the titular Andor.

The focus on the ordinary individuals who fight and sacrifice to resist oppression is perhaps best seen in Episodes 8 and 9 of Season 2 – “Who Are You” and “Nobody’s Listening!” – showcasing the tragic results of the Empire’s year long campaign leading up to the Ghorman Massacre, as well as Mon Mothma’s pivotal speech denouncing Palpatine that led to her officially absconding to Yavin to become the leader of the Rebel Alliance. 

RELATED: Andor’s Most Intense Scene Happened Outside the Battlefield

The show’s strength lies in its sophisticated plotlines, richly developed characters, and its willingness to explore the darker realities of the galaxy without relying heavily on familiar Star Wars tropes. Season 2 bridged the years leading up to the events of Rogue One: A Star Wars Story, giving fans a powerful, heartbreaking, and poignant conclusion to Cassian’s journey. The widespread critical acclaim and enthusiastic audience reception of Andor‘s first season, combined with its stellar final chapter, definitively place it at the top of this ranking.

The post Every Star Wars Disney+ Series Ranked appeared first on ComicBook.com.

Star Wars has spent its best years covering the Galactic Civil War. After the original trilogy focused on nothing but the conflict and the prequels spent another three movies setting it up, Lucasfilm dropped more projects set in the same era. Star Wars Rebels featured a small group of rebels fighting back against the Empire, while Rogue One: A Star Wars Story told the story of the group of heroes who stole the original Death Star plans. The latter was so successful that it spawned a spinoff on the Disney+ streaming service, Star Wars: Andor, which ran for two seasons.

Despite its titular character’s fate being sealed, Andor introduced some great Star Wars characters with their own stories worth exploring in a galaxy far, far away. Add them to the list of figures from Rogue One who still need spinoff shows, and there’s plenty for Lucasfilm to sink its teeth into.

1) Luthen Rael

There are few Star Wars characters as interesting as Luthen Rael. A former Imperial soldier who starts an artifact business as a front, he builds a network of spies across the galaxy. While Andor focuses on his actions leading up to the events of Rogue One, there are two decades worth of stories about how he builds his organization and avoids detection by the Imperials down the street from his home in Coruscant.

2) Kleya Marki

Luthen’s operation doesn’t work without Kleya Marki, a girl he adopts after defecting from the Empire. She becomes his most important confidant, constantly working the radio that lets Luthen stay in contact with his agents in the field. Her place in the galaxy at the end of Andor is pretty surprising given what happens to her boss, so there’s plenty of potential for a story about her during the events of the original trilogy or even beyond.

3) Mon Mothma

Senator Mon Mothma is one of Andor‘s biggest players, and she also appears in some crucial scenes in Rogue One. While that may make it seem like she’s had enough time in the spotlight, there’s room for a show about her time with the New Republic. Star Wars: Ahsoka shows how high up she is in the new government and that she has her fair share of detractors. A solo series can expand on that and dive into Mon’s feelings about the New Republic as the First Order gains influence.

4) Guardians of the Whills

When Cassian and Jyn Erso arrive on Jedha to meet with Saw Gerrera in Rogue One, they come across two fascinating characters, Baze Malbus and Chirrut Îmwe. Both of them have a connection to the Guardians of the Whills, a religious order that’s as obsessed with the Force as the Jedi. While the Guardians have had plenty of adventures in the books and comics, they haven’t gotten enough love in live-action, making them prime candidates for a spinoff show.

[RELATED: After Andor and Rogue One, This 42-Year-Old Star Wars Question Is Even More Baffling]

5) Darth Vader

Darth Vader might only appear in a couple of scenes in Rogue One, but it’s hard to argue with the idea of the Sith Lord getting a solo series. He’s incredibly active during the period between Star Wars: Revenge of the Sith and Star Wars: A New Hope, hunting down Jedi and leading Empire operations. A show just about Vader can explore the character’s psyche as he commits horrible acts in Emperor Palpatine’s name.

6) Dedra Meero

Andor‘s ending is pretty hopeful, with plenty of characters finally finding their footing in the Rebellion. However, Dedra Meero gets the short end of the stick. After dedicating herself to the Empire, she ends up in prison for botching Luthen’s arrest. But she’s not just in any cell; she’s in one on Narkina 5, where they build parts for the Death Star. Dedra will likely spend several years working on a superweapon she’ll never get to see, but once the Empire falls, she could end up anywhere.

7) Cassian Andor & Bix Caleen’s Child

The final few episodes of Andor don’t spend much time explaining where Bix is because Cassian is busy rescuing Kleya from Coruscant. However, just when it looks like things are wrapping up as the start of Rogue One closes in, Andor travels to Mina-Rau, where Bix is hiding out with her baby. Having another Andor in the mix opens up a world of possibilities, and while it would be nice for them to live a peaceful life, the rise of the First Order may force them to follow in their father’s footsteps.

Star Wars: Andor Season 2 is streaming now on Disney+.

Would you like these Star Wars characters to get their own spinoffs? Which other characters do you think belong on this list? Let us know in the comments below!

The post Star Wars Needs to Give These Andor & Rogue One Characters Their Own Series appeared first on ComicBook.com.

Star Wars loves a good parallel. Some are obvious, such as Rey starting her journey in Star Wars: The Force Awakens on a desert planet, just like Luke Skywalker, while others take effort to see, like Leia Organa wearing the same colors her father dons during the Clone Wars. However, the Lucasfilm project that brings things full circle the most is Star Wars: Revenge of the Sith. Being the movie that sets the stage for the original trilogy, it’s no surprise that Revenge of the Sith spends so much time putting the pieces in place and teasing events that are yet to come.

All of Revenge of the Sith‘s hard work means there’s not a lot of room for other Star Wars projects to touch it. But Star Wars: Andor Season 2 chooses to honor the movie’s tragic ending by putting one of its characters in the same bind as Anakin Skywalker and having them make a different choice.

Bix Knows What’s at Stake in Andor Season 2

The walls are closing in during Andor Season 2. After the events on Ferrix, Cassian Andor’s allies, including his girlfriend, Bix Caleen, resettle on the planet Mina-Rau. They’re all waiting for Cassian to return, but he’s unable to make it back until the Empire is doing visa checks, cracking down on undocumented individuals. Bix has to fight to survive when an Imperial attempts to assault her, leaving her shaken up. The next couple of years aren’t all that kind to Bix, and even when she’s on Yavin 4 with Cassian, things don’t feel right.

What’s really eating at Bix is that Cassian refuses to dedicate himself to the Rebellion cause. She knows they’re fighting for more than themselves, but he’s unable to see the bigger picture. After a brief interaction with a Force healer, who tells Bix just how important Cassian is, Bix leaves Yavin 4, leaving Cassian a message about reuniting once the mission is complete. While Cassian is hurt, he takes her words to heart and becomes instrumental in the Death Star’s destruction.

Bix and Cassian’s love story ends up being a tragic tale after the destruction of Scarif, and the knife gets twisted even further when Andor‘s final shot reveals that Bix has a baby. However, the Disney+ series’ final moments are actually remarkably hopeful, with Bix and her child looking to the horizon as the galaxy begins to take back its freedom. It makes one wish that Anakin had taken a page out of Bix’s book in Revenge of the Sith.

[RELATED – Star Wars Fans Stunned by Andor Character’s Death (But We All Should Have Seen It Coming)]

Anakin Skywalker Is Nothing but Selfish in Star Wars: Revenge of the Sith

Like Bix, Anakin loses plenty of important people. Qui-Gon Jinn, the Jedi who promises to guide him, dies at the hands of the Sith, and Shmi Skywalker loses her life before Anakin can reunite with her. By the time Revenge of the Sith rolls around, Anakin is desperate to keep his wife, Padmé Amidala, alive. Things become complicated when Padmé reveals she’s pregnant, but Anakin still feels like he can find a way to keep everyone safe. Unfortunately, the Jedi don’t trust him, so he turns to the one other person in his corner, Chancellor Palpatine. The rest is history, with Anakin turning to the Dark Side and losing his family in the process.

Padmé really tries to give her husband an out, though, offering to leave the conflict behind and start anew someplace safe. And had Anakin taken her up on her offer, things would have played out very differently. After all, without Anakin, there’s no guarantee that Palpatine wipes the Jedi off the map so quickly, and even if he does, two powerful Force users, Luke and Leia, are coming down the pipeline and have their father training them. After all the work he put in, Anakin wanted to see the job done, but Bix had just as much skin in the game and knew the right thing to do was to walk away. The tough choices are never the easy ones, and Andor proves that the people willing to give up everything usually end up on the right side of history.

Star Wars: Andor Season 2 is streaming on Disney+.

Do you think Bix made the right choice in leaving Cassian behind in Andor? Do you think Anakin’s situation in Revenge of the Sith is similar? Let us know in the comments below!

The post Andor’s Finale Flips Revenge of the Sith’s Ending on Its Head appeared first on ComicBook.com.

Syril Karn’s journey into the heart of Imperial darkness wasn’t forged in the aftermath of Ferrix or by his own treatment as a devoted Imperial officer. The seeds of his disillusionment, the potential for a different path, were sown much later — years later — during his time on Ghorman. It was there, amidst the simmering resentment and the Empire’s suffocating control, that Syril first encountered the brutal realities he would later try to rationalize. His experiences on the oppressed world, culminating with the revelation that his trusted partner, Dedra Meero, had been lying to him for a year, and the horrifying Ghorman Massacre, could have shattered his faith entirely. 

Instead, at the last moment, where he could have chosen rebellion, Syril’s obsession with Cassian Andor overpowered any logic, ultimately leading to his tragic fate.

Syril Failed to See the Real Evil Until it Was Too Late

Stationed on Ghorman, Syril witnessed firsthand the Empire’s casual disregard for the local populace, even spending a full year among the rebels and learning about their plight. The subtle oppressions, the stifled freedoms, the ever-present fear – these were the backdrop of his daily routine. This proximity to injustice, even as an agent of it, could have begun to chip away at his unyielding loyalty to the Empire. Yet, he remained loyal to the mission he believed in: betraying the rebels and passing their intelligence to the Imperial Security Bureau. The eventual crushing revelation that he had been lied to for an entire year was a devastating blow. Not only was his trust betrayed, but the very foundation of his understanding of his work crumbled. The justice he thought he was serving was built on a foundation of deceit. 

The Ghorman Massacre itself was a pivotal, transformative event, and a chilling display of Imperial brutality. As seen in Season 2, Episode 8 of Andor, it wasn’t just a suppression of dissent; it was a carefully orchestrated genocide. For a man like Syril, who craved order and believed in its inherent goodness in upholding Imperial rule, such blatant brutality could have and should have been a profound shock, forcing him to confront the moral bankruptcy at the core of the system he served. This horrific event could have been the catalyst for a quiet rebellion within Syril. Standing in disbelief in the middle of the massacre, he could have chosen to seek answers to burning questions. Why would the Empire murder innocent people? What was the truth behind the rumors surrounding Imperial drilling equipment being transported to Ghorman? Why did Dedra purposely keep him in the dark?

RELATED: Andor’s Latest Major Death Led to the Most Devastating Star Wars Line of All Time

After the back-to-back blows to his worldview, the path towards defection was only one decision away. These events could have fueled a desire for genuine justice, a yearning to align himself with the oppressed rather than the oppressors. Yet, any path forward or step towards redemption and rebellion takes a tragic detour the moment Syril spots Cassian Andor in the midst of the Ghorman Massacre. The humiliation of his failures on Ferrix, which translated (at least in Syril’s mind) to his diminished station in life, was directly linked to Cassian Andor. Instead of recognizing Andor as a symbol of resistance against the lies he had witnessed, Syril fixated on him as the source of his personal downfall. The rage he had harbored for Cassian was stronger than his sense of morality; his perception of the evils unfolding in front of him.

If Syril had been of right mind, perhaps he would have chosen to revolt against the real source of his suffering: the Empire. However, Syril has been defined by his yearning desire to capture Cassain since the beginning of the series. While a world in which he becomes a rebel is intriguing, his choice to lash out at Cassian was perfectly in character. Syril could never have grown into a real impactful member of the rebellion so long as he blamed his personal downfall on outside factors.

In the end, Syril’s arc serves as a poignant tragedy of missed opportunities.  Dedra’s betrayal and his experience on Ghorman, both before and during the massacre, presented him with a clear view of the Empire’s dark heart and an opportunity to make a difference by siding with the rebel cell he had already infiltrated. He stood at a precipice, capable of turning his back on the lies and joining the fight for freedom. However, his inability to separate Cassian from his own personal failures ultimately sealed his fate, overpowering any logic that may have dominated in that moment. He became a victim of his own wounded pride, a stark reminder of how easily the potential for enlightenment can be overshadowed by the corrosive power of personal obsession, leading to a tragic end born not of Imperial might, but of his own deeply flawed choices.

The post This Andor Villain May Have Joined the Rebellion (But His Real Ending Was Better) appeared first on ComicBook.com.

The final moments of Rogue One: A Star Wars Story are etched in the minds of fans: Jyn Erso (Felicity Jones) and Cassian Andor (Diego Luna), having transmitted the Death Star plans, stand on the idyllic Scarif beach as the results of the planet-destroying weapon hurtle towards them. They embrace in a silent acknowledgment of their shared fate and the impact they’ve had on the galaxy. For many viewers, this embrace sparked a lingering question: why a hug and not a kiss? In a franchise often punctuated by romantic pairings, the lack of a final, passionate kiss felt conspicuous. Now, Andor offers a poignant and deeply satisfying answer, revealing the emotional landscape of Cassian’s heart and solidifying the bond between him and Jyn as one of deep kinship rather than romantic love. 

Through its detailed and emotional portrayal of Cassian’s past and his unwavering loyalty to Bix Caleen (Adria Arjona), Andor reframes the ending of Rogue One, transforming what some perceived as a missed romantic opportunity into a powerful testament to platonic intimacy forged in the crucible of rebellion. Andor masterfully illustrates that love takes many forms, and in the face of imminent annihilation, the comfort of a shared understanding and mutual respect can be just as meaningful, if not more so, than a final kiss.

Cassian’s Unwavering Loyalty to Bix Solidifies His Emotional Priorities

Throughout its two seasons, Andor meticulously crafts Cassian’s backstory, revealing his deep and complex relationship with Bix. Their connection is established early in the series, depicting a history of shared struggles, mutual support, and undeniable affection. Bix is not merely a fleeting acquaintance; she is a crucial anchor in Cassian’s life, someone he trusts implicitly and cares for deeply. Their separation on Yavin, a plan enacted in secret by Bix herself to ensure Cassian committed fully to the Rebellion over their relationship, is a testament to the strength and selflessness of their bond. 

RELATED: After Andor and Rogue One, This 42-Year-Old Star Wars Question Is Even More Baffling

Bix’s heartbreaking decision underscores the deep impact she had on Cassian’s choices and his emotional compass. In the recorded message Bix leaves behind for Cassian after she leaves Yavin under the cover of darkness, she reaffirms her love for Cassian and promises they will find each other after the war. Considering audiences know that her hope is something that will never come to fruition, as Cassian’s story ends with Rogue One, Bix’s message is all the more devastating. If Season 2 of Andor established anything, it is that Cassian’s heart is already occupied, not by a potential romantic interest he meets later, but by the woman who understood him and sacrificed for his commitment to a greater cause. 

This context overhauls Cassian’s dynamic with Jyn. Their interactions in Rogue One, while marked by growing respect and a shared sense of purpose, never suggest a romantic undercurrent that would undermine his established love for Bix. Instead, Cassian and Jyn’s connection blossoms from shared adversity and a mutual understanding of the sacrifices required in their fight against the Empire.  

Jyn and Cassian’s Bond Was Forged in Shared Purpose, Not Romantic Desire

Jyn and Cassian’s journey in Rogue One is characterized by a gradual development of trust and respect born out of necessity and shared risk. Initially, their relationship is fraught with tension, driven by Saw Gerrera’s manipulations and the inherent distrust between two individuals with vastly different backgrounds. However, as they navigate the dangerous mission to Scarif, a deep bond forms, rooted in their shared commitment to retrieving the Death Star plans. Their connection is one of kindred spirits, two individuals who have experienced loss and hardship and find solace in their shared fight against oppression. 

Jyn, hardened by a life of abandonment and rebellion, finds a sense of belonging and purpose alongside Cassian and the other members of their rogue team. Cassian, burdened by his past as a Rebel operative and the loss of Bix, finds in Jyn a determined ally who understands the gravity of their mission. Their interactions are marked by a focus on the task at hand, with moments of vulnerability and shared understanding rather than romantic longing. 

RELATED: Andor Shows Love to a Major Rogue One Character (& It’s Not the One You Think)

The hug on the beach becomes a powerful symbol of this platonic intimacy – a final embrace between two individuals who have faced death together, their bond forged in the fires of rebellion and sealed by their shared sacrifice. A kiss, in this context, would have felt forced and inauthentic to the narrative established in both Rogue One and the subsequent expansion of Cassian’s personal life shown in Andor. The hug resonates more profoundly as a culmination of their shared experience, a testament to the powerful connections that can form in the face of overwhelming adversity, connections that transcend the boundaries of romantic love. 

Andor brilliantly reshapes the future dynamic, ensuring that the poignant ending of Rogue One remains a powerful and heartbreaking testament to the diverse forms of love and connection that can blossom even in the darkest corners of the galaxy.

The post Andor Provides a Heartbreaking Answer to One of the Biggest Debates About Rogue One appeared first on ComicBook.com.

Andor is a masterpiece. There’s really no other way to describe the show. Andor‘s first season surprised viewers with the way it used its setting and characters to tell a story about the dangers of fascism to the most endangered people — refugees and the working poor — while also showing the effects it had on other aspects of society. Star Wars has been in a not-so-great place since Disney took over, but Andor was a refreshing change of pace. Andor‘s second season went further in that direction, showing the horrors of fascism and what it takes to fight against it. Andor Season 2 ended beautifully, and the care it showed to its characters and story paid off.

I think that Andor was a perfect show in every way. Its characters and stories resonated so well because of the care put into every aspect of the series. No one ever expected it to be as good as it was, and it’s going to go down as not just the greatest Star Wars project ever, but also one of the greatest achievements in television history. Star Wars has been in trouble for a while now, and there are a lot of fans who don’t think Andor can be replicated. However, that’s not the case, and more projects like this can be made as long as they learn the lessons of Andor.

Andor Is the Way

Andor succeeded for one reason: craft. Right off the bat, before we even get into anything about the Star Wars stuff, we have to talk about that. The writing, the directing, the camerawork, the sets, and the acting are all examples of a group of people who are devoted to using all of their skills to create a work of art. Starting with creator Tony Gilroy and moving on down, this is a group of people who believed in Andor and put forth their greatest effort to make the show work. Andor, first and foremost, is a story about fascism and what it does to every level of society, something that resonates right now more than ever. Andor would work as a story without the setting of Star Wars because it’s not trying to tell a Star Wars story first and foremost. However, that doesn’t mean that it didn’t tell an amazing Star Wars story, all the same.

Andor used the setting of Star Wars as a universe perfectly. I’m a Star Wars fan who grew up with the West End Games Star Wars Roleplaying Game. I used to buy the sourcebook so I could have more Star Wars lore to devour. I read the Legends’ history of the Rebel Alliance a million times, about the Ghorman Massacre, and Mon Mothma and Bail Organa’s role in the Rebellion. Andor found a way to take the same kind of storytelling from that period of Star Wars and shape it within the new Disney canon. It’s not important that Andor used the story of the Ghorman Massacre so much as they captured the feeling of that horrific event. They brought entirely new aspects to it. They took old ideas and made them a million times better. Not only that, but they also incorporated the new canon ideas set up by shows like Rebels, uniting two different eras of Star Wars storytelling perfectly. This is what Star Wars can be.

RELATED: Star Wars Just Introduced a Major New Character With Andor’s Final Scene

Star Wars, in recent years, has been in a bad place. Star Wars was always a product to a certain extent, sold to fans as much as possible, but under Disney, it’s felt even more like one. However, the stories haven’t really been up to snuff for a lot of fans. Some people want Legends back. Some people don’t. Some people hate the Sequel Trilogy but love the Prequel Trilogy, some people hate the Prequels and love the Sequels. Recent Star Wars projects have failed, both from a viewership standpoint and from a quality standpoint. Most people don’t expect Star Wars to be good anymore. At best, they expect it to be crowd-pleasing fluff. Andor shows that it doesn’t have to be the case.

The key to saving Star Wars as a creative piece of fiction is by doing what Andor did. Don’t start with the idea of telling a Star Wars story because there have to be Star Wars stories; instead, start with the kind of story you want to tell. Andor isn’t about Star Wars; despite being a prequel to a beloved Star Wars movie, it’s about people dealing with fascism. Star Wars is a sandbox where any kind of story can be told, and the story is the important part. If Lucasfilm wants more successes on Andor’s level, they need to find creators with stories to tell that can be slotted into Star Wars, instead of Star Wars stories. Those are the kinds of stories that people get passionate about, and passionate people make better stories.

There Can be More Star Wars Like Andor

Star Wars feels, more often than not, like a cage nowadays. There are things that people expect from Star Wars, and unfortunately, it’s not good stories. They want their canon, their favorites, they want fan service. Andor showed that Star Wars didn’t have to be that way. The series found a way to be everything for everyone because at its core, it’s a story from a group of people who are deeply passionate about that story. They created something amazing. And it can happen again.

Not all Star Wars needs to be Andor quality, but it can still take lessons from Andor. Look at Skeleton Crew — Skeleton Crew was a coming-of-age ’80s kids romp set in the Star Wars Universe. It didn’t have to be a Star Wars story to be entertaining, because the people who made the show had a story to tell that they believed in and wanted to tell, and it was. Andor already showed the way forward for Star Wars, and it works. It’s time to treat the Star Wars Universe as a place to tell stories, not a place just to tell Star Wars stories.

Andor‘s full two seasons are streaming now on Disney+.

The post I Think Andor Is Perfect (Here’s How to Make More Star Wars Like It) appeared first on ComicBook.com.

When developing Star Wars: Andor Season 2, showrunner Tony Gilroy considered including a cameo for an iconic original trilogy character, but he ultimately decided against it. Following the release of the Andor series finale, Gilroy spoke with Screen Rant and detailed his original plans for a Princess Leia appearance. Very early on in the process, Gilroy toyed with the idea of featuring Leia during the Investiture Week festivities that took place halfway through Season 2. In particular, Gilroy attempted to craft a scene between Leia and Mon Mothma, but it never materialized. He noted that the scene in question didn’t get past the conceptual stage.

“There were some nutrients for a scene between her and Mothma that if she was going there at 16 and Mothma had gone to the Senate when she was 16, there was some basic cool things for a scene, but it never got past that, and it never went to the casting stage, or it never got more real than that,” Gilroy said. “I remember talking to [Lucasfilm president Kathleen Kennedy about it and talking to [Star Wars lore advisor Pablo Hidalgo] about it, but it never got traction, and then it became a distraction.“

Prior to the release of Andor Season 2 last month, actress Vivien Lyra Blair, who played young Princess Leia in Obi-Wan Kenobi, revealed that she wouldn’t be reprising the role on Andor. While Leia herself never appeared on screen, her family still played an integral role in the acclaimed drama. Benjamin Bratt replaced Jimmy Smits as Senator Bail Organa in Andor Season 2, as Smits was unavailable due to a scheduling conflict.

[RELATED – Andor Dropped an Easter Egg Even Hardcore Star Wars Fans Probably Missed]

Bratt made his Andor debut in Episode 6, “What a Festive Evening,” which is the episode that features the Investiture party. The actor just has a cameo in the episode, exchanging pleasantries with Mon Mothma and her husband Perrin Fertha. Based on Gilroy’s comments, it seems like this would have been the episode where Leia appeared, getting advice from Mon Mothma about pursuing a career in the Senate.

Andor was never a show to lean on fan service, but a Leia cameo would have come across as organic. The Princess is heavily involved with the Rebel Alliance, emerging as one of the group’s determined leaders at such a young age. It would have made sense to include her, showing how she helped the Rebellion in its earliest days. However, from a certain point of view, it’s easy to see why Gilroy decided against it. It sounds like Leia only would have been part of a single scene for the entire season, which may not have been worth it. If Leia had a cameo and didn’t appear later on in Season 2, fans would have been disappointed. Rather than force something that wasn’t entirely necessary, Gilroy opted to just cut it.

Andor didn’t shy away from featuring Star Wars legacy characters, but they were never included just for the sake of it. Gilroy ensured they had meaningful roles to play, adding depth and richness to figures like Mon Mothma. As great as it would have been to see a teenage Leia working alongside her adoptive father to put the Rebel Alliance together, if Gilroy couldn’t find a way to weave her into the story properly, it was probably best Leia was cut altogether. Fortunately, Lucasfilm didn’t give Gilroy and his team mandates about which characters to include, and Andor Season 2 was able to end the acclaimed series on a high note.

The post Andor Season 2 Cut a Cameo for Beloved Original Trilogy Character appeared first on ComicBook.com.

It’s not exactly a secret that Star Wars: Andor takes place between Star Wars: Revenge of the Sith and Star Wars: A New Hope. After all, it’s about the early days of the Rebellion, so there are plenty of references to notable planets and characters in a galaxy far, far away. However, things go from zero to 100 during Andor‘s final episodes as the events of Rogue One: A Star Wars Story close in. Mon Mothma gets a haircut; Saw Gerrera moves his operation to Jedha, and K-2S0 joins Cassian on all his missions. But Rogue One isn’t the only Star Wars project that focuses on rebels, and Andor is well aware of that.

Andor Season 2’s second batch of episodes finally reveals the details of the Ghorman Massacre that make Mon Mothma sever her ties with the Empire. Cassian helps her escape the Senate after making an impassioned speech, which leads directly into Season 3, Episode 18 of Star Wars Rebels. Andor’s references to the animated series don’t stop there, though, as another one pops up in Season 2, Episode 10, “Make It Stop.”

Luthen Rael Ruins a Pet Owner’s Day in Andor Season 2

Andor‘s final arc finally peels back the curtain on the Empire’s big plan. Luthen Rael’s source within the ISB, Lonni Jung, gets his hands on top-secret files that house information about Orson Krennic’s weapon and reaches out to his rebel contact. Lonni wants some assurances before he tells Luthen too much, but the antiquities dealer has a way of persuading people. Once Luthen gets what he wants, he leaves the meeting immediately to pass on the information to his assistant, Kleya, in case he doesn’t make it off of Coruscant alive.

At first, it seems like Luthen keeps his word to Lonni about getting him safe passage. However, Andor soon reveals that Luthen chooses to tie up loose ends by killing Lonni and leaving him on a bench. The ISB plant remains there until a man shows up with his Loth-cat, which runs up and starts sniffing the corpse before being called back by his owner. The tragic moment drives home the fact that rebels like Luthen have to give up their humanity to win, but incorporating a Loth-cat speaks to an even more powerful theme: the fight for freedom is bigger than any one person.

[RELATED – Andor’s Latest Major Death Led to the Most Devastating Star Wars Line of All Time]

Loth-Cats Help Ezra Bridger and Co. Understand What They’re Fighting For

Lothal is one of the many planets that the Empire exploits. Promising riches for all, Imperial forces take control of the planet and engage in their regular shenanigans. After years of this, Ezra Bridger decides to fight back, which gets him on the radar of a group of rebels, including Jedi Kanan Jarrus. The crew spends the next several seasons fighting back against the Empire, and Lothal never leaves Ezra’s mind. He even shows appreciation for the Loth-cats that run around the planet despite their disdain for him. To him, they represent the innocence that the Empire is trying to snuff out on a daily basis.

Toward the end of Rebels, Ezra and his allies head back to Lothal to free it from the Empire once and for all. A massive battle breaks out, with many rebels losing their lives in the chaos. However, their sacrifices are not in vain, as Ezra, with the help of a few purrgil, sends the Imperials packing and brings peace to Lothal for the first time in years. Sadly, Ezra doesn’t get to see the fruit of his labors because he disappears along with the Star Destroyer threatening the planet, but his legacy lives on. His good friend, Sabine Wren, stays on Lothal, and when Ahsoka Tano arrives to pick her up and start the mission to find Ezra, the Loth-cats are watching on, appreciative of the heroes who got their home back on track.

Andor Season 2 is streaming on Disney+.

Did you notice the Loth-cat in Season 2 of Andor? What other Easter eggs did you catch in the show’s last couple of episodes? Let us know in the comments below!

The post Andor Dropped an Easter Egg Even Hardcore Star Wars Fans Probably Missed appeared first on ComicBook.com.

Star Wars: Andor is already being cemented as the “greatest piece of Star Wars content, ever” by many fans, who enjoyed the profound thoughts, views, and feelings of Tony Gilroy’s prequel TV series. Over two seasons, Andor took what was arguably one of the most underdeveloped (and arguably uninteresting) characters in Rogue One: A Star Wars Story and transformed him into one of the franchise’s greatest heroic icons. It cannot be overstated what a feat it was for Gilroy to craft a longform prequel story to a film that’s already a prequel story itself, and still manage to retroactively infuse deeper meaning and development into characters we already know – not to mention a lead character whose death comes swiftly after first meeting him.

There are a lot of Star Wars fans who are finishing Andor‘s final episodes and hopping right into re-watching Rogue One: A Star Wars Story on Disney+. I did the same, and while it was great to see one of my favorite (if not the favorite) Star Wars movies in a whole new light, seeing the darker, more serious and adult-minded tone of Andor left me thinking something else: now I really want to see that original cut of Rogue One.

Rogue One: The Edwards Cut

It’s no secret now that Rogue One was one of the first cases of Disney and Lucasfilm executives butting heads with their new wave of directors. Gareth Edwards (Godzilla, Jurassic World Rebirth) had the final cut of Rogue One ultimately taken from him and handed to none other than Andor showrunner Tony Gilroy, who completed reshoots and script rewrites to an extent that has never been fully, publicly discussed. In addition to that, industry veteran writers like Christopher McQuarrie (Mission: Impossible – The Final Reckoning), Scott Z. Burns (No Time to Die), and Michael Arndt (Star Wars: The Force Awakens) all added their flavors to Rogue One‘s story at different points.

The changes to Rogue One have been well documented in the years since its release. The biggest was no doubt the climactic Battle of Scarif where Cassian Andor (Diego Luna), Jyn Erso (Felicity Jones), and their crew heist the Death Star plans and transmit them to the Rebel Alliance. Originally, the Imperial facility on Scarif was designed to be spread across two locations – a “vault” holding the data records, and a transmit tower located across the beach at a separate location. That required a much more extensive battle across the beach, as seen in the now-infamous deleted scenes and trailer footage, which were filmed in Edwards’s signature guerrilla shooting style, like a combat journalist embedded in a military unit. Same for the sequence of getting the Death Star plans transmitted to the Rebel fleet above Scarif; fans are all too familiar with the deleted scene of a battered and bruised Jyn limping her way to the top of the transmitter array, only to be ambushed by a waiting TIE Fighter.

That original Battle of Scarif sequence echoes the larger thematic and stylistic tone that Edwards originally had for Rogue One, which was to be a much darker, grittier war film. “It’s the reality of war,” Edwards told fans at Star Wars Celebration 2015. “Good guys are bad. Bad guys are good. It’s complicated, layered; a very rich scenario in which to set a movie.”

Many Star Wars fans still remember the original Rogue One concept artwork shown at that same panel – the thrilling image of a squad of Rebel soldiers in special forces-style gear, landing in the mud and deploying for combat on a dark, rain-soaked night, with their full numbers obscured by fog and shadow. It promised the kind of experience that we really didn’t get until years later with Andor’s pulse-pounding, edge-of-your-seat espionage action and thrills. And while I love the version of Rogue One that now stands, I can’t help but wonder if Gilroy’s vision for Andor wouldn’t sync better with Edwards’ original vision for Rogue One.

Director’s Cuts Aren’t Always a Fix

Of course, it’s a reductive fallacy to think that way, I know. After all, changes were made to Rogue One that I certainly think were for the better. At first, Edwards had Jyn and Cassian survive Scarif, out of fear that Disney wouldn’t back the darker ending. That would’ve been a cop out from the themes of ultimate sacrifice and faith in an unpromised future that not only resonate so powerfully in Rogue One, but are directly responsible for creating the gallows irony that made Andor hit so hard (down to its twist ending final scene). Saw Gerrera’s (Forest Whitaker) Rogue One role was revised to be a tragic swan song for the broken revolutionary, which Andor has only helped cement as the right ending to the character’s epic arc through Star Wars. Multiple script revisions and reshoots all had to be done before proper introduction scenes for Cassian and Jyn (and others) made it into the final film, including Cassian executing his informant, Tivik, an act that came to define the character as a Star Wars antihero cut from a different cloth.

I’m happy for Star Wars to have the epic three part saga that is Andor, Rogue One, A New Hope, and while I wish that Disney would’ve had the confidence to make the kind of project on the big screen that Gilroy later did on the small screen, I think we’ve all learned an important lesson about what can happen when you wish too hard for an alternate cut of popular film. Let’s not go there again.

Andor, Rogue One, and Star Wars: A New Hope are all streaming on Disney+.

The post After Andor, I Really Want to See That Original Cut of Rogue One appeared first on ComicBook.com.